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How to shoot smooth timelapse of fast moving subjects during the day

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Timelapses are a lot of fun to shoot. I don’t shoot them anywhere near as often as I would like, but I try to shoot them as often as I possibly can. Shooting them in daylight, though, can present some challenges, especially if you have fast-moving subjects like people or vehicles. Yes, when it comes to timelapse, people are fast moving subjects.

It often results in very jerky motion with one frame looking drastically different from the last, losing that flow of motion we like to see in a timelapse. There is a way to solve the problem. Two, actually. And in the above video from Fenchel & Janisch, Moritz Janisch walks us through both of them.

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How to stack Milky Way shots and composite them with your own custom foreground

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Sometimes, the scene before you that you want to shoot just doesn’t line up with the sky that you want. Maybe it’s cloudy every night or perhaps the Milky Way just rises and falls on the wrong part of the sky. But what you can you do about it? Well, after watching this video from astrophotographer Milky Way Mike, you’ll be able to shoot and composite your scene exactly the way you want it.

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Five tips to get perfect selections and cutouts in Photoshop

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Making selections and cutting out is probably the most common use for Photoshop. It’s used on countless product shoots, not to mention compositing. And it’s something that almost all of us need to do at some point during our photography journey.

Selections can be tricky, though, especially if you’ve not used them before. And even sometimes if you have used them before, given how often Adobe seems to change how they work. But here’s Colin Smith from photoshopCAFE to show you five tricks to help get perfect selections in Photoshop.
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How to set up a 2-camera interview using a motorised camera slider and pan-tilt head

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While we were visiting NAB 2019, we took the opportunity to have another chat with Ben from Syrp. We wanted to find out more about how camera sliders and motion control heads can be used in practical situations. Typically, we see sliders being used for timelapse creation, but we wanted to know more about how they could be used for video. So, here Ben shows us how we can use the Syrp Genie II 3-Axis Pro Slider Kit to add a B camera to an interview.

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How to shoot those crazy dance floor light streak photos with flash

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I’ve lost track of the number of people who’ve asked me how to shoot this type of photo over the years. The basic concept is quite simple, although it can be difficult to wrap your head around if you’ve not used flash in such conditions before.

In this video, photographer Eric Floberg talks about how you can achieve this effect in-camera. While the principle is pretty straightforward, it’ll definitely take some practice.

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Watch how I created this highly stylized composite portrait

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I always tell everybody that with only 30 minutes of practice a day you can become a master at Photoshop, all you need to be is consistent. And I honestly believe that. Most people will probably put more time in than that, I know I did for sure! But as a bare minimum, 30 mins a day would still work.

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Photograph an avocado to challenge yourself and push your photography skills

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With such a varied world around us, it’s quite straightforward to find new and interesting subjects to shoot. But is this really pushing our abilities as photographers? Is it the subject that makes our new images interesting or how we photograph them? Getting a decent photograph of an interesting subject is easy, but what about a boring subject?

That’s the challenge posed in this video from the folks at COOPH. To photograph a rather boring and mundane object – in this case, an avocado – in as many different ways as possible to try to make some interesting images. Are you up to the challenge?

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How to easily shoot long exposure photographs at night

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Long exposures are a lot of fun to shoot and experiment with. Although they can take some time to create (they are long exposures, after all), you’re never quite sure what you’re going to get until it’s finally over and the shutter closes. But they’re a lot easier to shoot than most people think. In this video, Pierre Lambert breaks down the process into simple steps.

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