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This hidden Photoshop feature makes sky selection even quicker

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Most of us know about the amazing sky replacement AI in Photoshop, but what happens when you don’t want to actually replace the sky, just select it to make adjustments? Masking the sky can be a bit of a hassle if there are intricate parts to mask such as a bridge. We’ve shown you various techniques before to make this easier, but it seems that another extremely powerful tool in Photoshop’s latest update is hiding in plain sight and makes sky selections even quicker.

In this video, Scott Kelby shows us a powerful sky selection tool that I certainly had no idea was there, and it literally takes no time at all to mask out a complicated sky.

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How to make Photoshop’s Object Selection feature more precise

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Last year, Adobe introduced Object Selection, a tool that uses AI to make complex selections in a heartbeat. While it makes a great starting point for your selection, it still requires some additional work in most cases. But you can make the tool more precise, and in this video, Unmesh Dinda of PiXimperfect will show you how.

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Adobe introduces AI-powered Object Selection Tool that makes complex selections in a heartbeat

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In some situations, Photoshop’s Magic Wand tool can save you a whole lot of time when making selections.  This group of tools is getting an upgrade, and a very powerful one: meet Object Selection tool. It’s a powerful AI-powered solution that helps you make even complicated selections by a simple click-and-drag. In the video below, Meredith Payne Stotzner of Adobe will show you how it works, and I must say it looks pretty impressive.

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Five tips to get perfect selections and cutouts in Photoshop

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Making selections and cutting out is probably the most common use for Photoshop. It’s used on countless product shoots, not to mention compositing. And it’s something that almost all of us need to do at some point during our photography journey.

Selections can be tricky, though, especially if you’ve not used them before. And even sometimes if you have used them before, given how often Adobe seems to change how they work. But here’s Colin Smith from photoshopCAFE to show you five tricks to help get perfect selections in Photoshop.
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The latest Photoshop update lets you select subjects with just one click

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A few months ago, Adobe announced a revolutionary feature that would let you select subjects in Photoshop CC with a single click. The latest update is now launched, and the Select Subject Tool is available. With this tool, you can select the subjects automatically, which should help you significantly speed up your editing workflow.

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New to Pen Tool? This tutorial will help you master it in under 8 minutes

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The Pen Tool allows you to cut out anything in Photoshop, and it’s especially useful with objects that have hard edges. However, many photographers find it difficult to master. Aaron Nace of Phlearn guides you through this great tool in this video tutorial. If you haven’t mastered the Pen Tool yet, this video will help you learn and improve in less than eight minutes.

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Quick tips for making sharp and precise selections in Photoshop

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The Magic Wand Tool or the Quick Selection Tool can make general selections fast and easy. But they’re not 100 percent precise and you’ll often have uneven and jagged edges. Unmesh Dinda (aka PiXimperfect) shares some quick tips to fix this and make selections very precise. With a couple of “hidden” sliders, you can make your selections far more accurate and do it in a matter of minutes.

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Adobe’s upcoming Photoshop CC update will select your subject automatically

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Adobe has published a sneak peek video of a new feature that will make a lot of photographers happy. In an upcoming update of Photoshop CC, the selection process will become much easier. As a matter of fact, it will take you just one click to get the starting selection of your subject. Meet the Select Subject feature.

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Saturation masks is an easy way to extract complex objects in Photoshop

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There are plenty of functions for masking in Photoshop, and each of them is useful in its own way. Whether it’s color selection,  focus masks, the new and kinda annoying mask-and-select dialogue or my beloved channel selection.

If you are following our blog, you should be familiar with my love for channels. Channel selection is always based on the contrast between red, green and blue, and I am manipulating them after duplicating the channel with the highest contrast.

Another way to create masks is using selections based on saturation. THis is not a well-known method, but it’s a very powerful way to create awesome masks when dealing with complex selections.

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