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Lighting setup: Textured fashion lighting with coloured gels

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I spent many, many years working in a busy studio that focused on quantity over quality. As photographers working there, we did our best to push back against this where we could, but sometimes you only had 20-30 minutes with a client to achieve a handful of different looks and sadly this invariably led to you often reverting to the simplistic, yet professional looking white background shots out of necessity.

It was ultimately the repetitive nature of this white background work that spawned my gelled lighting that many of you know today. It really was a simple case of ‘shoot something different or go mad!’.

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Lighting Technique: How to photograph people with top-down sci-fi lighting

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I’m sure you’ll all be pleased to hear that it’ll be a short and sweet one this week ;) Nothing mind-bending or buried in lighting theory, just a simple 2 light setup with some colour! – (famous last words).  The idea behind this look for me was to create a sci-fi style of light coming directly from above. Couple that with some contrasting colour from below and a little separation behind and I’m done.

In my mind I wanted it to be smokey or hazey like those spooky 80s sci-fi movies. So either a misty night or even smoke from spaceship exhaust – think, ‘Close encounters of the third kind’. This isn’t strictly super-relevant, but early ideas like this can help you immensely when it comes to lighting a subject if you know what you’re trying to achieve first.

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Here is how to fix five most common studio portrait lighting mistakes

If you’re just starting out with studio portrait photography, that’s really exciting! Still, things can get a little overwhelming since there’s a lot to learn. In this video, Kayleigh June guides you through five common mistakes beginners make when shooting portraits with studio lights. And more importantly – she helps you learn how to avoid them.

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Five things we can learn from cinematic lighting

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One of the bigger personal projects I’ve been working on recently is my Cinematic Studio Lighting course. During the process of writing the accompanying notes and shooting promotional images for the event, I’ve done a ton of research on how cinematographers and directors of photography work, think and plan their shots. I originally thought the two worlds of photography and cinematography would be fairly similar, but I ended up learning a lot more than I thought I would and I think that’s down to how cinematographers approach the setup of their image compared to many of us photographers, especially those of us who primarily shoot in a studio.

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Use this simple two-light setup for gorgeous and consistent portrait lighting

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When shooting portraits in a studio with artificial lighting, the possibilities are endless. But if you’re looking for something simple, beginner-friendly, yet very effective, look no further. In this video, Manny Ortiz shows you one of his favorite beauty lighting setups. It uses two lights, a single light stand, and gives you beautiful and consistent lighting in every shot.

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Lighting setup: Classic editorial portrait lighting

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There will always be ‘classics’ in any industry. Sure these classics may not turn heads or make the headlines and they may even take a dip in popularity for a while, but these ‘classics’ will always be a timeless safe bet.

Fashion has its ‘little black dress’ and ‘tan trench coat’, cooking has its lasagne, burger, pizza, and many, many more. They’re always going to be winners in most peoples eyes and they’re as popular today as they were years ago, plus they will undoubtedly be popular for many years to come.

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How to create fake window light for still life and food photography

Studio lighting gives you almost endless possibilities. You can even recreate natural, window light with a pretty simple setup. Joanie Simon of The Bite Shot shares with you how to create a studio lighting setup that mimics window lighting, and it’s perfect for still life and food photography.

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This is my favourite $1 lighting modifier

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I’ve always been drawn to interesting looking light. The simple, soft and flat light of softboxes and other standard modifiers rarely hold my attention and I’ve often felt like that softbox lighting doesn’t exist outside of the studio. It’s always looked a little too clinical for me.

We’re shown interesting light all of the time when we’re observing daylight. Dappled light as it falls through leaves, dancing sparkles of light on water, rays of light through buildings and other structures, but we rarely try and bring that interesting looking light into the studio. In fact, many of us chase and covet this idea of ‘perfect’ light from a generic modifier and although there is certainly a time and a place for that, today I’d like to share a lighting technique that is a little more visually engaging.

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Can you get away with shooting without light modifiers?

When we talk about studio lighting, we always talk about light modifiers as well. They’re an integral part of using artificial lighting, but does it mean you should use them absolutely all the time? In this video from Adorama, Mark Wallace addresses this topic through a set of examples. He takes photos in his studio with different modifiers to show you what each of them does, so you can see for yourself whether or not you can get away with omitting them.

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Nine big studio flash lighting mistakes to avoid

When you first start shooting in a studio, it’s very exciting – but it can also be overwhelming. There’s so much to learn about studio lighting and so many mistakes that you’ll make. In this video, Karl Taylor mentions nine of the biggest mistakes photographers make when they first start shooting with studio lighting. Of course, we all learn from or mistakes, but let’s try and flatten that learning curve, shall we?

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