Researchers at the Institut für Mikroelektronik Stuttgart in Germany, have developed an image sensor that makes it virtually impossible to blow your highlights. It uses “self-resetting pixels” which when they get saturated don’t clip. It simply starts counting over, keeping track of the number of times it’s started over.
Cameras need lenses to work, right? Electrical and computer engineers at the University of Utah have developed a camera that doesn’t need a lens. Instead, just like you or me, it sees the world through a window. And this technology could have lots of different applications in the future.
The idea of a smartwatch that could project a “screen” onto your arm with an interactive touch UI has been around for a while. But up until now, they’ve all either been vapourware or concepts. Now, though, it seems to be a reality, in the form of the LumiWatch, developed by researchers at Carnegie Mellon University. Although, it doesn’t actually look very good. In fact, it looks quite terrible.
“We know more about the surface of Mars and Moon combined than we do of our own ocean floor.” Thanks to Ved Chirayath of NASA Ames Research Center, this might change in near future. He has developed a new camera tech that allows the scientists to explore the ocean floor from the air. This hardware and software technique is named fluid lensing, and it could enable NASA to look and map out all of the coastal ocean systems in the world.
Like many photographers and film makers I have a drone in my gear closet – a DJI Mavic to be precise.
Every time I take it up for a spin I’m amazed at how ridiculously sophisticated this little machine is. It’s so easy to fly my 8 year old can do it with ease. It has all kinds of fail-safe features built in. It will even help you out and land itself if something goes wrong.
Except things do go wrong.
Which reminds me of self driving cars, because a lot of the technology and functionality that goes into a drone is like a prequel to what we can expect from self driving cars – both the good and the bad.
I like shooting with older, more limited cameras. There’s less for me to think about, it’s more relaxing. I get more selective in my shots when it costs money every time I hit the shutter. But it does make you think just how far the cameras in our hands have changed today from what they were in film’s heyday. What users expect of their cameras has also changed to keep up with technology, too.
This video from Wired takes a look inside the Polaroid SX-70, an extremely popular camera in its day, and a somewhat more modern Canon EOS 1200D (Rebel T5). Everything from the basic ergonomics of the camera itself to advanced technical features are compared in this 90 second short.
We all have problems in life. Some of us are overweight, depressed, or tired all the time. Some of us lack creative inspiration, skills, or outlets for our work. Some of us lack motivation, willpower, and strength to take action in our lives.
Many of us feel that technology is the savior. If we only had that one kitchen appliance, we can finally become a great cook. If we only had that one camera, we could fully realize our potential in photography. If we only had that one lens, we would be more creative with our photography. If we only had that one GoreTex jacket, we could be a more adventurous backpacker. If we only had that one smartphone, laptop, or tool— we could be more productive, happy, and optimized.
I’m totally guilty of this myself. I always blame my tools and technology – never myself.
Fujifilm might have killed off the last of its peel-apart film. But not all hope is lost.
Yesterday, New55, a company that currently specializes in creating 4×5 positive-negative instant film, posted a video to Facebook that shows it has the capability to make peel-apart color film similar to Fujifilm’s FP–100c.[Read More…]
In this rather unusual photo set, French photographer Antoine Geiger criticizes our obsession and addiction to modern technology and smartphones by creating faces being sucked into screens.
Using candid photos captured in the Louvre and elsewhere in Paris, Antoine says this project places the screen “as an object of “mass subculture”, alienating the relation to our own body, and more generally to the physical world”.
Love ‘em or hate ‘em, these photos make an interesting point.