So you have just picked up your first light or you have had one light for a while now and you are wondering what more you can create with just that one light, well you can create LOADS. I see many post/comments saying they can’t do that as they only have one light and while it is more efficient using more lights in certain situations it really is quite amazing what you can create with just one, so my best advice is to get out and shoot loads, experiment and fail as many times as you can, because honestly you will learn more this way and the experience gained will stay with you, In this post I will show you just a few ways I have created images with one light, now this is no tutorial more a post on ideas to try . If you want to jump straight to the video for this post click below.
Shooting for yourself is something I talk about a lot, I talk about it a lot but I have struggled to do over the last 12 months.
In 2016 I shot maybe 20-30 shoots which were for myself to try new skills, develop my work and give myself a break for the paid work I was doing.
In 2017 I did only 4 shoots like this. Now a little of that is because I was a victim of my own success, my commercial work grew massively and became my biggest photography year on earnings and hours worked. This meant my own personal work had to take a little bit of a back seat. Well not a little, it wasn’t even in the back seat, it was left at home in a cupboard which was locked and nailed shut!
When photographing portraits in a studio, you can create many different looks using only one light. Depending on how you place it and how big it is, a softbox can significantly change the look and mood of your photos. In this video, Jay P Morgan discusses different factors of softbox placement. And when you learn how they affect your portraits, you’ll know exactly how to achieve the look you want.
Having a photography studio is fun, but it is even more fun when you start applying simple and cheap solutions, plus common sense to make your shooting experience (and your clients’) smoother.
This is the list of what I think are the smartest and most useful photography studio life hacks.
I’d love to have access to a massive studio space with all of the latest amenities. Who wouldn’t?
But in many cases, a living room is all you need to get the dynamic shot you’re looking for. Nearly all of my favorite studio shots were done with my Oliphant backdrops in a 10′ x 15′ room.
You might be wondering, “What if my walls are red? What if I have low ceilings? What if my carpet is burgundy?” Don’t stress — there are simple ways around all of these problems, and I’m here to walk you through them.
I’m generally not a big fan of cheap Chinese crap, but there are occasionally exceptions – especially when it involves re-purposing and adapting inexpensive consumer items for photography.
In this article, I will share a selection of twenty one items ranging from $1 to $4 that I have found at my local Dollar Store that I have used for photography.
Gaffer tape is one of the most useful tools in any photographer or filmmaker’s bag. It comes in handy for so many things, and just to make sure I’ve always got some with me, I keep a roll in each of my bags. And I can’t remember the last time I did a shoot where I didn’t need it for something. In this 2-minute video from filmmaker Burke Cullinane we see 10 great ways to use gaffer tape on set.
When you’re on the set, you want everything to go as smoothly as possible. There are certainly many things to take care of, and one of them is protecting the floors. This goes for shooting in your own home and studio, but also if you’re doing it in someone else’s, no matter if it’s the model’s place or a place you rented for the shoot.
Photo and video shoots require a lot of heavy gear, and dragging it around can damage the floors. You certainly don’t want this to happen, as I’m sure you don’t want to pay for the repair. This is why Jay P. Morgan gives you some useful advice on protecting the floors to keep them safe from any damage and even dirt.
When creating studio portraits, it’s good to make the subject stand out from the background. Most photographers know this, but many still make the mistake and don’t backlight their models properly (or at all). In this short video, photographer Manny Ortiz will show you three easy ways to backlight your model and make it separate from the background using speedlights.
When you’re shooting a film, it can be pretty hectic on the set. So, you want to make sure that the set is safe, efficient and well organized. Efficiency and good organization give you more time to be creative – but they are of no use if you don’t keep yourself and the crew safe and sound. So, safety first! These seven tips will help you make the set more secure and safe for working.