Tokina has announced their new “Opera” 16-28mm f/2.8 full frame lenses for Nikon & Canon DSLRs. Sitting at a pretty low price point compared to the Nikon and Canon alternatives, the new lens is targeted towards landscape, architectural and astrophotography uses. Of course, with a lens this short of focal length and this wide of an aperture, there are many other potential uses for it, too.
While the Nikkor Z 24-70mm f/4 S lens was announced along with the Z 7 and Z 6 cameras, Nikon is now introducing the faster version of this standard zoom lens: Nikkor 24-70 f/2.8 S. It’s a lightweight, versatile lens and Nikon promises that it brings together a great performance, high precision, and optical superiority.
If you’re in the market for a 24-70 f/2.8 lens for your Canon camera, there are a few options available. In this video, Matthew Gore goes in-depth about the similarities and differences between Canon 24-70 f/2.8 L II and Sigma 24-70 f/2.8 ART. Both have a good reputation, and the price difference isn’t really big, which makes the decision not so easy to make. So, if you’re having second thoughts which of these to choose, this video could answer some of your questions and help you decide.
Tamron couldn’t stop shouting about its new 28-75mm f/2.8 Di III RXD full frame lens for Sony leading up to its launch. I must’ve received a dozen press releases from them since the beginning of the year announcing its release. Now that its out, though, it seems that it has one big flaw. The autofocus randomly dies, requiring a power cycle of the camera in order to get it working again.
The issue was reported by That1CameraGuy during his initial review of the lens. But now, Tamron has acknowledged the existence of the problem. They don’t know what’s causing it, but they say that they’re trying to figure that out and that a fix will be coming via a firmware update which can be applied through the camera.
A new wide-angle zoom lens from Venus Optics is soon joining their line-up. As the reports say, they should launch Laowa 10-18mm f/3.5-4.5 in May current year. The lens will be designed for full frame cameras, and there are already some specs leaked.
Leica has just announced a new addition to their SL zoom lens family: Super-Vario-Elmar-SL 16-35 f/3.5–4.5 ASPH. It’s made for Leica’s full frame mirrorless SL system, and it’s made to let you take “a wider view of the world.” With the new 16-35mm, Leica aims for architecture and landscape photographers, but this lens can also be useful for group portraits, weddings, reportage, documentary or travel photography.
In 2010, photographer and filmmaker Ivo Nörenberg approached Canon with a request for an “impossible” lens. He needed a long zoom 4K Super 35mm lens, designed for needs of wildlife video production. Canon said “challenge accepted,” and the CINE-SERVO 50-1000mm T5.0-8.9 was born.
Narrated by Canon’s Larry Thorpe, this video outlines the specs of this $70K lens, but also shows Nörenberg thoughts about it, as well the results it lets him achieve.
If you’d like to pair your full-frame Sony mirrorless camera with a 28-75mm f/2 lens from Tamron, you’ll soon have a chance to do it. Tamron has announced that they are developing a fast standard zoom lens: the 28-75mm F/2.8 Di III RXD (Model A036), intended for full frame Sony E-mount cameras. They promise high-quality image, weather sealing and quiet autofocus in a lightweight lens. So let’s see the rest of the specs.
Well, that was quick. It was only yesterday that word leaked that Sigma had a 14mm f/2.8 pro zoom in the works. There weren’t even any leaked photos. But now, it’s official Sigma has announced the new 14mm f/2.8 DF HSM Art series ultra wide angle zoom lens. Although how long you may have to wait for it to be able to actually get your hands on one is anybody’s guess.