Nearly two months ago, we dove into the Nikon Z7 and showed you what was happing inside all the way down to the sensor. Today, we did the same with the Z7’s standard resolution counterpart, the Nikon Z6. At 25 megapixels and just under $2000 MSRP, the Z6 is encroaching on the Sony A7 III’s turf. The A7 III has proven itself to be a high-performing, tuned down version of the A7R III, “the basic model”, delivering beyond what the market is accustomed to at that price point. So, does the Z6 meet this new standard for the $2000 camera body? The specs certainly check out, but what about the build? Is the Z6 as well built as the Z7, or did Nikon cut corners to meet the lower price point?
You might have thought the Fujifilm X-T series was finished with the release of the X-H1, that Fujifilm was digging into the competition and leaving their love of style behind as was evident with that monstrosity. (We mean that lovingly.) But, the X-T3 is here, and it’s as beautiful as ever. Not only that, but the X-T3 even outperforms the X-H1 in many areas as far as their spec sheets are concerned. Fujifilm’s approach to the mirrorless camera war of 2018-20?? is a two-pronged assault on the flanks. They’re releasing powerful cameras with APS-C and medium format sensors in multiple iterations while skipping full-frame entirely. Fuji’s alternative strategy is a very interesting pincer attack on the market, and we definitely shouldn’t count them out just because they’ve officially rejected full-frame.
The Canon EOS R was cause for some internal controversy here at Kolari Vision. After all, we’re in the middle of The Great Mirrorless Camera War. Tensions are bound to rise, turning brother against brother, camera tech against camera tech, and photographer against photographer. Despite this, I will do my best to describe the form factor and internal construction of the EOS R in a fair and unbiased manner.
Our brand new Nikon Z7 full frame mirrorless camera arrived at the office this week, and we immediately got down to business. Four years ago, Sony fired the first shot of this battle with the A7 and continued to release one iteration after another, each improving on the last, and did so completely unanswered by the competition until August 23rd of this year when Nikon announced the Z7 and the Z6. Based on the popularity of our last teardown where we took the A7R III all the way down to its sensor, we’ve decided to provide model-by-model coverage of the full-frame mirrorless wars by showing you what’s under the hood.
The Huawei P20 Pro, the world’s first smartphone with three rear cameras, has been torn apart by the folks at iFixit to reveal a nice surprise. Above and beyond the published specs, it seems that all three of the phone’s rear cameras feature optical image stabilisation. According to iFixit’s report, only the 8MP telephoto camera in the P20 Pro is supposed to have hardware optical image stabilisation. But they’re not quite convinced.
Oh, that crazy Peter McKinnon. At it again with his wacky adventures. This time, though, even by his own standards, he’s gone a little overboard, I think. Of course, when somebody like Peter McKinnon decides to have a go at doing his own teardown video, I’m not going to object.
This all began with an ATV mishap that destroyed the microphone socket on his beloved Canon 1DX Mark II. After calling Canon to see what could be done about it, they shipped him out a temporary replacement unit and told him to send his back in to be fixed. But between receiving that and actually sending his to Canon, though, Peter got curious and decided to open it up (his old one, not the new loaner).
People think that because I expect the worst and try to prepare for it, that I’m negative. That’s not it at all. I’m not a negative person; I’m cheerfully cynical. If I expect the worst and it doesn’t happen, I’m happy because things went better than I expected. If I expect the worst and it does happen, I’m happy, because I can tell everyone, “See, I told you this would happen.” So I expect the worst because that keeps me happy.
This post is a superb example of why expecting the worst is reasonable. There are all kinds of badness in this one post. There’s nothing good here at all. Well, except for Aaron’s disassembly. That’s very good. Everything else here is about mistakes.
When I see the phrase “for those of you following along at home” in a teardown article, I know it’s going to be a good one. This is especially so when it’s the first public teardown of such a new and expensive lens. Nikon announced the 105mm f/1.4E back in July to much fanfare. Many photographers who managed to get their hands on one instantly fell in love.
So, what’s caused this teardown now? Is there an issue with these lenses? Nope, it’s simply maintenance and cleaning. For most of us, a few specks of dust aren’t an issue, but for gear hire company LensRentals, the equipment has to look like brand new each time it goes out to the next client. This means regular teardowns and cleaning of their equipment.
When you were a kid, you may have toyed around with taking things apart. Then, putting them back together again. For me, more often than not, the put-back-together part ended with some spare parts. The lack of which did not seem to impact the assembled piece though.
Watch the GoPro Hero 5 undergoing the same procedure. JerryRigEverything takes a brand new GoPro Hero 5 apart. Usually, those videos are made so you can learn how to replace damaged parts, but sadly, GoPro does not sell spare parts for the Hero5. You’d need another dead Hero 5 for savaging the parts. Who knows, maybe GoPro will end up selling parts, or you can Frankenstein 2 dead GoPros into a live one.
Seeing camera gear dismantled can be like watching a horror movie for some photographers. For me, it’s fascinating. It’s interesting seeing the tech that goes into the new generations of lenses. It’s also cool to see how manufacturers overcome certain design challenges.