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How to shoot easy white backgrounds for either products or portraits

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It’s one of the oldest and most fundamental techniques when it comes to shooting both portraits and product photography in the studio. But it’s also one of the most misunderstood and difficult to grasp for a lot of newer photographers. Yes, that’s right, I’m talking about the ubiquitous white background shot.

In this video, Rob Hall walks us through the process of getting two white backgrounds. The first demonstration is in a portrait setting, showing how the background is lit vs the subject and how to prevent the background from flaring into the lens. In the second, Rob sets up a small product shot using a light table. Both are lit quite differently but achieve the same result.

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Check out these eight 3D printed photo & video tools designed to make your life a little easier

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I put off getting a 3D printer for the longest time. I didn’t want to get one just for the sake of having a new toy that I’d get bored with, so I held off getting one until I felt I had a genuine need for one. Now, I have five – the most recent of which are the Snapmaker 2.0 A350 and its predecessor, the Snapmaker Original, and I find them absolutely invaluable.

I’ve been using them recently to print a bunch of tools and accessories to help me with my photography and filmmaking. Some of them are workflow and organisation accessories while others are actual tools used to create content. So, here, I’m going to talk about some of the most useful things I’ve printed lately.

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A super simple 2-light setup for shooting still life photography

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Big-shock I know. A coloured gel lighting technique from me is hardly surprising, but this time I’m scaling things down and today I’ll be sharing a super simple 2 light setup for still-life.

To be clear, I’m a million years away from being an even remotely good still-life photographer, but I thought I’d share this quick little setup as I had a few questions about some shots I shared in a recent article. Plus, if I, a know-nothing portrait and fashion shooter can throw together this still life setup, anyone can do it.

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How I shot this “Fructis” product image

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I decided to make this image for my product portfolio. I think it is important to build images with total creative freedom, without having to follow a client’s needs. This way, we can experiment and look for new concepts.

I already had the Fructis shampoo containers in the studio for a long time to make an image. I’d had the mirrors even longer, So, I decided to make this image inspired by some other images I’d seen with a similar concept.

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Here’s how you can light product photography using small LED light sources

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Lighting products is a lot of fun, but it can be quite tricky. Most lights we use in the studio for shooting products are huge. They’re often big strobes or LED panels, but sometimes you just need something small. Something you can fit into a small space and light up just a small section of a product, or indeed the whole of a small product.

In this video, photographer Mark Duffy shows us how he uses Spiffy Gear’s new KYU-6 LED lights to light up an Xbox controller for a little bit of small product photography.

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Watch and learn how light paint your product photography with LED lights and strobes

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Product photography can be a lot of fun, especially when you start to experiment with light painting. In this video, photographer Mark Duffy shows us how he does his long exposure product photography using the new KYU 6 LED lights and Godox MS300 strobes in the studio on a pair of trainers (or “sneakers”, for those of you in the US).

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Being a hand model takes a lot more dedication (and lotion) than you might think

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As photographers or filmmakers, many of us have or will work with models at some point, perhaps even regularly. Typically, however, it’s about the whole package. We’re not usually focusing on just one part of them. Well, not unless you’re shooting products and need the services of a hand model. A hand model like RayMartell Moore.

This eight and a half minute video from Insider offers a fascinating insight into the world of hand modelling. RayMartell is uniquely qualified to talk about this topic as he’s been doing it for a decade now and his services can command as much as $4,000 per job.

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Use household items to light your shot with this DIY approach to product photography

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If you’re still stuck at home and want to practice your photography, particularly small products, you might have been struggling if you don’t have a lot of lighting kit. Product photography often requires a bunch of different light sources to show off its different facets and surfaces. But if you don’t have a lot of gear, what can you do?

In this video, Jay P Morgan photographs a glass drinks bottle on his kitchen table using nothing but things he finds around his house (mainly the kitchen). Using parchment paper, flashlights, oven trays and even a diaper to create a pretty decent shot you can easily achieve in your own home.

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How to shoot water splash product photography using a DIY catapult

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Water splashes often seem to go hand in hand with product photography, although it’s not always easy to capture. Often it requires several pairs of hands to man the camera while simultaneously throwing water at your subject. But it’s possible to shoot it on your own quite easily using a DIY catapult, built from mostly standard gear you already have in your studio.

You’ll need a few bits of wood, screws, a bungee cord and a length of rope as well, but as this video from Matt Huber demonstrates, it’s a really simple design that’s easy to build. But the results it allows you to produce are very effective.

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