If you’re unfamiliar with what lens flare is then it’s the hazy washed out areas in an image that appear far brighter than they should do. You usually can’t see flare with your own eyes but when you take a shot, there it is and often it’s an undesired effect that can ruin several aspects of your photo including contrast.
Learn to light portraits by photographing vegetables
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Today seems to be a day for portrait related posts. We’ve had the breakdown studio lights from Mark Wallace. And a complete start to finish location portrait process from Francisco Hernandez. Now, from Ed Verosky, we have another way to practice portrait lighting and experiment. Photographing vegetables.
How to get colored background without a backdrop or Photoshop
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In his previous tutorial, Malaysian photographer Andrew Boey showed you why a white wall is the only backdrop you’ll ever need. After turning white to black, in his latest tutorial, he teaches you to get all kinds of vibrant colors from a plain white wall. You don’t need a backdrop or Photoshop, but some speedlights, light modifiers and color gels.
Elinchrom Are Selling for 50% Off at B&H and Amazon
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If you wanted to start a studio or get a lighting kit, this may be a good time for you. It just so happens that almost all of Eli’s lights at 50% off via B&H and Amazon.
Elinchrom lights are mid to high-range lights (if you are unfamiliar with the brand, they kinda go head to head with Profoto), so 50% off can build up to some serious savings.
Photographing The Movement Of Dancers Using Speedlights And Long Exposure
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Photographer, Phillip McCordall, has put together a great video tutorial explaining the how he uses a combination of studio lighting, slow shutter speeds, and rear curtain sync to create almost atmospheric photographs of dancers, such as the photo you see above. While there are many applications in which you can use this technique on, the graceful leaps of the dancer are really eye catching when you are able to illustrate the motion of them, too.
If you’re not already familiar with rear curtain sync, this could be a really fun project for you learn it with. To put it briefly, when shooting with a rear curtain sync, the flash will fire at the end of the exposure rather than the beginning of the exposure. When used with a slow shutter speed, this allows you to record motion (as a blur) using only the ambient light at the beginning of the exposure, then right before the shutter closes, the flash will fire and freeze the motion.
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