Hacking Photography - one Picture at a time
It was a while since I was thinking how to perfectly center the Godox H200J bare bulb head in the S-Type Bracket. The AD200 and the S Bracket just cant be centered. Surfing the net, I came across this post by Ken Tam.
Ken thought of removing the screw to secure the headlights accessories. Perfect, but this does not make it more difficult to mount the reflector disc when we combine the AD200 with the S-Type Bracket.
The name of this installment is meant to be a joke, but anyone who follows the blog knows that I’m is a little bit color-obsessed. This image is a play on the highly popular orange and teal color scheme, using the complementary contrast between orange and cyan
Sometimes you want a hard light to make a statement, but sometimes you want a soft light, a light that draws little attention to itself. That was the case with our Model in a Red Dress shoot.
Taking a 180 degrees turn from our color-bursting portrait, here is a very soft black and white portrait and how to build a great setup for it.
Some portraits, you just want to be beautiful, not after retouching, but when you’re taking them, right out of the camera. That’s how this one goes.
There is one genre of photography that is black and white. There is another genre that is exactly the opposite and it is full of color. Today’s breakdown belongs to the second genre.
Sometimes an experimental idea turns out to be a stunning success. This was something like that.
This looks simple, but it’s a bit more complex than you think. When you are creating images that are intended for high-end retouching, you need to pay particular attention to creating a defined but actually relatively flat illumination.
When you think about image design and lines of sight, it’s easy to overlook light and posing. But it doesn’t have to be hard… Today I will share some primary tips on using posing to create shadow games.
While this picture has kept me busy for a long time; it’s actually pretty easy!
The goal was to create a summery picture. But it was December, and we shot inside the studio. Here’s how we did it.
You can find out more about John on his website and follow his adventures on YouTube and Facebook.
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.
To see more of his work please visit his studio website blurMEDIAphotography, or follow him on Twitter, 500px, Google Plus or YouTube.
JP’s photography is available for licensing at Stocksy United.
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