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This guy is suing Adobe for $250,000 claiming Premiere Pro deleted his work

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A freelance videographer by the name of Dave Cooper is suing Adobe for the deletion of around 100,000 digital video clips totalling around 500 hours. After upgrading to Premiere Pro 2017 v11.1.0 in April of last year, he claims that a bug caused the deletion of video clips that cost him around $250,000 to create.

He says that the bug exists in the “clean cache” feature which deletes temporary files and backups created during the editing process. And Adobe has actually acknowledged this bug, but I can’t help but feel there’s quite a bit of user error here.

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How to (sort of) shoot 6K and 8K RAW video with the Sony A7III and A7RIII

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Sony has become rather popular for its video features over the last few years. But with the latest round of mirrorless cameras from Fuji, Nikon and Canon, we’re starting to see them lag a little behind. The new cameras from all three of those brands shoot 10Bit video (through HDMI, even if not all internally), while the Sony still only puts out 8Bit.

Can Sony still keep up? Well, yes, kind of. It’s not quite the same as shooting actual video, but the burst modes, according to Josh Yeo are so quick that it might as well be video. He uses the burst mode to create full raw file image sequences to use in his videos.

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This music video was made without VFX, using 2,250 printed photos

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I love creative music videos and stop-motion movies, and we’ve featured quite a lot of both here on DIYP. Still, it looks like directors always find new ways to amaze us. The video for a song UnAmerican by Said The Whale brings music, creativity, and stop-motion together in a fantastic way. It seems like it was made with visual effects, but no – there are no effects whatsoever. The video was made using only physical, printed photos. Over 2,000 of them!

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The Fran 8K global shutter camera shoots RAW video and costs less than €8,000

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The old megapixel wars seem to have mostly died off when it comes to photography. But for video, companies are pushing for higher and higher resolutions every year, it seems. As soon as 1080p became standard, they started pushing 4K. Now that 4K has become more accepted, it’s time for 8K.

It was only a year ago that 8K would cost you $77K. But now the new Fran 8K brings that entry price all the down to below €8,000. At least for now.

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5 reasons to get it right in-camera and not fix it in post

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It’s something we’ve been hearing in the worlds of both photography and video for years. Ever since digital became a thing, so did “Oh, we’ll fix it in post”. But most of the things that we often choose to fix in post can more easily be fixed in-camera on the day. Sure, it might take an extra 5 or 10 minutes of your time, but it could shave hours off your post production.

In this video from the guys at Aputure, we see five reasons why you should definitely fix things in-camera, and not rely on post for.

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X-Rite goes big with the ColorChecker Video XL

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It’s funny, I was just thinking the other day that X-Rite should release a giant ColorChecker for drone photographers. And, well, they haven’t quite done that (yet). But what they have done is release a giant ColorChecker Video for aerial filmmakers. X-Rite has today announced the new ColorChecker Video XL. It’s like the ColorChecker Video, but bigger. Much bigger.

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6 creative ways to use a gimbal for your video footage

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Gimbals are wonderful things, but just walking around holding a gimbal gets really boring really quickly, especially for the viewer. But that’s what often happens. Every shot looks like a “gimbal shot”. We’ve seen the same thing happen with drones, too. And like a drone, a gimbal can be a valuable storytelling tool, offering some unique shots.

In this video, the guys from COOPH show us six creative ways we can use gimbals to make more interesting footage. Footage that can help us tell a story and not just look like your typical gimbal footage.

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This video shows the impact of frame rate on bottle shots

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As a newbie filmmaker, one of the first things you should master is the frame rate. Different frame rates affect your shots, and you should choose it wisely depending on what you want to achieve. In this video, filmmaker Chris Vanderschaaf shows how four different frame rates affect bottle shots. So if you need to shoot some commercial videos, this can be a great visual guideline.

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How to shoot “Hardcore Henry” style first person video

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If you haven’t seen it by now, or even heard of it, Hardcore Henry is a feature length movie shot entirely in the first person. You can check out the trailer here. It’s a challenging concept that’s been tried before. Often badly – remember Doom?

Cameras have become much smaller since 2005, though, and while still challenging, they’re much easier to shoot than they were. Hardcore Henry pulls it off rather well by comparison. In this video, Jordy at Cinecom walks us through his process for shooting first person to recreate that Hardcore Henry look.

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