Hacking Photography - one Picture at a time
When I first saw the Godox Lux Senior flash, I knew I had to have one. Even before checking the specs. Even before reading the reviews. It was just such s cool looking piece of gear that I could not resist.
Now, I have had it for about a month. Was it worth the hype? Read on to learn more.
For a lot of photographers, when we started dabbling with flash, we used speedlights. And even if we didn’t, we might have bought a small strobe like the Godox AD200 and one of those 60cm square softbox kits with the S1 or S2 bracket. But as we upgrade to larger Bowens mount strobes or LED lights, those softboxes kind of just sit there on the shelf doing nothing.
Well, Farrukh Pitafi has solved that issue by designing a 3D printable adapter that mounts into your light’s Bowens mount socket and provides the ring around the outside to let you use those speedlight softboxes. And he’s made the files available to download so you can make your own.
Why is it so difficult to compare one light to another? It would be bad enough to say that watts, LUX, watt-seconds, and guide numbers aren’t directly comparable. And unless you’ve been around lights for a long time, these measurements won’t even make intuitive sense.
If you’re just starting out with strobes, there’s more choice than ever to overwhelm you with! In this guide, we will help you systematically narrow down which lights are going to work best for your type of photography.
The world of strobes has changed quite a bit since we published our last article on the subject. While much of the information there remains relevant, we thought it was time for a fresh guide to highlight some of the technological improvements, particularly in power range which we will get to in a moment.
Let’s get right into it and discuss the main considerations when choosing a strobe:
Elinchrom has just announced ONE, a tiny, but powerful strobe. The 131 Ws off-camera flash is the company’s first battery-powered moonlight, and it’s the size of a 70-200 mm lens.
Hi, this is Jay P. Morgan. Today on The Slanted Lens I’m back out here where we photographed last week. We photographed this little pizza cart called Dracari’s Pizza. It’s a great little cart with neon lights on it. I’ve been shooting food trucks for the last little while and have really enjoyed it. I still have the Hasselblad X-1 D. So I was not happy with the image I got here last week, it looks strobe-lit. The lighting was not integrated with the scene. And I felt like it kind of missed it. So tonight, I’m going to take that same image.
I’d argue that nearly all of us owned a speedlight at some point before we owned a studio strobe. When we’re looking to dip our toes into supplemental lighting, strobes seem like a big investment. It just makes sense to pick up a cheap speedlight to play with right?
Like many others, I did the same thing. I bought a cheap speedlight (that was ultimately pretty crappy), then I got a proper one, but I was still unhappy, whereupon I quickly bought a strobe. I immediately wished I’d done it sooner. Here’s why.
Many photographers love using natural window light, and I must admit I’m one of them. But when the weather just isn’t cooperating, you have to rely on artificial lighting. Still, you can recreate that window light that you like, and in this video, Barry Mountford shows you how.
Speedlights and strobes can be quite intimidating to new photographers who’ve never had personal experience with them before. Particularly strobes. They’re really not all that difficult to get to grips with. There is a learning curve, for sure, but it’s a fairly short one to get going with the basics.
Photographer Mark Duffy recently gave a tutorial on the basics of strobes in a live stream for UK gear distributor, Transcontinenta. Not wanting to limit the information contained within to just the live stream viewers, Mark’s also shared a copy of the stream to his YouTube channel for everybody else to enjoy, too.
When you first start shooting in a studio, it’s very exciting – but it can also be overwhelming. There’s so much to learn about studio lighting and so many mistakes that you’ll make. In this video, Karl Taylor mentions nine of the biggest mistakes photographers make when they first start shooting with studio lighting. Of course, we all learn from or mistakes, but let’s try and flatten that learning curve, shall we?
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