Vivian Maier is probably the biggest photographic phenomenon of 2010s. After her negatives were discovered, her immense talent was shared with the world, and there’s even a documentary about her. If you look up to her work, Frederik Trovatten has a really interesting video for you. In the very first episode of How to Take Photos Like…, he analyzes Maier’s work and tries to replicate her unique style.
One of the best exercises for street photography I ever adopted was to focus my internal monologue into a process of constantly describing what I am seeing. I have always been introspective about the way I work, when it comes to what influences my overarching approach, what draws my eye moment to moment, and what I look for while curating.
Documentary portraits are becoming more popular than ever. While once more the domain of magazine features, they’ve become a lot more widespread over the last few years and can offer insight into a who a person is, rather than just what they look like. In this video, photographer Joris Hermans talks us through his seven top tips for shooting documentary-style natural light portraits.
If you want to capture genuine, candid moments in street photography, you need to be discreet. Oftentimes, getting noticed by your subject will completely ruin the moment you wanted to photograph. So, you need some techniques to stay unnoticed, yet don’t seem like a creep. In this video, Samuel Lintaro Hopf will show you ten tricks that will keep you low-key just the right way.
I believe we all hate it when we get stuck in a creative rut. But hey, it happens, and there are ways to overcome it. One of the ways to get out of it is to try a different genre, and that’s exactly what Manny Ortiz did. The portrait photographer hit the streets and tried something new – street photography. It didn’t go quite as he expected, but he learned a lesson that will be valuable to all of you who are currently experiencing the creative block.
Street Photography is hard to do well. Really hard. Even if you are great, most of your shots will not be.
The internet is filled with boring street photography. The biggest problem is people thinking any photo taken on the street is now Street Photography. There is so much more to Street Photography than that so how do you capture more in your Street Photography?
One way to strive for great Street Photography is by avoiding some of the habits of boring Street Photography.
Here are 7 of the Most Common Habits of Boring Street Photography:
The world’s largest fetish event, the Folsom Street Fair, is controversial in and of itself. But still, it has managed to spark controversy among the photography community. In 2014, the Ask First Campaign originated at the event, telling photographers to “ask first” before taking photos. Since the fair is held in a public space, many photographers believe that they have the right to take photos without asking for permission. And the question is – is this really true? Should you just shoot what you please, or should you ask first?
No matter how many times this subject comes up, it’s always extremely uncomfortable for a great many photographers to approach people in the street. Whether it’s the feeling of being perceived as weird or simply being rejected, a lot of people are afraid to just walk up to people and say “Hey, can I make your portrait?”.
It’s something that photographer Jamie Windsor‘s struggled with, but he’s determined to get over it. So, he reached out to fellow photographer and YouTuber, Pablo Strong, to ask for some help to get over that fear and learn how to approach people in the street.
Street photography is a weird genre of photography. So many want to try it, but they’re afraid. Afraid of rejection and potentially hostile reactions. There are two schools of thought when photographing people in the street. The first is to just shoot, and worry about consequences later. Legally, that’s fine in many parts of the world. The latter is to obtain permission first and then shoot the photo.
There is the argument that asking takes away the spontaneity. What you saw and wanted to photograph ceases to exist. But it becomes something else. A street portrait. That, too, can be a great thing. In this video, photographer Jim Rogalski shows us how he approaches strangers in the street, even in other countries where there are significant language problems.