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Today is your last chance to capture a total lunar eclipse until 2025!

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Last month parts of Europe, Asia, and Africa got to see and possibly photograph a partial solar eclipse. Today, it’s North America’s turn. But because everything in America is bigger and better you guys get a total lunar eclipse to enjoy. This will be the last chance to see this phenomenon until 2025, so dust off those telephoto lenses and let’s get to it!

Firstly, what is a lunar eclipse? In simple terms (ie. I’m not a scientist so I will explain it in the least sciencey way known to mankind), it’s when the earth gets directly between the sun and the moon. This means that none of the sun’s light can fall on the moon. The Earth is quite literally throwing shade.

Canon releases RF 135mm f/1.8L lens with 5 stops of image stabilisation

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It’s been a big day for Canon announcements with the launch of the EOS R6 mark II, a new EL-5 speedlight, and a brand new updated 135mm telephoto lens. The RF 135mm f/1.8L IS USM lens (try saying that in a hurry!) is part of Canon’s RF range of lenses designed specifically for their mirrorless camera line-up.

According to the specs, the lens “offers an engaging mixture of high sharpness and shallow depth of field, making it an ideal choice for portrait subjects.”

Tokina announces 500mm f/8 lens that fits the palm of your hand

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After the 400mm f/8 lens launched in 2020, Tokina has decided to go even further and zoom in even more. The company has announced a 500mm f/8 reflex lens, a super-telephoto lens that fits the palm of your hand. It’s compact and very lightweight, and it’s likely going to be cheap, but it still has some drawbacks. So let’s dive in and see what you can expect.

Nikon’s new NIKKOR Z 400mm f/2.8 is a sport and wildlife photographers’ dream

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Nikon has just announced the Nikkor Z 400mm f/2.8 TC VR S, a previously teased telephoto lens for its mirrorless line of cameras. Not only with its foal length, but also AF performance and image stabilization, this lens is designed with sport and wildlife photographers in mind. And judging from the specs, they are going to like it.

Follow these tips to nail handheld shots with telephoto lenses

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Using telephoto lenses handheld can be quite challenging and it may not be easy to get a sharp photo without a tripod. They’re also bulky and heavy, so it can be difficult to even hold them for extended periods of time. But there are ways to make your life easier and your photos sharper even if you don’t want to use a tripod. And in this video, Leigh TheSnapChick will share them with you.

I Use a 70-200mm From 2001 and I’m Not Upgrading Anytime Soon

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How do old lenses fair against new lenses? The question is often easy to answer: new is better. How about Pro lenses? With most brands releasing mirrorless glass, it’s easy to dismiss the older pro lenses as bad. For me, a fashion and portrait photographer, the old 70-200 is as good as the new one. And not only because I have a sentimental connection to it. Here’s why I’m not upgrading my seemingly antiquated 70-200.

This stunning moon footage was shot with “the world’s sharpest super-telephoto lens”

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Seeing the Moon up close through my crappy telescope was one of the moments that left a huge impression on me. And I’m sure that seeing it through a super-sharp super-telephoto lens would have been even more impressive. Well, Markus Stark did it and he created a stunning video of the moon using a Leica 400mm f/2.8 lens. He wonders if it could be the world’s sharpest super-telephoto lens, so let’s see – is it?

Panasonic announces Lumix S 70-300mm f/4.5-5.6 Macro O.I.S. lens

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Panasonic has just launched the Lumix S 70-300mm f/4.5-5.6 MACRO O.I.S. lens. It leaked in the lens roadmap last year, but now it’s officially here and ready for preorders. It looks like a pretty versatile lens that lets you shoot the subjects really far from you, but those really close too, so lets’ see what it has to offer.

Five tips for wildlife photography without a super-telephoto lens

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If you’re like me, you don’t own a single lens longer than 55mm. But then you get a chance to take some photos of wildlife. In this video, Spencer Cox will help you make the best out of the lens you’ve got. His five tips will guide you towards taking some gorgeous wildlife photos with a 70-200mm or even an 18-55mm lens.

I designed my own 3D printed lens hoods because Nikon’s suck

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My dad was into photography. He was a professor at Illinois in Speech and Hearing Science and did a lot of research on cadavers. He did a lot of photography as part of his research, and also enjoyed photography outside work. He had a darkroom in his lab and I had access to that while I was in town.

I always kept a camera or two on hand but was not dedicated enough to build a darkroom in the house. I didn’t really do much with photography after graduating from college. As computers advanced through the years and image editing began to mature, it became clear that the digital darkroom would become a thing. I inherited my dad’s Nikon F4 and a few lenses when he died, so that kind of put me on the Nikon side of the fence.

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