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Turn your bathroom into a natural light softbox for amazing portraits

Sep 7, 2017 by John Aldred 1 Comment
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When most portrait photographers want to create a directional soft light look, they break out the strobes. Then they usually stick a big octabox on the front of it. But what if you don’t have all that gear? How else can you get soft directional light? Well, you may be able to use the window in your bathroom.

In this video, Jay P Morgan shows us how we can get great soft directional light using only what enters through the bathroom window. Or whatever room in which you happen to be shooting. It’s a great technique if you don’t have flash gear and want to practise your portraits.

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This short movie shows the difference between diffused, double diffused and hard light

Jul 30, 2017 by Udi Tirosh 1 Comment
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Most large modifiers come with two diffusers. A big one for the outer rim and a smaller one that fits between the source of light and the big diffuser, right in the middle of the modifier. Of course, this begs the question how may diffusion layers do you actually need.

Photographer Francisco Joel Hernandez shares a short, yet informative video on how diffusion of strobes effects portraits (or any other type of shoot).

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How to make a DIY softbox from an old bicycle wheel

May 15, 2017 by Dunja Djudjic 1 Comment
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There are plenty of fantastic DIY softbox solutions, but this one is definitely something I haven’t seen before. To make it, you’ll need an old bicycle wheel. It doesn’t only make a great softbox, but it looks really cool, too. So, if that old bicycle is just collecting dust in the garage, maybe it’s time to repurpose it. In this video, Prickly Sauce will show you how.

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Sundisc is a softbox that is totally flat

May 8, 2017 by Dunja Djudjic 10 Comments
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Mirrorless cameras and high-power speedlights have reduced the size of gear, just like they promised. But the softbox still remains the largest piece and takes up a lot of space. Vincent Palma and Vilhelm von Platen wanted to change this, so they created Sundisc. It’s a light, compact and ultra-portable reversible softbox that fits in your camera bag and that you can carry everywhere. You can attach it directly to your speedlight, and it also doubles as a reflector with both warm and cool light.

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How to use gridded strip softboxes as your main light source

Feb 16, 2017 by John Aldred 1 Comment
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When it comes to setting up flash for a portrait, one might usually grab a big octabox or beauty dish. Normally, we wouldn’t consider something like a strip softbox. Strip softboxes are typically relegated to rim light duties. But they can also be extremely effective as a main light source.

In this Profoto Tiny Talk, photographer Neil van Niekerk talks us through how he uses his gridded strip softboxes for lighting portraits. He describes it as the most powerful tool he has both on location and in the studio. And, indeed, it is an extremely versatile modifier.

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Watch: a small octa acts as a sail in extremely harsh wind

Jan 14, 2017 by Udi Tirosh 1 Comment
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By now, you probably know that you should sandbag your gear. I mean, who would want their gear flying on their face when they talk about sand bags?

But sometimes the wind is just too fierce. Not only for a light stand but for any sort of modifier. In the movie below, German photographers Flash bros set out to shoot a portrait. Only the wind was a bit too strong even to hold a Profoto B1 500 TTL strobe with a small Profoto 2′ Octa. You can actually see how the wind drags both gear and assistant away.

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This modifier comparison shows off over 100 different lighting setups

Nov 23, 2016 by John Aldred 4 Comments
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Flash modifier comparisons can be extremely useful things. Without having to get up out of the comfort of our chair, we can very quickly and easily see how different shapes and sizes of modifier affect how light falls on our subject. Here’s one we discovered by photographer Michael Quack and the team at Visual Pursuit comparing a very wide array of Hensel modifiers.

Hensel modifiers aren’t exactly inexpensive, but if you want the best quality, you generally have to pay the highest prices. While you may not be specifically looking at buying Hensel gear, it’s still a useful comparison. With the subject, lights and photographer remaining the same for each shot, you can quickly get a feel for the differences that modifier design can make in your image.

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A real softbox for LED lights (and how to extend an Osmo)

Sep 30, 2016 by Udi Tirosh 1 Comment
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If you are using LED panels, there is a good chance you are using them bare, or with a diffusion panel.  If you need a bigger light source that the size of your panels, there are no pre-made solutions.

If you are using a spot LED (like the 120T from aputure), you can use “regular” softboxes, but there is really no solution that can further extend an LED panel.

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Size matters; Comparing Octabox sizes with high speed sync

Sep 12, 2016 by John Aldred 4 Comments
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One of the questions I see pop up often through various portrait groups on Facebook is “what softbox do I buy?”. After they settle on an octabox, it’s invariably followed up with “How big should I go?”. Personally, when it comes to Octaboxes, I’ve always been of the belief that the bigger the better. But, that’s just because I like nice big soft light. And, if you’re using a flash capable of filling it, why not?

In this video from photographer Francisco Joel Hernandez, we’re shown how they measure up in a direct comparison. Using 18″, 38″ and 60″ we get an overview of how size affects how the light falls on your subject. We also get a look into some of the more practical reasons why you might choose one size octabox over another.

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5 Tips to get great light for outdoor portraits

Aug 3, 2016 by John Aldred 1 Comment
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Shooting outside in bright sunlight scares many photographers. I always see people saying to not go out and shoot portraits when the sun’s high in the sky. To wait until golden hour and shoot in the sunset, or only go out on a cloudy day.

Well, I think that’s nonsense. There’s so much you can do with bright contrasty sunlight. In this video from Shutterbug Magazine, photographer James Patrick shows us five great tips for working with it.

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Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

Dave Williams is an accomplished travel photographer, writer, and best-selling author from the UK. He is also a photography educator and published Aurora expert. Dave has traveled extensively in recent years, capturing stunning images from around the world in a modified van. His work has been featured in various publications and he has worked with notable brands such as Skoda, EE, Boeing, Huawei, Microsoft, BMW, Conde Nast, Electronic Arts, Discovery, BBC, The Guardian, ESPN, NBC, and many others.

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

Dunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.

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