Leica has just announced a new addition to their SL zoom lens family: Super-Vario-Elmar-SL 16-35 f/3.5–4.5 ASPH. It’s made for Leica’s full frame mirrorless SL system, and it’s made to let you take “a wider view of the world.” With the new 16-35mm, Leica aims for architecture and landscape photographers, but this lens can also be useful for group portraits, weddings, reportage, documentary or travel photography.
Offering a 135° field of view, Lomography’s new Naiad 3.8/15 Art Lens builds on the Neptune Convertible Art Lens system. The 15mm lens was hinted at as far back as May last year when the system was initially announced. Neptune is designed as an expandable system, so now the new lens is finally here.
Most of you have probably heard of the name Laowa by now. They were a rather unknown brand up until recently when they made name for themselves in the landscape photography world with the Laowa 12mm f/2.8 wide angle lens that was well received. Laowa (Venus Optics) is a Chinese brand known for their innovative lenses. Laowa is showing support to the Sony E-mount with releasing their 15mm f/2 that was specifically designed for the E-mount making it possible to make it smaller and lighter than the lenses they make for DSLR mounts. 2 years ago I met the Laowa guys at Photokina and I already briefly tested the prototype of the 15mm there. I was impressed with the sharpness across the frame and was eager to try out the final version. Now that I have this lens for a while I feel confident to write a decent review about it. I used this lens in my own country the Netherlands and took it to Dubai, Norway and Iceland. I have seen a bunch of reviews online but they were mainly technical without a lot of real world examples. In this review I’ll discuss how this lens performs in ‘real world usage’. Most people who are reading my articles know that I am a landscape photographer so you can expect a lot of landscape photography use with this lens.
Normally, in portrait photography, using wide-angle lenses is not a common choice for most photographers. Each focal length has its own characteristics, wider lenses are known by their unflattering distortion, seen mainly at the edge of a photograph. Landscape and architectural photographers are more used to it because their need of getting more information inside the frame, but even these scenarios it is not an easy trick, it does present challenges inherent of wide-angle lenses.
Another one that leaked out a couple of days early, the Samyang AF 14mm f/2.8 EF lens for full frame Canon DSLRs is here. At $849, this marks Samyang’s entry into the autofocus DSLR lens market, with something clearly aimed at landscape and astrophotography shooters. This isn’t really surprising, as Samyang’s ultrawide manual focus lenses are a favourite amongst many already.
This morning, Samyang released a teaser video to their Facebook page for a new lens that was coming soon. “A new perspective”, they said. Now, Nokishita have posted a couple of images to Twitter of the new lens. It turns out that perspective is ultrawide, has autofocus and it’s going to be for Canon EF mount. [Read More…]
Sony shooters who prefer wide angle lenses, Sony has an exciting announcement for you. They are going wide and they have announced two new lenses for their E-Mount full frame cameras. One of them is Sony FE 16-35mm f/2.8 GM and the other is Sony FE 12-24mm f/4 G.
They belong to the G Master series and they are designed to provide great sharpness and fine image quality. Both of them are fast, flexible and characterized by the constant aperture of f/2.8 and f/4. Let’s take a look at the details and see what you get with these lenses.
The lens has a series of low dispersion and aspherical elements for sharp and clear photos. It also provides controlled fringing and aberrations. In addition, it’s durable, with splash-, dust- and freeze-proof features.
Last March, Irixi told us that they were working on an 11mm f/4 rectilinear lens. In September, DIYP even had the opportunity to play with one at Photokina. But now it’s official, the Irix 11mm f/4 is ready. An ultrawide rectilinear lens with very little distortion indeed, it’s a very impressive lens.
As with the Irix 15mm f/2.4, it’s available in two versions. There’s the premium Blackstone model, and the lower budget Firefly. Internally, the two versions are identical. The big difference between the two is the build quality. With the 11mm f/4, though, the Blackstone version also contains glow in the dark markings. Very handy for night time landscape shooters. No longer will you need to temporarily blind yourself with a flashlight or your phone’s LED to be able to see your settings.
It seems that the rumors around new Sigma lenses were true. At least partially though – because they didn’t launch two new lenses, but four of them. Sigma 14mm f/1.8 and 135mm F/1.8 Art prime lenses are accompanied by two zooms: 100-400mm f/5-6.3 and 24-70mm F2.8. Considering that it’s a Sigma Art lens that got the highest DxO Mark rating ever, you might want to consider buying one of the new Art lenses if you’re looking to add these primes or zooms to your gear bag.