Building on the success and popularity of the A1, Profoto has just launched the A1X. It’s an improved and more powerful version of “the world’s smallest studio light”, and perhaps not surprisingly – it’s also a bit more expensive.
So you have just picked up your first light or you have had one light for a while now and you are wondering what more you can create with just that one light, well you can create LOADS. I see many post/comments saying they can’t do that as they only have one light and while it is more efficient using more lights in certain situations it really is quite amazing what you can create with just one, so my best advice is to get out and shoot loads, experiment and fail as many times as you can, because honestly you will learn more this way and the experience gained will stay with you, In this post I will show you just a few ways I have created images with one light, now this is no tutorial more a post on ideas to try . If you want to jump straight to the video for this post click below.
When photographing portraits in a studio, you can create many different looks using only one light. Depending on how you place it and how big it is, a softbox can significantly change the look and mood of your photos. In this video, Jay P Morgan discusses different factors of softbox placement. And when you learn how they affect your portraits, you’ll know exactly how to achieve the look you want.
When you shoot with artificial lighting, you have all the control over it. But, there’s a lot to have in mind if you want to get your shots just the way you want them. In this informative video, Joanie Simon of The Bite Shot discusses the three most important things that you should always keep in mind when photographing food with artificial lights. And even though she is focused on food photography, this is something everyone should have in mind when using studio lights.
You don’t have to be new to photography to be new to studio lighting. In this video, Jeff Rojas will help you learn some of the basics fast. He discusses five essential studio lighting patterns, and knowing them will help you improve and add versatility to your studio portraits. And the best thing is – you can achieve all of them using just one light.
Creating big soft natural looking window light on set presents some real challenges. Whether it’s for stills or photography, it’s not always straightforward. Sometimes we get lucky with our environments and they actually have great big windows. But often that is not the case. It’s a desirable look, and one that’s worth learning how to achieve artificially.
In this video, Jay P Morgan goes over the lighting setup for a shoot he did with Zuma Juice. This was a video project, but the same principles apply with photography, too. While most of us won’t be shooting on a set the size that Jay uses here, the technique can be scaled easily to smaller spaces.
Do you prefer natural light over studio light? Peter McKinnon does, and in his latest tutorial, he shows a simple way to make your own “natural light” when you don’t have enough of the real one. And not only is it simple, but you can make this setup for about $80, maybe even less. If you shoot and/or live in a place with little natural light, this setup is a lifesaver.
If you haven’t used color gels so far, in this video you’ll see some quick tips how to introduce color gels into your portrait work. Photographer Manny Ortiz gives you a suggestion of the setting, and also a quick tip how to make the best out of color gels.
LED lights have made massive leaps in quality and consistency for photographers over the last few years. With camera ISO performance getting better and better every year, many are turning to continuous LED lights as an alternative to flash.