Samyang has announced two new manual focus lenses for use on the Canon EOS R. EOS RP and future RF mount cameras. Taking two wild extremes, one is an ultrawide Samyang RF 14mm f/2.8 full frame lens offering a 116° field of view. The other is the Samyang RF 85mm f/1.4 lens, aimed squarely at portrait shooters.
While the brands battle it out over who has the largest mount and whose lenses can have the widest apertures, Canon’s DSLRs have proven they have no problem with wide aperture f/1.2 lenses. And Samyang has been adding to that f/1.2 collective again, expanding their “XPERT” line of lenses with another new announcement.
Starting off the XP series with a 24mm f/1.4 and 85mm f/1.2 lenses, they later added a 50mm f/1.2. But this left a rather obvious hole. Now Samyang is filling that hole with the announcement of the Samyang XP 35mm f/1.2 lens for Canon EF.
When it comes to buying a new lens, the question is always there: Do I buy the Brand’s lens (Canon, Nikon, etc.) or do I buy a third party lens for a fraction for the price. I was wondering the same thing. Specifically with regards to $2,1000 Canon EF 14mm f/2.8L II USM Lens vs the (a third of the price) $700 Samyang Rokinon AF 14mm f/2.8 Lens for Canon EF*. We were surprised by the results. [image above shot with the Samyang lens]
Despite appearances, the new Samyang XP 10mm f/3.5 is not a fisheye. It’s a rectilinear lens, which Samyang says offers “zero distortion”. It’s a manual focus lens designed for full frame DSLRs. Samyang claims that it’s the widest lens out for full frame DSLRs, too, just edging out the Irix 11mm f/4.
Although Samyang have been making manual focus F Mount lenses for a while now, their autofocus efforts seem to have been elsewhere. And while Sony and Canon might have drawn all of Samyang’s attention in the past, it looks like that’s changing.
Today, Samyang has announced the new Samyang AF 14mm F2.8 F for Nikon F Mount. Yes, their first entry into the world if Nikon autofocus is a 14mm ultrawide full frame lens. A lens that has the entire world in focus once you’ve focused more than 5ft in front of you.
Anamorphic lenses have been the domain of high-end cinema for a long time. They were a way to get around the limitations of relatively narrow film to shoot widescreen (and wider) footage. As digital sensors have typically taken on the traditional 4:3 and 3:2 aspect ratios of film (yes, there are a few 16:9 ones out there), anamorphic lenses have become favourites with digital, too.
But anamorphic lenses are expensive. Crazy expensive. It seems, though, that more affordable solutions may be on the horizon from Samyang/Rokinon. Backed by the Korean Film Council, it seems that Samyang already has at least a working prototype, according to these photos.
It seems like every lens manufacturer’s pushing hard on the Sony FE mount these days. Sigma have 9 of their lenses coming out in a native FE mount. Zeiss look set to announce a new Batis 40mm f/2.0 soon, and now Samyang. There’s not really anything known about the lens other than what we can see in the pictures. But we do have pictures, thanks to Nokishita.
Samyang has now officially announced their new XP 50mm f/1.2 lens. It’s the third in the “XPert” series designed specifically for full frame Canon EF users. It adds to the XP 24mm f/2.4 and XP 85mm f/1.2 announced last September. Unlike the 24mm f/2.8 EF lens announced last month, this is a manual focus lens, to match rest of the XP series.
Designed to take advantage of 50MP+ and 8K resolutions, the XP line is built for premium quality. It houses 11 elements in 8 groups, with ultra multi-coatings to minimise distortion, aberration, flare and ghosting. 9 aperture blades help to create pleasing out of focus “bokeh” with that bright, wide, f/1.2 maximum aperture.