Hacking Photography - one Picture at a time
I’ve lost track of the number of people who’ve asked me how to shoot this type of photo over the years. The basic concept is quite simple, although it can be difficult to wrap your head around if you’ve not used flash in such conditions before.
In this video, photographer Eric Floberg talks about how you can achieve this effect in-camera. While the principle is pretty straightforward, it’ll definitely take some practice.
I always tell everybody that with only 30 minutes of practice a day you can become a master at Photoshop, all you need to be is consistent. And I honestly believe that. Most people will probably put more time in than that, I know I did for sure! But as a bare minimum, 30 mins a day would still work.
Last summer I got to create a series of editorial images for Grays Court in York. The hotel is well known for its history and has won many awards. Kings and queens of England have graced that building and you can feel it when you are walking through the rooms.[Read More…]
With such a varied world around us, it’s quite straightforward to find new and interesting subjects to shoot. But is this really pushing our abilities as photographers? Is it the subject that makes our new images interesting or how we photograph them? Getting a decent photograph of an interesting subject is easy, but what about a boring subject?
That’s the challenge posed in this video from the folks at COOPH. To photograph a rather boring and mundane object – in this case, an avocado – in as many different ways as possible to try to make some interesting images. Are you up to the challenge?
Long exposures are a lot of fun to shoot and experiment with. Although they can take some time to create (they are long exposures, after all), you’re never quite sure what you’re going to get until it’s finally over and the shutter closes. But they’re a lot easier to shoot than most people think. In this video, Pierre Lambert breaks down the process into simple steps.
If anyone follows me on social media you may have seen my recent image which I created from Neostock stock model resources and some background stock. Well, I thought I would create a photoshop tutorial based on this image.[Read More…]
We often hear that people meter with their histograms. And although that method comes with some caveats, it can be a fantastic way to meter your shot and fine tune your exposure. In this video, Becki & Chris (well, mostly Chris), walk us through what the histogram is, how to read it and how to apply it to your photography.
If you’re like me and you’ve tried to attach gels to your lights in the past, you’ve likely resorted to using one of the many types of sticky tapes available. When I used to manage a studio, I would see all manner of tapes being used to attach gels to hot modifiers. From masking tape, duct tape, parcel tape and when they ran out, even regular old sticky tape was used. But ultimately, all of these tapes fell short in achieving their simple task of holding a coloured gel in front of a light.
I love macro photography as it enables us to see the beauty in small things.
For this particular project, I wanted to show details (including textures) of a mundane object; an old rusty screw on a piece of wood (an old cutting board). In addition, I wanted to illustrate how the focus shifts on an object with an odd shape like this across the frame using video animation of the individual still images.
As the new Blackmagic Pocket Cinema Camera 4K has come closer to general release, I’ve started pushing myself to break away from Premiere Pro and really learn how to use DaVinci Resolve as an editor. I’m at the point where I know just enough to be dangerous, but I’ve still got a lot to learn. One of the things I’ve wanted to learn is multicam editing.
In these videos, photographer Alex Matravers shows us two different ways to sync up multiple cameras in Resolve for multicam editing. The first uses the audio recording from each camera to automatically align everything. The second shows us how we can sync multiple cameras without having to rely on audio at all.
You can find out more about John on his website and follow his adventures on YouTube and Facebook.
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.
To see more of his work please visit his studio website blurMEDIAphotography, or follow him on Twitter, 500px, Google Plus or YouTube.
JP’s photography is available for licensing at Stocksy United.
Find my work on My website or follow me on Facebook or My page
