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Hands down, this is the best video case for traveling

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When it comes to running a smooth production, everyone loves their kit. The problem is that carrying your kit around can be quite an unpleasant experience. Between all the bags of gear, you can really get lost. Enter My Case Builder, where you can make your dream case.

It’s not only the size and padding, My Case Builder (MCB) can create a highly customized case that literally fits all your gear in the most precise way.

Take Maor Cohen, for example. Maor is a commercial videographer who shoots fashion. He uses a Tilta Float with a hefty BMPCC rig attached. It’s a wide 45cm rig and does not fit in any standard bag. Between the BMPCC rig and all the accessories Maor brings to a shoot, he was walking around with quite a few bags. We needed to end this.

I found the perfect roller-backpack hybrid – the Manfrotto Pro Light Reloader Switch-55

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Photographers and videographers alike are plagued with the burden of carrying equipment, it’s really just part of the job. Whether you’re a photographer who wants to have all your flashes ready in a jiffy, or a videographer who has multiple systems and multiple lenses; you’ll eventually have to move your gear from point A to point B.

Backpacks have always been the way to go for me, they’re usually not very bulky, have more space, and are not restricted to any specific dimensions. However, as someone who travels a lot, I can find myself lugging a 25+ kilos backpack around airports with kilometers of walking at a time (thanks, Madrid). So it finally happened, I caved in and switched to the Manfrotto Pro Light Reloader Switch-55. (Amazon | B&H)

10 essential pieces of gear for the traveling retoucher

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As a retoucher, I travel quite frequently for workshops or events I put on, and there are a few things I consider essentials in my bag. And not surprisingly, people are always curious to see what other people travel with!

My kit always keeps updating based on what I see other people do, or as I find out about better options that are required for each job. I figure this may be of interest to you. If you have any essentials of your own, I’d love to read your comments and see what you take with you too.

Here’s an example of what’s currently in my travel kit. This does not include the obvious like passports, currency, credit card, etc.

I’m going to be doing a creative retreat in Croatia at the end of May (which I’d love for you to be a part of) and this is what I’ll be taking with me, among many other items that change based on the location at hand!

Why I chose an 18-55 mm kit lens when I had to choose only one lens

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I’m a great fan of prime lenses. They are faster and sharper than zooms (at least the zooms that I can afford). Plus, they force me into being more creative and they bring out my problem-solving side, because they limit me with their fixed focal length. When I travel, I always bring them and pack a kit lens just in case. I almost never use it.

But recently, I was forced to travel light. And I mean, super-light: I was only able to bring one lens attached to my camera body. I love primes and almost always use them – but this time I screwed a kit lens onto my Nikon D7000. The lens is a Nikkor 18-55mm f/3.5-5.6G and it’s rather crappy when compared to my primes. But in this article, I’ll explain why I chose it and why, sometimes, your kit lens may actually be the best choice.

Seven Essential Gadgets For A Travel Photography Road Trip

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Travel photography can be a real pain if you’re not prepared and organized.

Besides your essential camera gear, there are a few thing you might want to pack that may not be immediately obvious – but the best part is you can pick these items up for relatively low cost.

Based on a few of my past road trips, here are my recommendations for five essential gadgets for a travel photography on the road.

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