Fujifilm has just announced two new lenses for its two camera systems. The first is the 16-80mm f/4 R OIS WR, a versatile zoom for Fujifilm’s APS-C X-mount cameras. The second lens is the GF 50mm f/3.5 R LM WR, a compact prime designed for the medium format G-mount GFX system. Let’s check out more details and specs.
Other than the tiniest full frame mirrorless, there are a few more novelties from Sigma today. Three of them, to be exact. Sigma has just announced three out of four rumored lenses for Sony FE: the 35mm f/1.2 Art, 45mm f/2.8, and the 12-24mm f/2.8 Art. We finally have more details of the specs, prices, and availability, so let’s check them out.
It seems that Canon is really on fire today with the announcements. Along with the PowerShot G7 X Mark III and the G5 X Mark II, the company is also announcing the Canon RF 24-240mm f/4-6.3 IS USM lens. If you’ve already bought the Canon EOS RP full frame camera, this lens could be a pretty neat addition to your kit.
Tokina has announced their new “Opera” 16-28mm f/2.8 full frame lenses for Nikon & Canon DSLRs. Sitting at a pretty low price point compared to the Nikon and Canon alternatives, the new lens is targeted towards landscape, architectural and astrophotography uses. Of course, with a lens this short of focal length and this wide of an aperture, there are many other potential uses for it, too.
While the Nikkor Z 24-70mm f/4 S lens was announced along with the Z 7 and Z 6 cameras, Nikon is now introducing the faster version of this standard zoom lens: Nikkor 24-70 f/2.8 S. It’s a lightweight, versatile lens and Nikon promises that it brings together a great performance, high precision, and optical superiority.
If you’re in the market for a 24-70 f/2.8 lens for your Canon camera, there are a few options available. In this video, Matthew Gore goes in-depth about the similarities and differences between Canon 24-70 f/2.8 L II and Sigma 24-70 f/2.8 ART. Both have a good reputation, and the price difference isn’t really big, which makes the decision not so easy to make. So, if you’re having second thoughts which of these to choose, this video could answer some of your questions and help you decide.
Tamron couldn’t stop shouting about its new 28-75mm f/2.8 Di III RXD full frame lens for Sony leading up to its launch. I must’ve received a dozen press releases from them since the beginning of the year announcing its release. Now that its out, though, it seems that it has one big flaw. The autofocus randomly dies, requiring a power cycle of the camera in order to get it working again.
The issue was reported by That1CameraGuy during his initial review of the lens. But now, Tamron has acknowledged the existence of the problem. They don’t know what’s causing it, but they say that they’re trying to figure that out and that a fix will be coming via a firmware update which can be applied through the camera.