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I spent a week photographing concerts with the Canon EOS R and here’s what I think

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Canon Portugal sent me a Canon EOS R with the Canon RF 24-105mm f/4L IS USM lens for me to test. Unfortunately, it was only possible to keep it for a little over a week, but I still managed to make the first day of the MEO Mares Vivas Festival where I am the official photographer. This gave me the opportunity to test it during the day in good light for the assembly of the venue, but also at night in concert, which was what I was most interested in seeing.

I had already tried some mirrorless cameras, from other brands, and I confess that I was never very satisfied. Certainly, never to the point of wanting to chang I had already tried the Canon EOS R once, but only for a few minutes, which was not nearly enough to form an opinion about it.

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Yes, gear matters when you shoot concert photography

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Yes, you have read it right. When doing concert photography Gear matters! Compact cameras, bridge cameras, DSLR, crop cameras, full frame cameras, mirrorless cameras, zoom lens, prime lens, the list goes on and on. But I’m not going to talk about camera bodyies and lenses (surprised?). That really doesn’t matter, the best cam or lens are the ones that we have, we just have to learn how to use them and how to make the most out of them.

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This is what’s in my bag for Music Festivals and why it’s in there

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Now that the music Festivals are starting, I think it’s a good time to share what’s in my bag for Music Festivals. Last year, I was the official photographer of eight Summer Festivals here in Portugal, and this was the gear that I’ve used on all. On one of them, I also took an extra monitor, but not in my bag.

As the official photographer, I have a place to safely store my extra gear. I also have a place to transform into my office for the festival days, so I don’t have to carry all the stuff with me.

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The advantage of camera WiFi when shooting concerts

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As soon as I received my Canon 5D Mark IV, I turned off the Wifi. I thought that it would not be very useful to me and that it would only serve to drain the batteries quickly. As I divide my work between studio and concerts, the WiFi did not seem very useful to me.

In the studio, the USB cable was perfect for working with tethered to the computer; in concerts, the WiFi also did not seem to be of great utility. But even so, one day, I decided to install the Canon Camera Connect application to at least find out how it works. Quickly the WiFI has become a fundamental tool in my work, both in the studio and in the concerts.

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How to prepare for music festival season

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Now that the Festivals season is starting, I already have 3 confirmed festivals and 3 more to confirm, I thought it would be a good idea to write an article about how I prepare for the beginning of the season.

This text is about my process, other photographers do it differently, and serves only to share what has worked for me. If you have any other way to prepare for the festivals please share it.

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Fuji X-T2 review and real-world concert photography test

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Recently I had the opportunity to test the new Fuji X-T2.

At start, it was only possible to do some tests with natural light and mainly in the street. Although it is not the kind of environment I use to photograph, this first test had as main objective to serve only as the first contact with the equipment, so that in a second test, which I intend to do soon in concert, im already slightly familiar with the menus and buttons Of the X-T2.

This text is not meant to be a technical text, I am no expert in engineering and certainly the Fuji engineers must have their reasons for deciding to build the X-T2 as it is, in this text I will only share what I found of the X-T2 and what I felt when I photographed with it.

My intention with this test, and with the test in concert photography, is to verify if the X-T2 is a valid option to replace my Canon equipment, at least for concert photography. I like Canon and I am very used to the brand, but as Canon Portugal has decided to close the official service of the brand in Porto, thus abandoning its customers, I can not and do not want to be subject to mailing my equipment to repair In Lisbon by a repair company that I do not know …

It should be noted that Fuji has the official technical service for Portugal and Spain based in Oporto.

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How I shot a photo of Glenfiddich on fire

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Explore the idea of hanging products (like here and here), I decided to add a new element … fire. I had used fire in another image of a bottle  (here), but this time I wanted the fire to encompass the bottle, which meant taking a few more safety precautions.

I started by choosing the background for image, I chose an old wooden board because of the organic look and warm color. For the base I used a glaze Floor Tile, because it’s resistant to heat, at least I expected it to be …

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Product Photography: Shooting A “Papo Seco” Wine Bottle

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Here it is a short description of the process for creating the image of the bottle “Papo Seco” to Pinto & Raposo.

For this shot I only had the 5 bottles my client gave me and the idea he wanted for the image…  He wanted “fresh” “clean” and “young” he also needed some blank space for adding text later on…

In the beginning I was thinking on using only one bottle…but as I had 5 bottles available I decided to try to use them all.

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