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7Artisans releases their new 25mm f/0.95 lens for APS-C mirrorless and MFT

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7Artisans has released their new 25mm f/0.95 manual focus lens for APS-C mirrorless and Micro Four Thirds. The lens was first teased in September, but now it’s finally official, available and all of the specs are published. The lens is designed specifically for mirrorless cameras, being available on Sony E, Fuji X and Nikon Z APS-C mount options, as well as MFT.

That nice wide f/0.95 maximum aperture will let in a lot of light and allow for some pretty shallow depth of field, despite being made for APS-C and MFT cameras. On APS-C it offers a field of view equivalent to about 37.5mm on full-frame and on Micro Four Thirds it’s about a 50mm full-frame equivalent field of view.

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Megadap’s new ETZ-11 autofocus adapter lets you put Sony E lenses on Nikon Z bodies

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One of the best things that’s come out of the last few years of everybody switching to mirrorless and there being so many different mounts out there is the plethora of adapters that keep being released – with varying degrees of capability. We’ve got straight through manual adapters, speed boosters, autofocus adapters, tilt-shift adapters and all sorts.

One relative newcomer to the adapter space is Megadap. who released the MTZ-11 Leica M to Nikon Z autofocus adapter last year. Well, now they’re back with the much more useful Megadap ETZ-11; an adapter that lets you mount Sony E mount lenses on full-frame and APS-C Nikon Z bodies with full auto capabilities.

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TTArtisan’s 21mm f/1.5 is now available in (much cheaper) Sony E and Nikon Z mounts

Initially launched at the end of 2019 for Leica M mount, TTArtisan has now released two new mount versions of its 21mm f/1.5 full-frame wide-angle lens. No longer do you need to use adapters to fit the Leica M mount lens onto your Sony or Nikon mirrorless camera. It’s now available in both Sony E and Nikon Z mount variety.

Like its Leica M version, the two new Sony E and Nikon Z versions are both full-frame manual focus lenses, containing 13 elements in 11 groups and a 10-blade diaphragm offering a wide f/1.5 aperture. Unlike the Leica M version, though, these both come in at a little under $250, whereas the Leica version is still $429.

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Cosina has announced three new 35mm f/2 Voigtlander lenses for Leica M and Sony E

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Cosina has announced three new Voigtlander 35mm f/2 lenses. One of them is the Voigtlander Ultron Vintage Line 35mm F2 Aspherical Type II VM for Leica M, available in Black or Silver and the other two are Leica M and Sony E mount versions of the Voigtlander Apo-Lanthar 35mm F2 Aspherical VM.

The horrendously named Voigtlander Ultron Vintage Line 35mm F2 Aspherical Type II VM (we’ll just call it Ultron 2 from here on out) is an update to the existing Ultron 35mm F2 Aspherical lens. It’s designed to be small and compact, which is the opposite of the Apo-Lanthar 35mm F2, which seems to strive for image quality above all else.

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Pergear released a new 35mm f/1.2 lens for MFT and APS-C mirrorless – and it’s only $109

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Pergear has been going a bit nuts lately on the low-budget lenses. It was only in March that they released their 35mm f/1.6 and 50mm f/1.8 lenses with the 7.5mm f/2.8 fisheye just last month. Now, they’ve sent one fo their existing focal lengths into overdrive and announced the new Pergear 35mm f/1.2 manual focus lens.

Designed for Micro Four Thirds and APS-C mirrorless cameras, it’s available in MFT, Nikon Z, Canon EF-M, Fuji X and Sony E mounts. The best bit? It’s only $109.

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The Viltrox 85mm f/1.8 for Sony E Mount can become an f/1.6 lens with just a simple firmware update

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The Viltrox 85mm f/1.8 lens has started to become quite a popular lens choice for Sony E mount shooters due to its decent level of performance vs its fairly low $399 price tag (compared to the $600 Sony). It’s also available in Fuji X flavour, too. But can this lens go even faster than f/1.8? Yeah, apparently.

The video above by Stefan Malloch was actually posted back in April, but only just now seems to have gained any real traction, but it turns out you can update the Viltrox 85mm f/1.8 lens to f/1.6, giving you an extra third of a stop, rounder bokeh and a slightly (barely noticeable, really) shallower depth of field, with just a simple firmware update.

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TTArtisan is making a 50mm f/0.95 lens for Sony & Fuji – but it’s limited to only 20 units of each

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It’s not that often you see limited edition lenses these days, except with the likes of Leica. Even then, it’s usually just a limited edition colour of an already existing lens (or to launch a new one). TTArtisan, however, is making a very limited edition 50mm f/0.95 for the Sony E and Fujifilm X mounts. Only 20 will be produced for each mount.

TTArtisan hasn’t made an official announcement about the lens that I’ve seen yet, but it’s shown up on the website of Japanese distributor Shoten Kobo. It is a manual focus lens offering about a field of view equivalent to about a 75mm lens on a full-frame body. And the price? Well, it’ll only be around $400.

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Laowa’s 4mm f/2.8 fisheye lens is now available for Sony E, Canon EF-M and Fuji X systems

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It was recently rumoured that Laowa was getting ready to announce their 4mm f/2.8 Fisheye Lens on three new mounts. Specifically, the APS-C formats for Sony E, Canon EF-M and Fuji X. There was no news about when, just that they’d been spotted on Weibo.

The Laowa 4mm f/2.8 Fisheye Lens has been out for Micro Four Thirds since August last year, and at a hair under $200, it’s an absolute bargain. The new mounts for Sony, Canon and Fuji retain the same price, and shipping now.

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SIRUI reveals specs of its 50mm f/1.8 1.33x anamorphic lens; coming soon for under $800

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Chinese camera accessories manufacturer SIRUI revealed a 50mm f/1.8 1.33x anamorphic lens at this year’s IFA trade show in Berlin. Many of you hoped for a cheap anamorphic lens, and indeed – it will be one of the most affordable ones in the market. It’s coming soon in three mounts, and it will retail at around 700 euros ($770).

Folks at cinema5D got to take a look at the upcoming 50mm f/1.8 1.33x anamorphic lens at the ongoing IBC 2019. They revealed more about it, but also filmed a bit with it so you can see the lens in action.

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