The Daniel K. Inouye Solar Telescope (DKIST) has produced the highest resolution image of the Sun’s surface ever taken. The world’s largest solar telescope captured the staggering amount of detail on the star’s turbulent surface. And for the first time ever, we can see the features of areas as small as 30km (18 miles).
Seattle-based photographer Rainee Colacurcio has recently captured a stunning image of the International Space Station (ISS) caught passing in front of the sun. What’s more, the sun is completely free of spots, which makes this photo totally captivating. I personally couldn’t stop staring at it, and NASA recently selected it for Astronomy Photo of the Day, explaining why it is so special.
Shooting directly into the sun whether it is sunrise or sunset often results in that some areas around the sun are clipped and we get these rather harsh edges in our sky. Even when shooting bracketed or underexposing for the highlights we may not achieve a pleasing result around the strongest light in a scene.
The golden hour is probably the time when most of us would choose to take photos. But, there will be times when you’ll be forced to shoot in a harsh midday sun, for one reason or the other. You can bring reflectors, strobes, or try to find or make a shade. But in this video, Manny Ortiz will give you some quick tips on how to embrace the direct sunlight and turn it into your advantage without any gear but your camera and lens.
Even though harsh midday sun is far from an ideal lighting situation, sometimes you’ll have no other choice. In this video, Jay P. Morgan shows you four ways to make the best of that direct sunlight and turn it into your advantage. He demonstrates three setups that only use the sunlight, and the fourth one adds a strobe to the equation. But in all cases, you’ll end up with great portraits even in the otherwise unflattering direct sunlight.
I have been interested in building a device that would record the intensity of the light from our sun for a while. This past month, a colleague of mine brought to my attention a simple way to do this. Professor Michael Peres was working at his desk on a Sunny day in January with the sun low in the sky; He started to smell something burning. After hunting around his office, he discovered the sun was imaged by one of the large decorative lenses on his window. The sun had been focused onto the wooden side of his wooden desk. When he showed the burn marks to me it was obvious the desk had been smoldering for several months. The pattern burnt into the side of the desk was a record of the intensity and path of the sun.
The midday sun isn’t really photographers’ favorite time to shoot portraits. But, sometimes you’ll be forced to do it, for one reason or another. Photographer Kayleigh June says a lot of her portrait shoots take place at this time of day. So, she shares five helpful tips to make the best out of the unfriendly midday sun.
The solar eclipse is over, but the hype isn’t. As a matter of fact, some of us living far from North America are even more hyped after the eclipse – because now we get to see the photos. And where can you find lots of awesome photos of space? In NASA’s image library, of course. They have published the images of the 2017 solar eclipse right after the event, and as you can expect – they are simply stunning.
You know how a tiny, toy magnifying glass can burn little pieces of paper? Well, the camera lens is a not a small, toy, magnifying glass by no means, it is a powerful well-polished tool of optics and using it in the wrong way – say to photograph the sun during an eclipse – can be devastating to the camera sensor.
The team at Everything Photography did a little experiment and showed what an unfiltered six seconds exposure would do to your sensor. TL;DR – it fries te sensor.