Sigma has just recently released its 24-70mm f/2.8 lens for Sony FE, and it seems to be more popular than the company expected. According to an announcement from Sigma Japan, the company can’t keep up with a high demand for the new lens. So, if you want to add one to your kit, it may come later than it was originally announced.
Canon Rumors is reporting that distributors have received some early information about Sigma’s plans for RF mount lenses for the Canon EOS R system. Beyond that, there isn’t really any more information, except that CR expects there might be an announcement ahead of CP+ in February. They don’t name their source, but they have ranked it as “CR2”, which sits somewhere around the “Ok, you have my attention, but let’s see how it pans out” level.
But it makes sense for Sigma to be pursuing the RF mount. It’s become quite popular, especially in Japan, where both Canon and Sigma are based and it’s also the mount that’s coming on the RED Komodo cinema camera.
The Sigma/Leica/Panasonic alliance has been big news since it was officially announced at Photokina 2018. We’ve already seen two new full frame L mount cameras from Panasonic, and now Sigma’s Art series prime lenses are going L mount. Sigma brought some of the new L Mount prototype lenses to NAB 2019 so we had a quick look. Yyou’ll also be able to use your Canon EF & Sigma SA lenses with the new Panasonic S1 and S1R using the MC-21 mount adapter.
If you’re in the market for a new lens, it may be hard to decide whether to go for a third-party option, or stick with the same brand as your camera. The Sigma Art series has received a lot of praise, and photographer Julia Trotti put it to a test. She used the Sigma 85mm f/1.4 Art and compared it to the Canon 85mm f/1.2L II. In the video below, you can see how the lenses compare on Canon and Sony bodies.
Sorry, completely skipped this one in the last Sigma press event post. I was distracted by full frame freaking Foveon! But that’s not all they’ve mentioned today. Sigma has now officially announced the five new “Global Vision” lenses (that’s the collective name for their Art, Sport & Contemporary lenses) that leaked last week.
If you’re in the market for a 24-70 f/2.8 lens for your Canon camera, there are a few options available. In this video, Matthew Gore goes in-depth about the similarities and differences between Canon 24-70 f/2.8 L II and Sigma 24-70 f/2.8 ART. Both have a good reputation, and the price difference isn’t really big, which makes the decision not so easy to make. So, if you’re having second thoughts which of these to choose, this video could answer some of your questions and help you decide.
Sigma’s lineup of native Sony E-Mount Art is now almost complete. Having shipped the 20mm, 24mm, 35mm, 50mm and 85mm E-Mount lenses in June, Sigma has now started sending out the 14mm f/1.8 DG HSM, 70mm f/2.8 DG Macro and 135mm f/1.8 DG HSM Art series E-Mount lenses.
Having played with E-Mount versions of the 20mm and 50mm lenses only a week ago, they seem to show definite improvement on Sony bodies over MC-11 adapted EF or SA mount lenses. So these should be warmly welcomed by Sony shooters, particularly the 135mm f/1.8.
There’s no way around it, the new Sigma 105mm f/1.4 Art lens is freakishly huge. Compared to the Nikon 105mm f/1.4E lens released a couple of years ago, it just looks ridiculous. The Sigma is substantially bigger and weighs about 70% more than the Nikon. It even weighs more than my Nikon 70-200mm f/2.8 zoom.
But how does it actually feel to shoot? And how good are the images? I’ve had the opportunity to play with one over the last few days, so this post goes through some of my initial thoughts, and what I think of the lens so far. If you want the short version, though, I love it and hated having to give it back.
Earlier this year, Sigma announced nine Art lenses with native Sony E mount. Jason Vong tested three of them and compared them to native Sony counterparts in terms of sharpness, AF performance for photo and video, and form factor.
Jason visited Anime Expo and shot some videos and stills in this lens shootout, testing the pairs of 35mm f/1.4, 50mm f/1.4, and 85mm f/1.4. Let’s see his impressions and whether or not Sigma Art lenses can outperform their Sony counterparts.
As soon as Sigma announced the new 135mm f/1.8, it immediately made it onto my GAS list. Then I saw the price and it came straight back off my list again. After speaking with photographer Keydrin Franklin, though, and seeing some sample photographs (they’re down below), I think it may be going back on.
Keydrin’s used to shooting long fast glass for location portraits. His go-to lenses are the Nikon 200mm f/2 and Nikon 105mm f/1.4. So the Sigma 135mm f/1.8 is a good fit with his shooting style. He’s had the Sigma 135mm f/1.8 on loan for the last couple of weeks to give his thoughts on this lens. So far, those thoughts all seem very positive.