Japanese website Nokishita says that Sony has begun editing product pages for an “ILCE-7RM4” camera (the expected product code for a future Sony A7R IV). There’s an official announcement expected from Sony later today, in just a couple of hours, in fact via Alpha Universe, where we may expect to hear that the Sony A7R IV is on the way. And possibly other cameras, too.
Sony has released Software Version 3.0 which brings a few interesting features to the a7R III and the a7 III. First, the previously announced real-time Animal Eye AF is now available. Next, Sony added the interval shooting for timelapse. And last but not least, the Real-time eye AF performance has been enhanced in the latest firmware update.
Firmware releases are a good thing. But sometimes they come at a price (this we why we recommend never to upgrade firmware unless you have an issue that is solved in the firmware release notes). Sony’s latest release for the A7/R III brought better AF, bracket shooting in silent mode, and something that many people have been waiting for. It unlocked all autofocus modes for adapted lenses with the Sony LA-EA3 mount adapter. This was a big thing since many Sony users are using Canon, Sigma or other 3rd party lenses.
But, after using the new firmware some users started reporting that they are having issues with some memory cards. Apparently, that was a real issue and Sony pulled back their update. DPreview spotted a message on the Sony UK site explaining the pullback by the need to fix two issues:
The announcement of Canon EOS R full frame mirrorless camera got many photographers excited, while the others were disappointed. In his latest video, Tony Northrup tested the Canon EOS R compared to some of its biggest competitors: the Canon 5D Mk IV, Canon 6D Mk II, Sony a7 III, and Sony a7R III. Take a look at the video and see how Canon’s full-frame mirrorless stacks up against competition in terms of image quality.
It’s pretty crazy just how quickly mirrorless technology has evolved, especially from Sony. They went from being a somewhat small player in the world of photography to pretty much the dominating force in the mirrorless world, and driving sales away from DSLRs.
But just how far has Sony come in those short few years since the original A7 series? In this video, Dave Dugdale picks up his old Sony A7S and compares it to his current model Sony A7RIII to find out!
Most of us who order online have had shipping disasters at some point. Either the product shows up with bits missing, or it doesn’t show up at all. But what if you ordered a $3,200 camera like the new Sony A7RIII, and instead of receiving one, you received two?
Well, that’s exactly what happened to Louis Ferreira from SonyAddict, as well as aerial photographer Alex Workman, and probably others, too. Louis claims he knows of at least 20 others who’ve received an extra camera. They each ordered and paid for one camera body, but they each received two. An expensive make for a camera retailer to make.
Sony a7RIII was recently announced, and it has still been causing comments from photographers of all genres. While the first experiences were positive, there were also disappointments concerning astrophotography and the “Star Eater” issue.
Recently, there was a report which gave astrophotographers some hope that the Sony’s “Star Eater” issue has been resolved. Still, after some new tests, it seems the problem still exists. The guys from DPReview have tested the spatial filtering in the new Sony a7R III along with Jim Kasson, and the results are not encouraging. According to their findings – Sony a7R III still eats stars.
The new Sony A7RIII has a new function that is called Pixel Shift. This function basically increases the resolution of your images by 4 times. In short: the camera takes 4 photos and shifts the sensor 1 pixel in between. By combining these images later (the camera doesn’t do this) you get an image that has 4 times the resolution of a normal raw image (4×42 Megapixel). This does NOT mean your file is suddenly 168 Megapixels. The files you get are still 42 Megapixel but they contain way more detail, especially noticeable when you zoom in 100%.
So how exactly does this work? By shifting the sensor by 1 pixel in every direction the sensor captures the full RGB data for every pixel. This is explained in Sony’s own video: