If you’d like to pair your full-frame Sony mirrorless camera with a 28-75mm f/2 lens from Tamron, you’ll soon have a chance to do it. Tamron has announced that they are developing a fast standard zoom lens: the 28-75mm F/2.8 Di III RXD (Model A036), intended for full frame Sony E-mount cameras. They promise high-quality image, weather sealing and quiet autofocus in a lightweight lens. So let’s see the rest of the specs.
Well, that was quick. It was only yesterday that word leaked that Sigma had a 14mm f/2.8 pro zoom in the works. There weren’t even any leaked photos. But now, it’s official Sigma has announced the new 14mm f/2.8 DF HSM Art series ultra wide angle zoom lens. Although how long you may have to wait for it to be able to actually get your hands on one is anybody’s guess.
There’s word coming out of serial leakers Nokishita that Sigma is getting ready to announce a new lens. And if what they say is true that will be a 14-24mm f/2.8DG HSM Art lens. After the introduction of the 24-70mm f/2.8 DG OS HSM Art lens last year, it would be nice to see that Sigma may actually be completing the “Holy Trinity” of pro zooms. Especially after almost a year of 70-200mm f/2.8 Sport rumours that have yet to come to fruition.
A new, huge lens has joined the Nikon family. NIKKOR 180-400mm f/4E TC1.4 FL ED VR is a super-telephoto lens with a built-in 1.4x teleconverter. It lets you extend the focal length from 180-400mm to 252-560mm on full-frame cameras. Used with crop bodies, that’s the equivalent field of view to full frame 378-840mm with the teleconverter activated.
The lens seems to be designed with sports and wildlife photographers in mind. It has plenty of great features, and they come with a price tag of nearly $12,400.
Sony has announced today a new zoom lens for their APS-C cameras. Sony E 18-135mm f/3.5-5.6 OSS is a lightweight, versatile lens, and an “ideal fit” for Sony cameras like a6500, a6300 and a6000. It features optical stabilization and a linear autofocus motor, which should provide you with sharper images with handheld shooting.
Choosing prime or zoom lenses is mainly a matter of preference. And what to choose when you’re shooting portraits? Many photographers would rather reach for primes, but modern zoom lenses can also give you sharp, high-quality images. In this video, Manny Ortiz discusses his choice when it comes to the lens for portrait photography. He tests an 85mm f/1.4 and a 70-200mm f/1.8. They are both great, but they have both advantages and disadvantages.
Sony has recently added another lens to their full-frame E-mount line-up. It’s Sony FE 24-105mm F4 G OSS, a zoom lens that promises to deliver extraordinary quality. Since it covers the commonly used focal range and it has a lightweight design, it can cover different shooting occasions. Other than versatility and small weight, Sony also promises fast, quiet and accurate autofocus with this lens.
In the ever heated debate of Tamron vs. Sigma vs. Nikon/Canon, a new competitor has arrived. Tamron has released an update of their popular 24-70mm f/2.8 lens. Ever since Tamron began to create the new SP series lenses, starting with the 45mm, 35mm, and 15-30mm lenses, they’ve been hitting home runs. Having extensively used the 45mm f/1.8 SP lens, and doing a few shoots with their other new lenses, I had high hopes for the new Tamron 24-70mm f/2.8 G2.
A new zoom lens is coming from Nikon: it’s AF-P Nikkor 70-300mm F4.5-5.6E ED VR. It’s designed for Nikon full-frame cameras, and video shooters will especially find it attractive because of the fast and quiet AF performance.
This is the first FX Nikkor lens with a stepping motor, which makes the AF fast, smooth and quiet. Additionally, it’s equipped with VR function that provides a level of compensation equivalent to a 4.5-stop increase in shutter speed, which is an improvement over their current 70-300 f/4-5.6 lens. Nikon has released a sample video filmed with this lens, along with some more details and specs.[Read More…]
After the unofficial news about the release of Tamron 18-400mm F/3.5-6.3 Di II VC HLD, the company now officially announces it, along with the price and the full specs. This is the world’s first ultra-telephoto all-in-one zoom lens, and it’s made for APS-C DSLR cameras. It covers the range from wide-angle to ultra-telephoto, allowing you to shoot in different kinds of situations.