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ZY Optics completes its MFT cine lens lineup with the new Mitakon Speedmaster 50mm T1.0 MFT Cine

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ZY Optics has announced the newest in their T1 lens in their cinema lens lineup. The Mitakon 50mm T1.0 MFT Cine joins the 17mm, 25mm and 35mm T1.0 lenses announced last year to complete their Micro Four Thirds cine lens lineup. As with the other lenses in the range, the 50mm T1.0 is very low budget, coming in at only $399 and now you can buy a bundle containing all four lenses which includes a free protective case.

Offering a 25° field of view, equivalent to a 100mm lens on full-frame, the new lens offers similar characteristics and bokeh to the rest of Mitakon’s MFT Cine lineup, giving filmmakers consistency as they swap between them. It has a minimum focus distance of only 60cm and with that super bright T1 aperture, the 9-blade circular aperture presents very pleasing out-of-focus areas.

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ZY Optics brings its Mitakon Speedmaster 50mm f/0.95 to Leica L mount

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ZY Optics has announced the release of their Mitakon Speedmaster 50mm f/0.95 lens for L mount. The fast aperture manual focus lens is designed for use with full-frame mirrorless cameras and is compatible with the complete line of L mount cameras from Sigma, Panasonic and Leica.

The Mitakon Speedmaster 50mm f/0.95 was initially offered in full-frame format with Sony E mount in 2014. A Mark II came in 2017 and it was then refreshed in 2019 with a new Mark III version. The Mark III was still available in Sony E mount but also Nikon Z and Canon RF, too. Today’s release now makes it available for every full-frame mirrorless system currently available.

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Mitakon announces 17mm, 24mm and 35mm T1.0 Cine lenses for Micro Four Thirds

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ZY Optics, the company behind Mitakon lenses, has released a new range of T1.0 Speedmaster Cine lenses. All three of the lenses at focal lengths of 17mm, 25mm and 35mm are available for Micro Four Thirds. The 35mm is also available in Fujifilm X, Canon RF and Sony E mount as well. Of course, it can only fill the sensor on the two latter brands if it’s Super 35mm or APS-C.

The new lenses are essentially cinema housings for their 17mm f/0.95, 25mm f/0.95 and 35mm f/0.95 photography lenses, with the features one would expect from a cine lens, like a stepless silent geared aperture ring and a smooth geared focus ring with a longer throw and precise scale markings.

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Mitakon has finally released the Speedmaster 35mm f/0.95 II for Micro Four Thirds

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Micro Four Thirds shooters have been waiting a long time for this one. This APS-C format lens was initially released way back in 2016 for Fuji X, Sony E and Canon EF-M mounts, but notably lacking was MFT. Well, that’s all changed now, as ZY Optics has launched the Mitakon 35mm f/0.95 Mark II with a Micro Four Thirds mount… In Japan.

On a Micro Four Thirds camera, the lens offers a field of view equivalent of a 70mm focal length on a full-frame body, but with a nice wide f/0.95 aperture for shooting in low light conditions and getting that shallow depth of field. It features the same construction as its APS-C brethren, with 11 elements in 8 groups and a 55mm front filter thread.

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The Mitakon Speedmaster 50mm f/0.95 III is back, now in Nikon Z and Canon RF mounts

The Mitakon Zhongyi Speedmaster 50mm f/0.95 lens was discontinued, but now it’s back. The full-frame lens is designed for mirrorless cameras and will be available in Nikon Z, Canon RF, and Sony E mount. The new and improved version is officially announced, promising improved performance and image quality compared to the old version.

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Mitakon’s Speedmaster 135mm f/1.4 is a $3,000 limited-edition monster of a lens

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Yesterday we reported that Mitakon/ZY Optics is developing the world’s fastest 135mm full frame lens, and today the company has revealed its specs and made the lens available for pre-order.

Owning the longest f/1.4 full frame lens will come at a cost, $2,999 to be precise, but it will automatically become a collectible item with just 100 of these lenses being produced.

Another expense will be the gym membership you’ll need in order to carry around the 3kg (6.6 lbs) lens.

Oh, and there’s a $500 non-refundable deposit.

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