Light is something that all photographers and filmmakers need to master if they want to become good at their craft. The problem is, our eyes don’t see light the same way that our cameras do. Infrared is outside of the human spectrum of vision, but it’s not necessarily outside of your camera’s, and it can cause all kinds of problems with the colour of your footage.
HBO’s series Chernobyl took the world by the storm shortly after it was first aired, and if you ask me, it’s no surprise. With the eerie atmosphere and sound effects, moving true stories, marvelous cinematography and directing – this is a series that leaves no one indifferent. Indy Mogul’s Ted Sim had a chat with Chernobyl’s cinematographer Jakob Ihre. In this fantastic video, they take you behind the scenes of this marvelous TV series and break down some of the iconic scenes.
I believe we’ve all heard that “gear doesn’t matter” so many times before. And indeed, you don’t need super-fancy gear for filmmaking. However, there is some gear you actually need and can’t go without. So, in this video, Ted Sim teamed up with Caleb Pike to tell you more about it. They list nine things you actually need if you’re gonna be a filmmaker, and give you some tips how to get them without spending a fortune.
No matter if you’re shooting photos or videos out of the studio, location scouting is one of the essential steps. Ted Sim from Aputure meets Jeff Shepherd, a veteran location manager and a great professional at his work. Jeff has worked on the shows like Shameless, Parks and Rec, Straight Outta Compton and many others. In this video, he shares his top eight tips for location scouting like a pro.
The use of color gels expands the possibilities and helps you create plenty of different looks. If you’re just discovering color gels, Ted Sim of Apurture shares eight ideas for using them. These will give you some inspiration why and how to add color to your shots. And while Ted focuses on moviemaking, you can also use gels to add color and change the mood of your photos.
When you’re a filmmaker or a photographer, you can get various effects by using filters, or in post. But there are plenty of cheap DIY ways to make photos and footage more interesting and achieve the mood you want. Ted Sim of Apurture shares five DIY lens tricks you can do for under $10, or even for free. These will give your movies or photos different looks and feels, and you won’t need to spend a lot of money or a lot of time editing.
The standard frame rate is 24fps and it’s used for most types of videos. However, there are times when 24fps is not the way to go, but you should use higher or lower frame rate. In only three minutes, Ted Sim of Apurture shares eight scenarios when you shouldn’t use 24fps for shooting videos.
A motorised gimbal is one of the most useful tools you can get today for camera stabilisation. They’re much easier to get to grips with than a steadicam style stabiliser, and their prices have come down dramatically in the last year or so. For mobile phones, action cameras, DSLRs or even big RED setups, they are absolutely invaluable. But using them effectively can be challenging.
The temptation is just to hold them static in front of you and shoot away. But this can lead to pretty boring footage. This video from DP Justin Jones for Aputure’s Four-minute film school goes through 13 essential movements that you should know. You don’t need to use all of them in every production, but they will give you many interesting and exciting options when it comes time to edit.
Adding a projector to your kit might seem a little old fashioned these days. But projecting images toward your subject or the background can be extremely effective. Whether you’re shooting video or stills, it offers results that would otherwise be impossible to create.
Doing it with video is relatively straightforward, and there are many different ways you can apply it. This video from DP Justin Jones and Ted Sim at Aputure shows us three great ways we can use projection in our work. Specifically they cover music videos, but the techniques can be applied to anything. When it comes to photography, it can be a little more tricky, but it’s definitely possible.
Recreating practical lighting effects for video and photography is a fairly straightforward process. You just need to think about how the lights are constructed in the real world, and then recreate your own version of it. When it comes to creating natural lighting effects, though, things can be a little more tricky.
Natural lighting effects can be extremely effective, but are often difficult to capture as they occur in the real world. So Ted Sim is back with another Four Minute Film School showing how to recreate four very popular and common natural lighting effects with studio lights.