When shooting portraits in a studio with artificial lighting, the possibilities are endless. But if you’re looking for something simple, beginner-friendly, yet very effective, look no further. In this video, Manny Ortiz shows you one of his favorite beauty lighting setups. It uses two lights, a single light stand, and gives you beautiful and consistent lighting in every shot.
Elinchrom has just announced ONE, a tiny, but powerful strobe. The 131 Ws off-camera flash is the company’s first battery-powered moonlight, and it’s the size of a 70-200 mm lens.
There will always be ‘classics’ in any industry. Sure these classics may not turn heads or make the headlines and they may even take a dip in popularity for a while, but these ‘classics’ will always be a timeless safe bet.
Fashion has its ‘little black dress’ and ‘tan trench coat’, cooking has its lasagne, burger, pizza, and many, many more. They’re always going to be winners in most peoples eyes and they’re as popular today as they were years ago, plus they will undoubtedly be popular for many years to come.
When we talk about studio lighting, we always talk about light modifiers as well. They’re an integral part of using artificial lighting, but does it mean you should use them absolutely all the time? In this video from Adorama, Mark Wallace addresses this topic through a set of examples. He takes photos in his studio with different modifiers to show you what each of them does, so you can see for yourself whether or not you can get away with omitting them.
When you first start shooting in a studio, it’s very exciting – but it can also be overwhelming. There’s so much to learn about studio lighting and so many mistakes that you’ll make. In this video, Karl Taylor mentions nine of the biggest mistakes photographers make when they first start shooting with studio lighting. Of course, we all learn from or mistakes, but let’s try and flatten that learning curve, shall we?
No matter what kind of photography you prefer, there are so many light modifiers to choose from and give your photos the look you want. A wide choice is a great thing, but it can also be confusing. To help you out, Scott Choucino has compared as many as 17 of light modifiers in his studio. So, let’s see in his video how different light modifiers work and how they affect your images.
So you have just picked up your first light or you have had one light for a while now and you are wondering what more you can create with just that one light, well you can create LOADS. I see many post/comments saying they can’t do that as they only have one light and while it is more efficient using more lights in certain situations it really is quite amazing what you can create with just one, so my best advice is to get out and shoot loads, experiment and fail as many times as you can, because honestly you will learn more this way and the experience gained will stay with you, In this post I will show you just a few ways I have created images with one light, now this is no tutorial more a post on ideas to try . If you want to jump straight to the video for this post click below.
When photographing portraits in a studio, you can create many different looks using only one light. Depending on how you place it and how big it is, a softbox can significantly change the look and mood of your photos. In this video, Jay P Morgan discusses different factors of softbox placement. And when you learn how they affect your portraits, you’ll know exactly how to achieve the look you want.
When you shoot with artificial lighting, you have all the control over it. But, there’s a lot to have in mind if you want to get your shots just the way you want them. In this informative video, Joanie Simon of The Bite Shot discusses the three most important things that you should always keep in mind when photographing food with artificial lights. And even though she is focused on food photography, this is something everyone should have in mind when using studio lights.