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Wireless microphones: Godox Movelink M2 vs Rode GO II

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Neck mics have been around for as long as I can remember. You see them being used on movie sets, TV studios, and with on-location crews. And why not? They offer great sound quality and are not too conspicuous. A few years back Rode introduced the GO system, a mini wireless neck mic, that is a full solution – a microphone and transmitter in one small box, and a receiver in another small box. While it is not as hidden as your usual lav, it is super quick to use, and there is less hustle putting it up.

Since then, Rode came up with a second iteration for their popular Rode Go, the Rode Go II, and now Godox are entering the arena with their own solution, the Godox Movelink M2. Both systems share basic functionality and form-factor, but which is the right one for you?

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Gudsen’s Mirfak WE10 Pro 2.4Ghz dual wireless lav kit records a backup straight to microSD

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Gudsen, manufacturer of the popular Moza line of gimbals has been branching out into audio recently under the brand Mirfak. Their latest release, the Mirfak WE10 Pro is a wireless lav mic system operating at 2.4Ghz. The WE10 Pro comes with a pair of transmitters and a single receiver allowing you to go solo and record just yourself or a two-way conversation or interview with somebody else.

Both the transmitter and receiver feature a built-in battery, providing up to 5 hours of use for the transmitter and up to 8 hours for the receiver. The transmitters have both built-in mics as well as a 3.5mm lav mic socket. They also feature built-in microSD card slots (supporting up to 64GB), so that if you experience dropout or interference, you haven’t lost your recording.

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Hollyland announces Lark 15 Solo Kit wireless lav mic for budget shooters who only need one mic

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Hollyland’s Lark 150 dual wireless microphone kit has been quite popular since its release a few months ago. The original kit contains two transmitters and a single receiver that runs on 2.4Ghz wireless frequencies. A lot of users didn’t want to have to pay for a kit containing a pair of microphones, though when they only needed one.

In response to those needs, Hollyland has now announced the Hollyland Lark 150 Solo Kit aimed towards lower budget users and vloggers. It contains just a single transmitter along with the receiver. But the transmitter is also available to buy now as a separate purchase for those who purchase the Solo Kit, but wish to upgrade to the dual kit in the future.

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Hollyland’s first digital wireless microphone, the Lark 150, charges itself when not in use

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Hollyland has become rather popular for its video transmission systems. We’ve reviewed some of them here on DIYP before and they’ve performed rather well, especially given their price. But now they’re branching out into audio with the launch of their new dual wireless 2.4Ghz microphone, the Lark 150.

It makes sense for a company like Hollyland to add audio into their lineup. With as much kit beaming signals into the air as there are these days, it can be difficult to find equipment that plays well with others. So, one company making both audio and video transmission systems can ensure they work seamlessly together without interfering with each other.

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Sennheiser XSW-D microphones make it easy to get wireless audio into your cameras

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One of the biggest problems for many video shooters is getting decent audio in the camera. The in-camera mics in most cameras aren’t exactly great, and so you need to go external. Sennheiser’s XSW-D range makes getting external audio into your camera easy, and it does it wirelessly over 2.4Ghz. We spoke to Sennhesier at IBC 2019 to find out more.

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Deity’s “Connect” 2.4Ghz wireless microphone system lets you remotely control your transmitters

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The Deity Connect is Deity’s new wireless microphone system for lavaliers and XLR microphones. It runs on 2.4Ghz, lets you control your transmitters remotely, and can keep recording even if your transmitter and receiver lose connection. We stopped by the Deity stand at IBC 2019 to find out more about it and how it all works.

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How to DIY a $15 tactical bag into a custom audio kit bag

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When you start to get more serious about video and recording your audio separately, the gear can be a pain. Sure, you start off with a Tascam DR-100 recorder or something, with its little pouch that clips onto your belt. But then, before you know it, you need 4 channels (bigger recorder), wireless mic receivers, battery packs and all kinds of doohickies.

Purpose designed audio bags are available, but can be very expensive. You may decide you want a pricey one eventually, but right at the start? Surely it’s better to just modify a cheap general purpose $15 tactical bag? This video from Devin at DSLR Film Noob shows us how to adapt this bag to your field recording needs.

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DIYP Reviews the Saramonic UwMic9 Dual Wireless Lavalier Microphone Kit

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Getting good quality audio is often the biggest challenge faced by DSLR & mirrorless video shooters. The microphones built into most cameras are notoriously bad. They hear all kinds of background noise and echo, they hiss, and pick up a lot of unwanted sound from the camera itself, like autofocus (or even manual focus adjustments).

The easiest solution, of course, is to use an external microphone. You can then plug this either straight into your camera or a separate portable field recorder. While there are many different types of microphone out there, sometimes a lavalier is your best choice. This is where there Saramonic UwMic9 dual wireless lav mic kit comes in.

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