The world’s most copied dog photographer is taking us behind the scenes on her adventures in a brand new podcast. Kaylee Greer and Sam Haddix host the show that aims to entertain and educate listeners. The duo recounts their photoshoots, sharing their mistakes and learning experiences as well as their success stories in ‘Adventures in Dog Photography.’
Here’s a letter from me, a reformed influencer. We’ve covered the many changes to social media for photographers in 2022, including the VERO vs Instagram debate, the time we should spend on social media, and how Instagram is switching to a more video-centric feed. I’ve been thinking long and hard about social media for photographers, and I think I’ve cracked a piece of the puzzle. What I’ve found is particularly useful when it comes to mindfulness and mental health and here it is:
The world is full of emerging artists, and today we want to shine a spotlight on somebody we recently found. Paul Kober (instagram) is a 60-year-old wildlife photographer from Holland, MI, USA, with a knack for anima photography. He’s also a musician, and he combined his two passions to create some very unique photos right in his backyard. I asked him for a closer look at his images and how he makes them.[Read More…]
It’s time for another software battle! So far, we’ve compared AI photo sharpening and AI photo noise reduction. Next up, is AI photo upscaling, and we’re putting Adobe Photoshop, Topaz Gigapixel AI, Skylum Luminar Neo Upscale AI, and ON1 Resize AI 2023 up against each other. Upscaling images is important for print purposes, and it even slips in with pro-stock shooters who need to create images at specific resolutions. Having AI helps us by upscaling whilst preserving details and filling in the blanks sounds great, but which software does it best?
Machine Learning and Artificial Intelligence are all around us. I firmly believe the future of photography is computational, and we currently have a whole range of companies fighting to make the best progress in AI. Here at DIYPhotography, we’re putting various elements of AI head-to-head to determine the best software on the market. We recently covered AI Noise Reduction, and today we move on to Sharpening.
Artificial Intelligence and Machine Learning are everywhere in photography now. I recently wrote about whether we should be worried about AI in photography. My conclusion is that we shouldn’t. Today I’m demonstrating the power of AI in the form of a battle, putting the leading noise removal software head-to-head. I’ve searched through my raw images to find a particularly noisy shot to work with. [Read More…]
Adobe Photoshop introduced the Subject Select feature in a 2018 update, but it’s more useful to us as photographers than we may have first thought. The ability to select a subject on command is a great feature that can help us with our creative vision, too.
The subject of a photograph is the most important feature. The subject guides our composition, exposure, lighting, and all other creative decisions. Our subject is the main focus of our scene, both figuratively and literally. It should be the sharpest point across the scene as well as being the obvious main feature our viewers are compelled to look at. We can use a simple trick in Adobe Photoshop to check whether our image has a subject. Here’s what to do:
The wireless microphone space is growing. Content creators, particularly mobile content creators, are looking for great sound solutions. In this article, I want to talk about what happened when I put the DJI Mic and the Røde Wireless Go 2 head-to-head. I did this in partnership with Kersten Luts of the Camera Shake podcast for some real-world results.
Whilst this fight is between DJI and Røde, it’s worth noting that there are plenty of other options available. Joby offers the Wavo AIR, Godox offers the MoveLink (reviewed here), and Sennheiser offers the XSW-D, as just a few examples. They all fall around a similar price point, and all offer great sound in a small package. Let’s get straight into the battle!
Smartphone photography is on the rise, there’s no question, and we’ve had our eye on the ShiftCam ecosystem since their Kickstarter announcements. The ShiftCam ProGrip has gone beyond the Kickstarter phase and is now out there for purchase, along with other items in their line-up. There are other systems available to hold our smartphone and make it look and feel more like a camera, but ShiftCam seems to be up there as one of the better systems. Here’s why:
As a travel photographer and educator, I am constantly shooting, and when I don’t have my ‘proper’ camera with me, I turn to my iPhone. It’s often said that the best camera is the one you have with you, and with the advances being made in phone camera tech, I find myself using the images I make with my phone more and more often. To that end, I want to be able to treat my phone more like a ‘proper’ camera, and part of that experience involves the look and feel. Rather than feeling like I’m holding a phone, I often want to feel like I’m holding a camera. And beyond that, I want to be able to attach my phone to my tripod.
This is a tricky article to write. I’m writing it because of observations I’ve made within the photography community, so here goes.
As photographers, we all know that copying other photos and reverse engineering them is part and parcel of our learning experience. We’ve all been on more or less the same journey, impressing ourselves with what we now know to be rather cliché shots that, at the time, we thought were amazing. I’m talking about selective colour, Dutch tilt, and all the stuff that we learn from and leave behind as we find our own photographic voice. There are some examples around of more extreme learning where photographers are literally cloning the work of others in a copycat fashion, and that’s what I want to try and pick apart today.