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These guys tested every video stabilizer so you don’t have to (but you probably still should)

If you shoot video, you know that you’re going to need some kind of stabilisation at some point in the process. Whether it’s a tripod, gimbal, a whole giant rig or simply relying on the camera or lenses built-in stabilisation, there are so many different ways out there. We can even stabilise in post, thanks to things like Adobe’s Warp Stabiliser and DaVinci Resolve’s gyro-stabilisation for Pocket cameras, or Sony’s similar tech.

Picking which one to choose for a given situation can be challenging, especially if you don’t have a lot of experience using all of the different methods out there. So, the team from Syrp Lab decided to give them all a try to see which worked best in which situations, from gimbals and IBIS to software stabilisation like that found in GoPros as well as the aforementioned Warp Stabiliser.

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Sony’s new image stabilisation might actually replace your gimbal – but there’s a catch

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Filmmaker, gimbal ninja and YouTuber Brandon Li has been playing around with Sony’s new software for the A7S III mirrorless camera and the ZV-1 vlogging camera to see if can actually let us do away with gimbals for shooting video.

The cameras have an accelerometer inside them that allows the camera to record the orientation data of the camera while shooting video. The software on the desktop then reverses these movements in post.

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It looks like Canon is bringing IBIS to its DSLRs, too

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It looks like finally making mirrorless cameras isn’t the only thing the big two DSLR manufacturers are finally capitulating on. After recently hearing that Nikon was planning to add IBIS to an upcoming flagship Nikon D6 camera, Canon Rumors is reporting that Canon’s next generation of DSLRs will be getting it, too.

Suggestions that Canon were potentially planning to implement IBIS in a DSLR started to appear last October. Then, just last week, Northlight Images updated its Canon rumours and info page with a new IBIS-related patent. Now, CR believes it may be coming to an impending Canon EOS 90D DSLR, expected to be announced in the next couple of months.

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Canon patents new triple hybrid image stabilisation system for shooting low-light video

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Canon saw a lot of backlash from consumers after it announced the new EOS R and EOS RP mirrorless cameras. Why? Well. amongst other reasons, because they didn’t have any kind of in-body image stabilisation. While Canon has many IS lenses for the EF mount, which are compatible with their mirrorless cameras through the use of an adapter, this just wasn’t enough.

Next came the announcement that future Canon RF mount bodies would have IS, but now it looks like they’re going a little overboard. A new patent published last week shows that Canon isn’t happy with the standard dual-hybrid stabilisation most systems use. Oh no, they’re developing a triple stabilisation system.

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“Shaky video is dead!” proclaims GoPro after strapping the Hero 7 to an eagle

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Ever since the GoPro Hero7 leaked online, the emphasis was on the new and improved stabilization. Then, the company promised “hypersmooth” and “gimbal-like stabilization” when the camera was announced. To show off the capabilities of the new Hero 7, GoPro strapped the camera to an eagle and let it fly over a soccer field. And apparently, they weren’t joking when they said that “shaky video is dead.”

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Future Fujifilm X cameras could get in body image stabilization

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Even though in body image stabilization (IBIS) isn’t compatible with Fujifilm X-mount, this could change in their future cameras. According to Fuji Rumors, Fujifilm is working on the possibility to bring IBIS to their new camera models.

As Fuji managers Takashi Ueno and Shusuke Kozaki pointed out earlier, they didn’t want to compromise the image quality with the IBIS in Fujifilm X cameras. However, considering the growing need for this feature, we may see it in the future models after all.

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Sometimes A Good GoPro Gimbal Is All You Need (A Review With A Chicken)

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A while back we needed to shoot some action so we looked for a GoPro Gimbal. The market has a ton. We got the Feiyu Tech G4 from RCgeeks (if you live in the US you can get it here), and we were very pleasantly surprised.

As a gimbal, it does what you’d expect from a gimbal – keep the camera smooth, but the marker-sized form factor along with the the great performance made it into a trusted companion. I carry it around and it produces instantly usable footage.

You can check the full review after the jump

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The 4K DJI Osmo Gimbal Tested on Trampolines

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The Osmo has just been announced and it is already becoming an object of desire for many videographers. The ability to get stabilized 4K footage in such a small form factor is absolutely mind boggling, especially when compared to the larger MoVI or a Ronin solutions.

The team at Lixi Studios took the Osmo for a ride, or rather for a jump. Trying to put the Osmo to its limits, the team tested it while running on trampolines, definitely not a sound environment. Results are quite impressing.

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Aeon Is a New GoPro Gimbal That Looks Like An Alien Weapon

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While GoPro supplies great footage it is often unusable without some sort of stabilization. Sometimes stabilization is made in post, with some cost in image quality, but we are seeing more and more options for stabilizing footage while shooting. This is what Aeon wants to do for your GoPro – “Create Smooth, Cinematic Videos“.

The Aeon has some very nice features under the hood and a very slick design as a the hood itself. Think Halo meets District 9 kind of look.

The Aeon is a 3-Axis gimbal so it provides all the stabilization you would expect from this kind of device (and the demo reel is quite impressive). But it also has some nice features to make it stand out.

The video pitch and some thoughts after the jump

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