Are you a fan of The Avengers? If you are, you’re gonna love this tutorial by Colin Smith of PhotoshopCAFE. In this 12-minute video, he’ll teach you how to create the awesome disintegration effect from The Avengers (Infinity War and Endgame).
The Terror Attack in Barcelona on 17 August 2017 took lives of fifteen people. Among them, there was a sweet and charming Australian boy Julian Cadman. A year after the terrible event, Karen Alsop and her team behind The Heart Project created a heartbreaking tribute for this 7-year-old boy Marvel fan who lost his life in the tragedy. Using phone photos provided by his parents, Karen created an Avengers-style movie poster to pay an honor to little Julian.
We’ve seen photographer Josh Rossi turn kids into superheroes before. When his three-year-old daughter received hateful comments after he photographed her as Wonder Woman, the photographer decided to use his creativity to send a message against bullying. He gathered fifteen kids who have been bullied and turned them into Avengers for a photo shoot. This project hasn’t only resulted in epic images, but it has also empowered the kids who have been facing bullying and hatred on a daily basis.
I can’t say for sure whether or not this tutorial includes any spoilers as I’ve not actually seen Avengers: Infinity War myself yet. But I would imagine there maybe are, even if it’s just spoiling an effect or two. It seems Thanos has some kind of pretty powerful “Super Punch” in the film (again, haven’t seen it, don’t know). Jordy Vandeput over at Cinecom has deconstructed the effect to bring us this tutorial on how to recreate it in Adobe Premiere Pro.
“I think people just see cinematography as being about photography and innovative shots and beautiful lighting. We all want our movies to look great visually, to be beguiling and enticing, but I think that what really defines a great cinematographer is one who loves story.” – Seamus McGarvey, IFTN
Seamus McGarvey was contacted by an executive producer he had recently worked with on The Avengers; she told him about a project she had been involved with, being directed by a guy named Gareth Edwards. Seamus took the time to watch the only other film Gareth had done at that point: an small-budget indie film called Monsters. He was not just impressed by how well the director executed the making of the film while also being in charge of the visual effects and cinematography; he was impressed by the storytelling of the film, as well. For Seamus, it was refreshing to see a monster movie that approached monsters in such a suspenseful manner, like the classics it was so heavily inspired by. The cinematographer signed up and got on board to work with Gareth Edwards on his second project: Godzilla.