Just like fashion, photography has its own trends too. And more often than not, you’ll see people who follow trends get more feedback and recognition on social media. Does this mean you should follow trends too? Should you rely on other people’s work? According to Steve O’Nions, this is not the path to take. In this video, he discusses why you should take photos your way and stop caring about how others do it.
No matter if you’re a total newbie or you’ve been shooting for a while, the last thing you wanna be is a copycat. Nobody likes copycats, right? But bear with me. In this video from Westcott, photographer Glyn Dewis shares some situations when copying others’ work will be good for your own photography without harming the original authors. So let’s hear what he has to say.
Conversations around photographic style have always felt a little odd to me for a few reasons. It’s something I get asked about a lot by my students, as they feel that without a style, a visual signature, then they will fid it very difficult to differentiate themselves from other working artists. So much of today’s communication is done through brands and visual identity that it’s a natural response for photographers to seek to find some way to make these things work for them, and as so much of the photographs themselves act as both product and advertisement many are looking to make their brand inherent to their images. [Read More…]
You have found your style when you can’t do anything else. It’s your default your normal nature. Style comes when imitation and influence perish. Its something that becomes one… you, yours. Defining your style or finding your style is a life’s journey. I hope you are always evolving and changing, never stagnant when it comes to your style. But at the same time hold onto its structure, it’s roots, its essence. So where does one begin? How does one create a photography style?
Abstract art in photography does not attempt to represent external reality. Photography artists instead find shapes, patterns, colors, and textures for their visually stimulating photographs. This body of work in essence attempts to separate or withdraw something from something else like, for example, the intricate patterns of reptilian skin or the shapes and colors of rough seas or volcanoes.
Nobody likes copycats, and nobody would suggest you to copy other people’s photos. However, there are some situations when copying other photographers’ work can be a good thing. Pierre Lambert has thought of some cases when being a copycat isn’t all that bad. As a matter of fact, it can be good for your skills and career. So let’s dive in and see when it can be good to copy someone else’s work.
It’s not uncommon that one artist gets inspired by another artist’s work. But sometimes it’s more of an imitation than inspiration, and pop star Selena Gomez has recently been accused of plagiarism. After launching her latest video for Back to You and a series of promo images on Instagram, many people accused her of blatantly copying the aesthetics of photographer Sarah Bahbah.
You’ll often hear that it’s important to find your unique style if you want to be a successful photographer or filmmaker. But Matti Haapoja argues that being completely unique is impossible. In spite of it, he believes you can still develop your own style and be a successful creative. Sounds odd, doesn’t it? Well, it actually makes sense, and Matti discusses some of the things you need to be aware of if you want to create a recognizable photography or filming style.
Chances are, most of you arriving here are aware of the backstory to this article, but just in case, I’ll quickly catch you up.
A few weeks ago I announced a community competition on my Facebook page; all you had to do to enter was to submit a ‘before’ photo (the raw) and an ‘after’ photo (the final fully retouched photo). There would be two winners; one chosen by a populous vote and one chosen by myself. The winners would then receive their entries fully retouched by myself.
Magdalena is a Toronto, Canada based editorial and commercial portraiture photographer and art director. Her work has been featured by numerous lifestyle, fashion and design magazines and brands.
She is also the Editor-in-Chief at Avidly Home Magazine.