Sigma has announced three new lenses for Canon’s APS-C EOS M series cameras. The new EF-M lenses are Sigma’s 16mm f/1.4 DC DN, 30mm f/1.4 DC HSM and 56mm f/1.4 DC DN Contemporary lenses, previously only available for Sony E Mount and Micro Four Thirds. And a mount conversion service is coming for any users who might already own these lenses in either of those mounts.
Just over two weeks ago, during PhotoPlus Expo, Sigma announced a new super wide super fast prime lens was on the way. The 16mm f/1.4 DC DN Contemporary lens for Sony APS-C and Micro Four Thirds cameras. With users of both formats crying out for super fast wide glass, this was very welcome news.
As yesterday’s leaked photos show, Sigma are indeed bringing us a new lens for mirrorless users. Now, though, it’s not a leak or rumour any more, though. Today, Sigma have officially announced their new 16mm f/1.4 DC DN Contemporary lens for mirrorless cameras. Specifically, that means Sony and Micro Four Thirds photographers – sorry Fuji shooters.
Sigma boast that this is the world’s first interchangeable lens for Sony mirrorless APS-C cameras which offers a 24mm full frame equivalent field of view at such a wide aperture. For Micro Four Thirds users, that’s a 32mm full frame equivalent field of view. Even with the 2x crop, though, it’s a lens micro four thirds shooters will have been waiting for.
Well, Sigma said they’d be announcing a new lens at this year’s PhotoPlus Expo, which is about to begin in New York. A couple of days ahead of the show, though, it looks like images of the surprise lens announcement have already been leaked. According to these images, that lens is the 16mm f/1.4 DC DN Contemporary.
Given the DN lens abbreviation, it looks like this will be available for Micro Four Thirds and probably Sony. On something like a Sony A6500, this would offer the field of view of a 24mm lens on a full frame body. On Micro Four Thirds, a field of view equivalent to 32mm on full frame. With an f/1.4 aperture, it should still provide plenty enough shallow depth of field.