There are some photography beliefs that we were taught ages ago and we firmly stick to them. Should you delete photos in-camera? Should you really always shoot raw? In this video, Tony and Chelsea Northrup challenge and debunk twelve of the most popular photography myths. Let’s see if you agree with them.
Although it sparked some controversy, Steve McCurry’s “Afghan Girl” is an iconic image that has influenced and inspired many people. Tony Northup wanted to talk about how this image inspired him, but then he learned the story behind it – and it wasn’t pretty. The truth behind how this legendary photo was taken is sad and disturbing, and Tony shares it in this video.
We have seen all kinds of cameras and lenses compared: film vs. digital, full frame vs. crop, cheap vs. expensive. In this video, Tony and Chelsea Northrup compare photos taken with a $5,500 full frame camera + lens kit, a $600 APS-C kit, and a new iPhone XS. Can you tell the difference?
The announcement of Canon EOS R full frame mirrorless camera got many photographers excited, while the others were disappointed. In his latest video, Tony Northrup tested the Canon EOS R compared to some of its biggest competitors: the Canon 5D Mk IV, Canon 6D Mk II, Sony a7 III, and Sony a7R III. Take a look at the video and see how Canon’s full-frame mirrorless stacks up against competition in terms of image quality.
Drones have become the hit “toy” over the last few years. Sure, they’re an expensive, grown-up toy, but for most of us, they’re still a toy nonetheless. And there is so much choice out there now. Chances are if you’re reading this, then either you own a drone or you know somebody who does and you’re thinking about getting your own. And who could blame you? They’re pretty amazing.
But have you ever thought that maybe you shouldn’t? Tony Northrup doesn’t think you should get one and in this video, he explains why. He highlights a lot of things people just don’t think about when it comes to deciding whether or not they should get a drone. And, refreshingly, it’s actually a pretty sound and logical argument for the most part.
It’s quite interesting that the duo chooses to start with Location as a pricing factor. Something you have very little control over. As sad as it is, it makes sense to me. Where you are, or rather where your clients are, probably have the biggest impact on the fees you can charge. As with any market, some will be able to charge a premium, but if standards have been established it’s usually hard to re-invent the fee structure.
The very thought of working for free makes most photographers blow their top. Many of us would agree that working for free is a no-no, but there still are some exceptions. What happens when close friends and family ask you to take their photos for free? It can be a tricky situation. In this video, Tony and Chelsea Northrup discuss this issue and give you some tips when and how to do it (or not to do it).
We all make mistakes, and that’s fine because we can learn something from them. In this fun video, Tony and Chelsea Northrup talk about some common blunders that have most likely happened to all photographers, no matter if they’re newbies or pros. In this video, you won’t hear about common lighting, composition, or editing mistakes. It’s about those silly mistakes we all make from time to time, which can be funny, but sometimes also pretty frustrating. How many of them have happened to you?
Like all industries, photography has its jargon, and most photographers don’t even think about the words they use on a daily basis. Photographers Tony and Chelsea Northrup discuss some of the most common photography-related terms and suggest that they are “stupid.” They suggest replacement terms which would sound more logical. When you think about it, some terms we use every day indeed sound illogical. But, would you change them?
If there’s one thing of which we can be sure, it’s that if we post a photo to social media, somebody will ask us what settings we used. Tony Northrup recently put out a video begging people to stop asking for the settings used to get a shot. Why? Because it’s useless information. The settings were unique to those circumstances. The camera, the lens, the amount of light available
Now, though, he appears to have caved, and posted this one, showing off around 50 sample photos, along with settings. But don’t think for a second that this means you can go and use those settings to replicate the shot. Tony talks about his thought process for each photograph, and why the settings were what they were. Understanding the why