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Recreate this iconic movie scene from 300 using just an iPhone and a 3D printer

Jun 17, 2022 by Alex Baker Leave a Comment
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Every so often a movie is released that really captures the action in an unusual and innovative way. Often the director and cinematographers have to come up with new technology in order to capture that. But, as with all things tech-related, what was once cutting edge and took up an entire room, eventually becomes possible with the device in your pocket.

In this video, Corridor Crew recreates Zack Snyder’s three-camera rig that was used to film the action scenes in 300, all on three iPhone 13 Pros mounted together.

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The secret to those dreamy shallow depth of field shots in Army of the Dead was a 60-year-old Canon lens

May 27, 2021 by John Aldred 7 Comments
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Whether you love or hate Zack Snyder’s latest flick, Army of the Dead (which I have now watched since my last post about it), it sure did have some beautiful cinematography. One shot in particular really stands out. It’s the Michael Bay-esque spinning shot around our heroes as they blast away with their weapons while being told the plan for… Ok, if you haven’t seen it, stop reading now, because there will likely be spoilers here.

If you’ve already seen it, you know which scene I’m talking about – and if you haven’t, watch the trailer above and you’ll figure it out. But that isn’t the only part where we see the ultra-shallow depth of field effect being used to give Las Vegas its slightly surreal appearance. But how did they do it? In an interview with Cinema Blend, Snyder puts it down to the Canon “Dream” 50mm f/0.95 lens.

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Viewers “raging” over camera’s dead pixels in Zack Snyder’s Army of the Dead

May 27, 2021 by John Aldred 28 Comments
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For movie watchers, there’s nothing more upsetting than settling in to watch the latest overhyped movie only to turn on your fancy, way-too-big, expensive TV to discover you’ve got dead pixels on your screen. They just sit there, taunting you, spoiling your viewing experience.

That’s the experience felt by quite a few people who sat down to watch the new Zack Snyder Netflix movie Army of the Dead. At least, it was until they realised that those dead pixels weren’t on their TV, but in-camera, recorded for all time in the movie itself, turning their dispair into “rage”.

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Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

Dave Williams is an accomplished travel photographer, writer, and best-selling author from the UK. He is also a photography educator and published Aurora expert. Dave has traveled extensively in recent years, capturing stunning images from around the world in a modified van. His work has been featured in various publications and he has worked with notable brands such as Skoda, EE, Boeing, Huawei, Microsoft, BMW, Conde Nast, Electronic Arts, Discovery, BBC, The Guardian, ESPN, NBC, and many others.

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

Dunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.

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