Shooting in bright sunlight can be tricky, even though there are ways to make fantastic photos using nothing but natural light. Still, you may need to add some strobes to even out the light, and there are some tricks that will make it look more natural and appealing. In this video, Dan and Sally Watson host Miguel Quiles, who shares four helpful tips for everyone who want to mix strobes with sunlight.
Many users of flash feel quite comfortable with it in the studio. The studio makes things fairly straightforward. You expose to eliminate all the ambient light and then you add it back where you want it with your strobes or speedlights. But when many newer flash users struggle when they get out on location, where you can’t or don’t want to completely kill the ambient light, but need to add flash.
In this video, Jay P Morgan at The Slanted Lens looks at how to mix strobes with the ambient light and how to balance them outdoors to achieve a good exposure.
We appear to have another casualty in the increasingly competitive strobe market. According to ProfiFoto, The District Court of Würzburg has ordered the provisional insolvency administration of the assets of German lighting manufacturer Hensel-Visit GmbH & Co. KG (Hensel). This isn’t bankruptcy or the end of the business, yet, although the company does have a significant challenge on its hands.
When you first start using strobes, it can be exciting but also overwhelming. There’s a lot to learn and a lot of mistakes to make before you get it right. In this video from Behind the Shutter, photographer Michael Corsentino shares his experience with strobes. He talks about ten things he wishes he’d known before he started shooting with them. If you’re just starting out, this video will help you learn and avoid mistakes.
Using gels is often a problem when working with strobes. Getting them to fit around the bulb can be a pain, and trying to cover the front surface of a giant softbox is just impractical (and expensive!). Well, the folks at FlashGels have solved this issue for the Godox AD600Pro and AD400Pro with pre-cut gel kits that slip right over the bulb.
The whole “continuous vs strobes” choice is pretty easy if you shoot video. But for photographers, it can be a little more challenging. New lights of both types are coming out all the time, and a lot of photographers wonder which type of light they should go with. In this video, Jay P Morgan looks at the advantages and disadvantages of both types of lights to see what tasks they’re better suited to.
I’ve reviewed the Godox XPro trigger before, a little over a year ago. Normally, I wouldn’t review the same product again just because it comes out with compatibility for a different camera system. My original review was with the XPro-C, but I didn’t review the XPro-N, XPro-F, XPro-S or XPro-O. So why am I posting a review of the XPro-P for Pentax?
Well, to put it simply, it’s kind of a big deal – at least for Pentax shooters. Pentax has traditionally had very little 3rd party flash support. It’s had some from Cactus with the whole X-TTL thing, but the recent demise of the RQ250 has left Pentax shooters with very little confidence in Cactus’ future. Other options have been iffy at best. But now there’s a new kid in town. The Godox XPro-P.
The Godox AD400 Pro is the newest portable all-in-one strobe from Godox. It’s basically a 400Ws version of the AD600 Pro. It has a few design differences and a little less power, but basically an identical feature set.
I’ve been playing with the AD400 Pro over the last couple of weeks to see how it handles and how it compares to some of the other portable strobes in the Godox product range.
Flash duration. Sounds a simple enough concept – but is it? Yes…and no. When I decided to write about this subject, I wrestled with how to explain the practice and principles of flash duration in a few words and (of course) pictures. Hope I’ve done a reasonable job because the better our understanding of the principles, the more control we have and the more creative we can be with our photography.
People make a big deal about the AD600 (now AD600 Pro) and AD200 strobes when it comes to Godox. They offer a lot of power in a nice easily portable package. But they offer so many more strobes than just these two. While those mentioned above, along with the AD360II are fantastic for shooters looking to get light on location, there are quite a few photographers who never take their lights out of the studio.
And that’s where this handy video from Rob Hall comes in. It covers and compares the entire range of mains-powered Godox studio strobes compatible with the X1T, XT32 and XPro triggers. It’s a pretty extensive list of lights covering a range of requirements, and those on 220-240v power even see some flash duration perks that 110-120v countries do not.