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Funleader announces the new Caplens 18mm f/8 Pro slim bodycap lens for Sony E and Fuji X mount

I’m loving these weird and wonderful lenses that have been coming out over the last few years. It’s great to see the kinds of things companies are trying out, just to see how they’re received. Laowa’s Probe lens and the just announced AstrHori probe are two such examples of new weird lenses that have popped up. Funleader’s Caplens is another. And now they’ve updated their 18mm f/8 with a new “Pro” version.

The new Funleader Caplens 18mm f/8 Pro is a refresh of the original Caplens 18mm f/8 launched in 2019 via Kickstarter. It offers a minimum focus distance of only 30cm, shaving half a metre off the original lens, all the way out to infinity in several steps.

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TTArtisan announces 25mm f/2.0 APS-C lens and it’s only $55

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Chinese lens manufacturer TTArtisan has just announced a 25mm f/2 lens. It’s designed for APS-C cameras, but you can use it with your full-frame camera in crop mode as well. And the best thing is: it only costs $55. So, if you’ve been thinking about getting a 25mm lens, this could be a perfect choice to see whether it’s for you at all. But let’s check out what it has to offer first.

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$500 Panasonic Leica 9mm f/1.7 lens for MFT is now officially out

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A few days ago, we learned that Panasonic was about to go wide. We took a peek at the leaked specs and two leaked photos of the company’s new lens, and now it’s officially out.

The Panasonic Leica DG Summilux 9mm f/1.7 ASPH. lens has just been released. It’s a lightweight wide-angle lens for Micro Four Thirds cameras, and one of the widest MFT lenses on the market.

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Photos and specs of the new Panasonic Leica 9mm f/1.7 MFT lens leak days before the announcement

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It looks like Panasonic is about to make some MFT shooters happy with its upcoming lens. The company is reportedly launching a Leica 9mm f/1.7 MFT lens, and it could be released within just days from now. However, as it often happens, some photos and specs have already leaked. So, let’s see what we can expect from the upcoming lens.

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How to shoot action portraits on location using a wide angle lens

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I love using wide-angle lenses on location (although I don’t do it anywhere nearly as often as I should). They’re fantastic for showing your subjects in the context of the environment, enjoying their surroundings. They can really suck you into not only the feeling of the location but the mood of the subject, too. They’re not always easy to shoot, though.

In this video, Pye Jirsa shows us how he uses wide-angle lenses on location for engagement shoots to shoot action portrats and create images that he describes as “alive and immersive”. Pye talks about a number of techniques that offer a lot of different options for using wide-angle lenses on location.

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5 ways to hack your wide angle landscape photos

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Shooting with wide very angle lenses can often produce some unique issues that you don’t encounter with other focal lengths. In this video, Toma Bonciu takes us through his thought process in taking great landscape images using a 17-40mm lens. It’s all too easy to try to fit the entire scene in front of you into the photo, but wide-angle lenses are well, wide, and so you need to be aware of the entire scene around you.

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How focal length and subject distance affects car photography

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We’ve all seen these kinds of animations before when it comes to portrait photography. We’ve featured a few of them here on DIYP before where we see how the changing focal length affects the way a subject’s face is rendered. And as with the portrait ones, this one serves as a good example of that point but using cars. Although it’s slightly misrepresenting itself.

As with similar such animations for portraits, this Reel post from liberdamedia leaves out the fact that the distance to the subject has changed, too. And that’s what really affects your perspective – more so than the focal length. But it’s a great example to illustrate how the shot changes as you alter those two variables.

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Stop making these seven mistakes when using a wide-angle lens for landscape photography

Mistakes, mistakes… I love writing about them, and I’ve made my fair share of them and learned something from most. If you’re a landscape photographer and relatively new to this, you should watch this video about mistakes.

Mads Peter Iversen guides you through his shoot at the iconic Rubjerg Knude Lighthouse in Denmark and shares seven mistakes landscape photographers often make when using a wide-angle lens. But also, he’ll teach you how to overcome them and what to do for a better shot.

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Olympus releases super-wide 8-25mm f/4 lens

Along with the new PEN E-P7, Olympus has also announced a new ultra-wide zoom lens for Micro Four Thirds. The M.Zuiko Digital ED 8-25mm f/4 PRO is the new autofocus lens with the equivalent focal length range of 16-50mm. If you’re planning to add a wide-angle zoom to your gear bag, let’s see what this new Olympus lens has to offer.

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These are the five biggest challenges of ultra-wide-angle lenses

You’ll find ultra-wide-angle lenses in many landscape photographers’ gear bags. While they can be amazing for landscapes and cityscapes, they come with some challenges you’ll notice when shooting with them. Mark Denney gives you five of them, along with some tips on overcoming them.

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