Samyang has announced a brand new lineup of its affordable XEEN cine lenses. The new and improved XEEN CF line is coming in five focal lengths, from 16mm to 85mm. They’re compact and lightweight, and they’re the first full-frame cinema lenses which incorporate carbon fiber into the lens barrel.
Samyang has just announced a tiny new 45mm f/1.8 AF lens for Sony FE
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Samyang, also known as Rokinon in some parts of the world, has announced a new full frame 45mm f/1.8 compact autofocus lens for Sony E mount. Samyang says that it’s been designed specifically for Sony mirrorless cameras and isn’t just a rehash of another lens with a new mount. It is their third compact lens and seventh autofocus lens designed for Sony mirrorless.
Samyang announces the first low-budget 14mm f/2.8 and 85mm f/1.4 lenses for Nikon Z-mount
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Samyang has just announced a pair of manual focus lenses for Nikon Z cameras. They are a wide-angle 14mm f/2.8 and an 85mm f/1.4, just like the recently announced lenses for Canon RF.
Samyang has announced two low budget 14mm f/2.8 and 85mm f/1.4 RF lenses for Canon EOS R mirrorless
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Samyang has announced two new manual focus lenses for use on the Canon EOS R. EOS RP and future RF mount cameras. Taking two wild extremes, one is an ultrawide Samyang RF 14mm f/2.8 full frame lens offering a 116° field of view. The other is the Samyang RF 85mm f/1.4 lens, aimed squarely at portrait shooters.
Samyang announces 10mm f/3.5, the world’s widest lens for full frame DSLRs
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At last year’s Photokina, Samyang showed off “the world’s widest lens for full frame DSLRs,” and now it’s officially announced. The Samyang 10mm f/3.5 is not a fisheye: it’s a rectilinear lens and Samyang promises that it offers “zero distortion.”
Samyang expands their “XPERT” lens lineup with the XP 35mm f/1.2 for Canon EF
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While the brands battle it out over who has the largest mount and whose lenses can have the widest apertures, Canon’s DSLRs have proven they have no problem with wide aperture f/1.2 lenses. And Samyang has been adding to that f/1.2 collective again, expanding their “XPERT” line of lenses with another new announcement.
Starting off the XP series with a 24mm f/1.4 and 85mm f/1.2 lenses, they later added a 50mm f/1.2. But this left a rather obvious hole. Now Samyang is filling that hole with the announcement of the Samyang XP 35mm f/1.2 lens for Canon EF.
How does the Samyang AF 14mm 2.8 stack up against the 3X priced Canon 14mm 2.8 lens
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When it comes to buying a new lens, the question is always there: Do I buy the Brand’s lens (Canon, Nikon, etc.) or do I buy a third party lens for a fraction for the price. I was wondering the same thing. Specifically with regards to $2,1000 Canon EF 14mm f/2.8L II USM Lens vs the (a third of the price) $700 Samyang Rokinon AF 14mm f/2.8 Lens for Canon EF*. We were surprised by the results. [image above shot with the Samyang lens]
Samyang shows off XP 10mm f/3.5 at Photokina – World’s widest lens for full frame DSLRs
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Despite appearances, the new Samyang XP 10mm f/3.5 is not a fisheye. It’s a rectilinear lens, which Samyang says offers “zero distortion”. It’s a manual focus lens designed for full frame DSLRs. Samyang claims that it’s the widest lens out for full frame DSLRs, too, just edging out the Irix 11mm f/4.
Samyang launches their first Nikon AF lens – a 14mm f/2.8 full frame ultrawide
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Although Samyang have been making manual focus F Mount lenses for a while now, their autofocus efforts seem to have been elsewhere. And while Sony and Canon might have drawn all of Samyang’s attention in the past, it looks like that’s changing.
Today, Samyang has announced the new Samyang AF 14mm F2.8 F for Nikon F Mount. Yes, their first entry into the world if Nikon autofocus is a 14mm ultrawide full frame lens. A lens that has the entire world in focus once you’ve focused more than 5ft in front of you.
Samyang to release low cost 2x anamorphic cinema lens
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Anamorphic lenses have been the domain of high-end cinema for a long time. They were a way to get around the limitations of relatively narrow film to shoot widescreen (and wider) footage. As digital sensors have typically taken on the traditional 4:3 and 3:2 aspect ratios of film (yes, there are a few 16:9 ones out there), anamorphic lenses have become favourites with digital, too.
But anamorphic lenses are expensive. Crazy expensive. It seems, though, that more affordable solutions may be on the horizon from Samyang/Rokinon. Backed by the Korean Film Council, it seems that Samyang already has at least a working prototype, according to these photos.
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