Seeing the Moon up close through my crappy telescope was one of the moments that left a huge impression on me. And I’m sure that seeing it through a super-sharp super-telephoto lens would have been even more impressive. Well, Markus Stark did it and he created a stunning video of the moon using a Leica 400mm f/2.8 lens. He wonders if it could be the world’s sharpest super-telephoto lens, so let’s see – is it?
Panasonic has just launched the Lumix S 70-300mm f/4.5-5.6 MACRO O.I.S. lens. It leaked in the lens roadmap last year, but now it’s officially here and ready for preorders. It looks like a pretty versatile lens that lets you shoot the subjects really far from you, but those really close too, so lets’ see what it has to offer.
If you’re like me, you don’t own a single lens longer than 55mm. But then you get a chance to take some photos of wildlife. In this video, Spencer Cox will help you make the best out of the lens you’ve got. His five tips will guide you towards taking some gorgeous wildlife photos with a 70-200mm or even an 18-55mm lens.
My dad was into photography. He was a professor at Illinois in Speech and Hearing Science and did a lot of research on cadavers. He did a lot of photography as part of his research, and also enjoyed photography outside work. He had a darkroom in his lab and I had access to that while I was in town.
I always kept a camera or two on hand but was not dedicated enough to build a darkroom in the house. I didn’t really do much with photography after graduating from college. As computers advanced through the years and image editing began to mature, it became clear that the digital darkroom would become a thing. I inherited my dad’s Nikon F4 and a few lenses when he died, so that kind of put me on the Nikon side of the fence.
After announcing only the development, and after some leaked specs, Tamron 70-300mm f/4.5-6.3 Di III RXD is now finally here. It’s a telephoto zoom made for Sony full frame cameras, but it’s pretty compact for the lens of its range. It’s pretty cheap too, with the price tag of $549. So, let’s see what it brings to the table.
There are plenty of reasons to use telephoto lenses in landscape photography. However, it doesn’t come without some difficulties, and you’re bound to make some mistakes. In this video, Mark Denney addresses the four most common mistakes people make when using telephoto lenses for landscape photography. You may be guilty of them as well, so check out the video and Mark’s tips for improving your photography.
Nikon’s lightweight 500mm f/5.6E PF ED VR has been removed from Amazon’s search results, and pre-orders seem to have been cancelled and refunded. The lens was first announced as being in development last June, with the first sightings in the wild appearing a month later. Finally, a month after that, it was officially launched.
Yet, here we are, seven months later, with the lens still showing up as a pre-order item on everywhere that still has the listing available. The product listing on Amazon still exists, although it states that the item is currently unavailable and that they don’t know when or if it will be in stock. It has been removed from search results completely.
Sony has announced a long-awaited addition to its G Master series of full-frame E-mount lenses. The Sony FE 135mm f/1.8 G Master is a full-frame, fast telephoto prime lens, and judging from sample photos – portrait photographers will love it thanks to its sharpness and creamy bokeh.
Not long ago, Sony launched the 400mm f/2.8 GM OSS, a “lightweight monster.” What first comes to mind with the lens of this focal length is wildlife and sports photography. But photographer Miguel Quiles decided to test how it performs for portraits. He gave the lens a quick spin and he shares his impressions and some shots in his latest video.