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The DIY Speed Strap – Accessories And Samples

May 10, 2008 by Udi Tirosh Add Comment

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photography_speed_strap_2465826296.jpgIn the previous post I demonstrated my lack of patience by constructing a Honl Speed Strap, while waiting for my Amazon Honl speed strap to arrive.

In this post, I’ll show the accessories I built, and explain their various effects on a picture taken.

All my DIY accessories have real commercial products made by David Honl. While the lighting result is usually similar, I must say that Honl products look way more professional. (In fact they look professional enough that I bought some of them, even when I knew I can make them myself).

But, just before I go into the details of constructing and demonstrating the different accessories, I would like to highlight some of the comments on the original post, dealing with different materials that can be used to construct a better model of the speed strap.

Speed Strap Improvments

German and Victor noted that one can use the back of a mouse pad or trunk mats for the anti slide part; Sean Sullivan noted that you can use Plastidip; James used Silicon and Josef Used Live Strong bands. Best of all Richard provided the true description for gaffer tape: “It is like The Force – it has a light side and a dark side and it binds the universe together”. Now on with the show:

The snoot

Maybe the most powerful add-on to the strap is the snoot (Honl’s version). The snoot is a tube that makes sure that all the light from the flash is only going to a certain place and is not going anywhere else.

To make a snoot that fits the speed strap I simply built the foamy snoot from last year and added a Velcro hook side to the edge of the snoot. To understand the impact of the snoot add-on (and all the other add-ons), I photographed a model with no add-on and then photographed here again with each of the add-ons. (So, I had trouble finding a model at this late time at night – I photographed a Winnie the Pooh playball).

The first image is taken with a bare Nikon SB800. See how light is present all over the scene. The ball is illuminated to the right degree, and the backdrop is illuminated completely white. (Flash is set to 1/32 @ 105mm)

studio photography - speed strap 2465813114.jpg
Image taken with Nikon D70 + 18-200 Nikkor lens

In the next image I added the speed strap and the snoot. See how the ball is illuminated almost the same, but the background is totally dark.

studio photography - speed strap 2465813114.jpg
Image taken with Nikon D70 + 18-200 Nikkor lens

And this is how the flash looks like with the snoot on (top right corner). I used a different setup. Please forgive the non balanced exposure.

studio photography - speed strap 2465813114.jpg

The Gel Head

Next in line is the Gel Head (Honl’s version). The gel covers are also pretty easy to build.

You start with a Rosco sample Gel Pack and pick one of the gels. (The most common uses are for CTO [tungsten balance] and window green [fluorescent balance]).

Here is a picture of some of the gel pack.

studio photography - speed strap 2465813114.jpg

Now, simply attach two small pieces of Velcro (hook side) to each of the edges of the gel. See the picture.

studio photography - speed strap 2465813114.jpg

To demonstrate the effect of the gels I took two pictures. Both with the camera white balance set to “flash”. The first picture was taken with the CTO gel.

studio photography - speed strap 2465813114.jpg
Image taken with Nikon D70 + 18-200 Nikkor lens

The second image was taken with a Window green gel.

studio photography - speed strap 2465813114.jpg
Image taken with Nikon D70 + 18-200 Nikkor lens

The nice thing is that you can combine the gel and the snoot to create a focused effect of a colored area in an image.

The Flag

The last add on I would like to discuss is the flag (Honl’s version). The flag (AKA GOBO) is simply an opaque piece of material that prevents light to go to a certain place.

It is very common to place flags between a light source and the camera for two main reasons: 1. using a flag hides the light source from the camera, and 2. hiding the light source helps to avoid camera flare.

In this picture you can see the flash on the top left of the picture.

studio photography - speed strap 2465813114.jpg

Here the flash is flagged and can not (or hardly) be seen.

studio photography - speed strap 2465813114.jpg

It is also common to use a flag to block the light from reaching the background. In the following image I used two flags on each of the flash sides to block the light both from the backdrop (some light is still getting there, so the backdrop looks grayish)

studio photography - speed strap 2465813114.jpg
Image taken with Nikon D70 + 18-200 Nikkor lens

And this is how the flash looks like with the speed strap and the flag. Note how the light is blocked on half of the background.

studio photography - speed strap 2465813114.jpg

Building The Flag

Again, the flag is not hard to build. I cut a 30cm X 10cm piece of coroplast and attached a hook Velcro on the edge of the coroplast card.

studio photography - speed strap 2465813114.jpg

studio photography - speed strap 2465813114.jpg

The only thing worth mentioning here is that after I used glue to attach the Velcro the little b—–d did not want to stay put, so I placed some heavy box on it until it dried. You can also see the leftovers from the silicon mat I used.

studio photography - speed strap 2465813114.jpg

Other Flash Modifiers:
– Homemade Gridspot
– Flash Mounted homemade DIY Softbox

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Filed Under: DIY Tagged With: DIY Photography & Studio, flash, speed strap

Udi Tirosh: from diyphotography.net

About Udi Tirosh

Udi Tirosh is an entrepreneur, photography inventor, journalist, educator, and writer based in Israel. With over 25 years of experience in the photo-video industry, Udi has built and sold several photography-related brands. Udi has a double degree in mass media communications and computer science.

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Udi Tirosh: from diyphotography.netUdi Tirosh is an entrepreneur, photography inventor, journalist, educator, and writer based in Israel. With over 25 years of experience in the photo-video industry, Udi has built and sold several photography-related brands. Udi has a double degree in mass media communications and computer science.

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