There are different ways to modify studio lights and adapt them to your shooting needs. In this video, Manny Ortiz compares three popular modifiers: a beauty dish, a softbox, and an umbrella. He uses all three in the studio to show you what to expect from them and how to use them to achieve a nice, flattering light.
You don’t have to be new to photography to be new to studio lighting. In this video, Jeff Rojas will help you learn some of the basics fast. He discusses five essential studio lighting patterns, and knowing them will help you improve and add versatility to your studio portraits. And the best thing is – you can achieve all of them using just one light.
If you’re new to studio photography, you may want to take it one step at a time. Or literally one light at a time. You can make great studio portraits and create different setups with a single light. In this video, Manny Ortiz will show you how. All you need is one light and an optional reflector – and you’re good to go.
When you think of a portrait of Steve Jobs, I bet this is the image you have in mind. Photographer Albert Watson took the famous portrait in 2006, and it has become a signature photo of the famous visionary and entrepreneur. In this video from Profoto, Watson himself shares the interesting story behind this recognizable portrait.
Rembrandt had a wonderful way of simulating light in his paintings. So much so, that there’s a whole photography lighting technique named after him. Not surprisingly, Rembrandt lighting. It’s characterised by a small triangle of light under the subject’s eye on the shadow side of the face. It’s typical of how Rembrandt painted his subjects.
This video from Jay P Morgan shows us how we can get a Rembrandt style lighting setup in a low key portrait. With the help of a couple of young ladies, a pomeranian and a chicken, we see how the shot is built up to provide a classic look with a modern twist.
We all have our dreams, some are simple while others are complex, buried with the overwhelming mountain of hurdles. I began my creative career in the one of the most complex industries; music. The business of music is just like any other business, except it’s competitive and hard to navigate as a poor teenager who lives in their parent’s basement. But, I survived for a few years with the scars to prove it. We toured and recorded albums, yet never seemed to make it where we always dreamed to be. One minute we had a breakthrough, the next we took ten steps back. I often think what was to blame or who was to blame. But, I chock it up to timing. We happened to choose one of the worst times in the history of music to succeed. Free music was the new thing and the sales of compacts discs were crashing at an alarming rate. I often felt like my band was running on a treadmill, covered in sweat, yet never making any big leaps toward fame, fortune and my dream; to be my own boss.
If you’re new to studio portraits, there’s just so much to learn about the light. Also, you have a choice between strobes/speedlights and continuous LED lights. If you can’t decide where to start, the latest video from Joe Edelman could be helpful and get you on the right track.
In this video, Joe breaks down the differences between these two types of lighting. You’ll learn their main uses, and also why it’s good to use one or the other in different situations.
In this tutorial we will be going over how to create gorgeous in-camera flared effects that can add a lot of depth and interest to a simple portrait image. To do this we will be using a glass prism which can be found on any number of online retail sites. The glass prisms are generally used for school science experiments so they’re readily available and very inexpensive.
25mm x 100mm glass prism on Amazon link here
The prisms are very easy to use out on location as you simply hold them in front of the lens and shoot away. If you’re looking to use them in a studio environment though there are a few key things to bear in mind to maximise the flared effect that creates that signature look.
Do you use gels to add color to your photos? Jay P. Morgan shows you four different ways to use them, but with a twist – he focuses on adding color only to the shadows. By using gels, he achieves the desired effect in camera. Some of these four methods can work for you too, and they’re great ways to minimize the time you spend editing the photos.