Have you ever wondered what the largest lens in the world looks like? It belongs to the Large Synoptic Survey Telescope (LSST), and its diameter is 1.57 meters (5.1 feet). It will be paired with a massive three-ton camera to study the sky and take enormous 3.2-gigapixel images every 20 seconds.
The Independence Day is just around the corner in the US, and it means we’ll get to see (and shoot) lots of epic fireworks. But they can hardly be as epic as the one NASA’s Hubble Space Telescope recently captured. It started exploding 170 years ago and it’s still continuing, and NASA calls it “the galaxy’s biggest ongoing stellar fireworks.”
Star stacking is a commonly used technique among astrophotographers. It helps you to reduce noise and end up with better images of the night sky. But how many photos should you stack to get the best results? The answer isn’t as simple as “take X photos and stack them.” But, Michael Ver Sprill aka Milky Way Mike shares some tips to help you determine the ideal number of photos to stack.
This guide will be a walkthrough on the basics of Milky Way photography. It is best for beginners, but even intermediate and expert photographers might find something new! Plus, I always find it never hurts to refresh yourself on the basics.
Before we get to the good stuff, I’d like to start by saying that I hope you find this guide to be a bit different from the rest. I have found that most guides go on way too long and provide more detail than you could possibly need. This doesn’t sound like a bad thing, but it creates a problem. With that much information available, it tends to be overwhelming and hard to retain what you learn. By the time you’ve read through the countless pages, you’ve forgotten where you started!
Did you know that stars can fight with each other out there in space? Thanks to this magnificent image captured by European Southern Observatory (ESO), we can see what it looks like. Located 650 light-years from Earth, these two stars were captured by ESO’s Very Large Telescope in a dramatic cosmic fight.
Did you know that meteors can be colorful? Our eyes can’t detect the different colors of meteors, but our cameras can. Photographer Dean Rowe managed to capture a magnificent, colorful meteor during Geminid meteor shower. He was kind enough to share with DIYP the details of his photo and tell us how he made it.
If you have access to dark and clear skies, you should have a great opportunity to catch Comet 46P / Wirtanen leading up to it’s closest approach on December 16th. It’s great timing as there’s barely any moonlight to interfere with viewing the comet, too!
This is the second installment of my new series called The Process. Each time I’ll take you through the planning, shooting and processing of an image. On this post, I’ll also be sharing how to find the comet 46P, how I shot my images, and taking a special first look at the new Sigma 40mm f1.4 ART lens!
Let’s get going!
One of the most frequently asked questions I get is how I shoot long-exposure photos from the cockpit and how they end up sharp, despite flying at roughly 950kmh / 500kts through the air. I will try to answer that question in more detail, going through the process and challenges step by step. Hopefully it sheds some light (pun intended) on the techniques I use and for the pilot-photographers among us some valuable and easy-to-use tips for your next night-flight.
If someone told me fifteen years ago that smartphone cameras would be able to capture the Milky Way, I’d probably just scoff. However, smartphones have come a long way, and photographer Daniel Cheong used his Huawei P20 Pro to shoot a pretty epic photo of our galaxy. He shared some details with DIYP and told us how he shot and edited this photo.