photography, it comes with its own set of challenges when you’re new to using it. In this video, Mark Denney talks about the three most common mistakes photographers make when shooting with wide-angle lenses. I know I’m certainly guilty of some, are you?
According to recent reports, a very exciting lens is coming soon for Canon R shooters. If you’re into astro or landscape photography, you may be particularly interested in it. According to the latest reports, Canon is about to announce Canon RF 14-21mm f/1.4L USM soon.
We shared with you some photos and footage taken with Venus Optics’ insane Laowa 9mm f/5.6 lens. And now it’s finally here! While Venus Optics already has a 9mm lens, it’s made for crop sensor cameras and it has maximum aperture of f/2.8. The new Laowa 9mm f/5.6 FF RL is a rectilinear lens made for full frame cameras, made in four different mounts. So, let’s dive right into more details.
Ultra-wide-angle lenses are typically associated with portrait photography. In fact, most people will specifically avoid them for portraits, casting them out as “useless”. But this video, part of a series called The Focal Length Challenge by Becki and Chris, looks at how we can take advantage of an ultra-wide 16mm lens in order to shoot effective portraits.
One of the biggest issues with landscape photography is ensuring that you have enough depth of field to cover the entire front-to-back distance of the scene you want to capture. With some lenses, sure, if your nearest subject is at least a certain distance away, and your aperture’s small enough, you can get pretty close. But the only way to really ensure complete front-to-back sharpness is with focus stacking.
It’s a technique that’s more commonly associated with macro, where you often have a paper-thin depth of field. But it’s also very effective for shooting landscapes, too. In this video, Mark Denney walks us through his process for shooting and then compositing stacked images for maximum focal range.
Samyang has won themselves a reputation for manufacturing sharp and budget-friendly lenses. Their first offerings were pure manual, like the now renowned Samyang 14mm f/2.8. A lens that swiftly became a favorite among nightscape photographers. The lens is sharp, lightweight, cheap, and it yields great stars with little to no coma (comet-like distortion). Now comes the newer, autofocus, Samyang AF 18mm f/2.8 FE.
When it comes to Astrophotography, the lens can often times end up being more important than the camera. Good lenses allow you to get sharp images at wide apertures, with little chromatic aberration, astigmatisms, or coma.
In this article we are going to go over my picks for the top of the line of the best Lenses for modern Full frame DSLR cameras available today.
It should be noted that the title of this article could easily be swapped for “My Favorite Lenses for Astrophotography” since a lot of this will be based primarily off of my experience and preferences, and I would highly recommend getting more than one opinion.
My main objective isn’t to provide an in-depth ‘review’ of the lens, but I hope to offer the reader a few insights in terms of how the lens performs from a landscape photographer’s perspective. A photographer who usually prefers to shoot ultra wide angle. I received the Tamron 17–28 in October and have had time to play around with the lens a little; enough to form an opinion and to shoot some example images (by adding a Dark Reader extension to your browser it will be possible to view the images on black).
Scrolling through my Facebook feed, I stumbled upon a sponsored post for an interesting Kickstarter campaign promoting Funleader Cap Lens 18mm f/8.0. It’s a very slim, lightweight, and very cheap wide-angle lens. As the name says, it’s so slim, that it looks like a lens cap.
Back in January, Nikon updated its roadmap of 23 Z-mount lenses. The 24mm f/1.8 S was scheduled for 2019, and now it’s officially here. The wide-angle prime is designed for Nikon’s full-frame Z-mount mirrorless cameras, and it will cost just under $1,000. Nikon aims it particularly at landscape, cityscape, and architecture photographers, but those shooting environmental portraits and group shots will also benefit from this focal length.