When you shoot with artificial lighting, you have all the control over it. But, there’s a lot to have in mind if you want to get your shots just the way you want them. In this informative video, Joanie Simon of The Bite Shot discusses the three most important things that you should always keep in mind when photographing food with artificial lights. And even though she is focused on food photography, this is something everyone should have in mind when using studio lights.
You don’t have to be new to photography to be new to studio lighting. In this video, Jeff Rojas will help you learn some of the basics fast. He discusses five essential studio lighting patterns, and knowing them will help you improve and add versatility to your studio portraits. And the best thing is – you can achieve all of them using just one light.
The sunlight on an overcast day is a soft light ideal for photos and videos. And in this video tutorial, George and Kevin of Filmora will teach you how to emulate the look of sunlight when shooting indoors. It takes very little time, it’s a pretty affordable setup, and you can use it for both video and stills.
I know it’s extremely trendy right now to say that ‘one light is all you need’, and although in certain situations this is true, a of the time extra lights will likely look better, or at the very least make your life easier.
Now before you rush to the comments section to proclaim the purity and simplicity of a black and white headshot being lit by a single light as being the very essence of great photography, I’ll just add that I agree. Sometimes, complicated lighting and over-lit portraits can certainly get in the way of a subject but conversely, a more visually interesting shot can also be achieved with the addition of more lights to draw in and engage a viewer.
Learning how to use artificial lighting in your photography can be overwhelming for any beginner. Apart from familiarizing yourself with new equipment, you also have to study how light behaves in different scenarios. To help you start with studio photography, Mark Wallace of Adorama TV teaches you a few essential lighting terms you’ll need to grasp to succeed.
Whether you’re aware of the correct terminology or not, you have likely experienced this colour contamination happening in your photographs already.
Put simply, colour contamination is when one colour is affected by the presence of another colour in close proximity. So for example, if you’re photographing two friends side by side, one of them is wearing a white t-shirt and the other one is wearing a red t-shirt, the white t-shirt will likely take on a pinkish tone due to the fact that it’s receiving bounced light from the red t-shirt close by.
If you’re unfamiliar with what lens flare is then it’s the hazy washed out areas in an image that appear far brighter than they should do. You usually can’t see flare with your own eyes but when you take a shot, there it is and often it’s an undesired effect that can ruin several aspects of your photo including contrast.
We all make mistakes in photography. All of us. But these are things which help us learn and grow as photographers. We make mistakes, we figure out what went wrong, we correct it and then don’t make that mistake again. Thanks to the modern Internet, though, we can learn from the mistakes of others, too.
In this video, photography Antti Karppinen talks us through 7 of the most common lighting mistakes photographers make shooting portraits in the studio. But he’s also going to show us how we can avoid them, too.
And we’re not talking iPhone Portrait Lighting mode here. This is light actually recorded on-set, that can be adjusted and changed in post. It’s a bit like how you can relight objects in 3D software, but there’s no 3D software in use here, this is all captured in-camera, thanks to Isolite. It’s a new series of light modifiers being funded through Kickstarter.
Describing itself as “The World’s First Intelligent Light Modifier”, Isolite claims to actually let you turn lights on or off in post. And it’s not simply brightening and darkening different areas of the image, it actually knows how each of the different lights are contributing to the shot. It works with almost any camera (that shoots raw) and just about any flash or strobe, too.
Today seems to be a day for portrait related posts. We’ve had the breakdown studio lights from Mark Wallace. And a complete start to finish location portrait process from Francisco Hernandez. Now, from Ed Verosky, we have another way to practice portrait lighting and experiment. Photographing vegetables.