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If you’re shooting flash outdoors, your colours are probably wrong. Here’s how to fix it with gels

Aug 29, 2016 by John Aldred 3 Comments

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Shooting on location with flash is one of the fun parts of portrait photography for me. But, depending on the lighting conditions where you’re shooting, your flash may not be putting out the same colour as the ambient light. This means that while your subject may appear perfect, the environment can appear very cool or warm.

In this video, photographer Robert Hall explains the problem how it happens. It’s an easy problem to fix, all you need is a few gels, and Robert shows us how.

Using gels for creative effects is common, especially in the studio. Whether you want to change colour on your subject, or simply the background, gels are your answer. Using them to correct mixed lighting is where they really shine, though.

I have to admit, I tend to not use gels on location with flash as often as I probably should. It’s partly due to the hassle of dealing with gels on location. The rest is down to the fact that I typically use speedlights on location. Already struggling for power, gels can eat up precious light.

With more powerful portable lights like Godox AD360 or AD600 you don’t need to worry about power as much. But, these bulbs can get very hot. So, make sure to use gels that can withstand high temperatures.

Do you use gels on location to get your flash more closely resembling the natural light? What other tricks can you offer for dealing with mixed mode lighting on location? Let us know in the comments.

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Related posts:

I designed and 3D printed a pair of lighting “gels” for shooting more accurate colours underwater Your brain is seeing these colours wrong and here’s why See the pros and cons of using natural light and off camera flash outdoors How to get a good natural light look when using flash outdoors

Filed Under: Tutorials Tagged With: flash, gels, location, location photography, speedlights

About John Aldred

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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