Living on the road sounds scary for some, while others see it as a dream come true. Photographer Christian Schaffer falls into the second group and she’s been traveling for years now, living in a van. In this video, she takes you on a tour of her home on wheels, which may be small, but it has everything a home needs to have.
Planning a photo trip to Germany? After three years of living in Germany and visiting countless cities in the country, I have a handful of tips for you. No, they are not about the best shooting locations and what photographic gear to pack. They are more of a practical nature.
Recently I took my first ever photography trip to California. My plan was to hit up Mt Shasta, Lassen Volcanic NP, and Lake Tahoe. I wanted to share some of the things I did right as well as some of the things I did wrong.
Is that a power bank in your pocket or are you just happy to see me? That was my first thought when I was introduced to this beast delivering over 462Wh of power. That’s right, 124,800mAh at 3.7V.
Now don’t get me wrong, I love power. I always have a Xiaomi 20,000mAh in my backpack and I’ll take an Omni 20 or Ultimate out for production, but this… this is far beyond any photographer’s wildest dreams.
The Omnicharge Ultimate has a whopping capacity of 34,800mAh. This is a lot of juice. If you are looking for V-mount compatible, you’d be looking at about a 125Wh battery. But, I am jumping ahead of myself. Let’s start again.
The Omnicharge Ultimate is basically a power bank on steroids. It is similar to your 10,000mAh power bank that you carry everywhere because your phone battery gets nuked by midday. Only it is three and a half times as strong and features an AC outlet, a super-detailed LCD monitor, a variable DC output and a 3 USB ports.
While most commercial photographers know about copyright laws and the use of a model for their images, it seems the answer isn’t so clear when it comes to Travel Photography. So if you’re travelling the world with your camera, what laws apply – for you and for your subject?
You might need to consider what it means… taking photos of people in a foreign country, photos that you may one day print, sell or publish.
With the recent polemics surrounding a certain image that won a photography competition this week, I feel like we need to talk about travel photography. About people photography, in our case. And to set up boundaries as to what’s acceptable in both cases. Honestly, in my opinion, it’s a matter of common sense – but it seems that’s not enough. We still witness some shocking scenes in the world of travel photography these days.
Let me be clear: My goal isn’t to attack or criticise any specific, or specific group, of photographers. I don’t know these people. I’ve never met them. But the whole circus that events such as these have created is, in my book, very disturbing, which is why I feel it’s important to discuss the topic in general.
There are all sorts of scams targeted at photographers. But there has recently been a new one that has reportedly tricked at least 100 people so far. It’s targeted particularly at travel photographers and Instagram influencers. It doesn’t only involve losing thousands of dollars, but potentially being in danger and manipulated in a foreign country, thousands of miles away from home.
There is a particular obstacle that stands in the way of almost all travel, documentary and cultural photographers alike and, for some reason, no one seems to be willing to talk about it – so I’m going to.
The way I see it, that obstacle could be best described as ‘Misconception’. No matter how hard I try to prepare for what may lay ahead in my photography projects, it never ceases to amaze me how much of a difference there is between what I think I’m going to find and what is really out there. So many times places I thought would be completely isolated from the outside world were overrun by travelers, and cultures I thought would be extremely protective of their arts turned out to be some of the most hospitable and welcoming people I ever met. My last photography journey in Ethiopia was a perfect example of just how these misconceptions can affect a photography project.