Along with the big announcement of the X-T30 mirrorless camera, Fujifilm has also announced a new lens you can pair with it. Fujinon XF 16mm f/2.8 R WR is a wide-angle prime for X-Mount APS-C Fuji mirrorless cameras. It’s small, lightweight and therefore ideal for everyday use and travels.
Photographing wild animals from up close can be a difficult or even impossible task. Some of them are dangerous and you’d put yourself into danger if you approach them. The others, on the other hand, could be shy and won’t show themselves if there’s a human nearby.
Wildlife photographer Will Burrard-Lucas has come up with tech that overcomes these challenges. He has designed a few products that make it easy to photograph dangerous and shy animals from up close, without coming anywhere near them. In this video, he talks about his inventions and how they can help photographers get unique, dramatic close-ups of wild animals.
Wide-angle lenses are not the most common choice for shooting portraits, but they can give some interesting results. If shooting wide is your creative choice for portraiture, there are some things to watch out for. In this video from Adorama, photographer David Bergman will give you some quick tips on what to keep in mind when shooting portraits with wide-angle lenses.
Venus Optics has launched a new lens for DJI X7 cameras on DJI Inspire 2 drones. Laowa 9mm f/2.8 DL Zero-D is the widest lens yet for these cameras, and the “Zero-D” stands for “zero distortion.” Despite the very wide angle, the lens is designed to reduce the optical distortion to a close-to-zero level.
At CES 2019 in Las Vegas, Nikon announced that Z series of lenses is going wide: NIKKOR Z 14-30mm f/4 S is the latest addition to the Z family. It’s not only the first ultra-wide lens for the Z system but also the world’s first ultra-wide full-frame lens that lets you attach filters on the front.
During an Alabama-Arkansas game this Saturday, ESPN removed some camera operators from their positions in Razorback Stadium because of a bad weather. As a result, only wide-angle view was broadcasted, which made the players look like ants. And expectedly, the Internet had no mercy when it comes to cheeky tweets.
Many were hoping for more announcements from Sony today, but as rumoured, it’s just the lens. So while there’s no new high-end APS-C or a Sony A7SIII yet, at least the lens is now official as Sony announces the new 24mm f/1.4 GM lens for full frame Sony E Mount. Manny Ortiz has had the chance to have a play with one and gives us the rundown in this hands-on review.
Tamron has introduced a new and improved version of their 15-30mm f/2.8 lens. The SP 15-30mm F/2.8 Di VC USD G2 promises a lot of improvements over its predecessor. Some of them include better overall image quality, as well as faster and more accurate AR and improved VC (vibration compensation). So, let’s jump in and see more details of the latest Tamron’s lens and what it has to offer.
I’ve been a big fan of Irix lenses since I first had the chance to check out their then-new Irix 15mm f/2.4 in person at The Photography Show in 2016. Later in the year, they let me have a bit of a play with the Irix 11mm f/4 at Photokina later in the year. They’re both very impressive lenses.
The only potential issue with them, though, is that until recently, if you wanted lens profiles for these lenses in Adobe Camera Raw and Lightroom, you needed to download them yourself and install them manually. Now, though, Adobe have officially added lens profiles to support these lenses to CC.