Back in 2017, the estate of Andy Warhol launched a preemptive strike against photographer Lynn Goldsmith over Warhol’s series based on her photo of Prince. They hoped to prevent any future legal challenges from her, considering that Warhol was “inspired” by her image. However, the U.S. appeals court sided with the photographer on Friday, ruling that Warhol’s Prince series was not transformative and that it could not overcome copyright obligations to Goldsmith.
Madison Dube, a photographer working with Prince during the final years of his life, has filed a lawsuit against the late singer’s estate. She claims that the estate been using her work without a license. Therefore, she is suing the estate along with its “associated companies” for copyright infringement.
The circumstances of this situation remind me of the Obama “Hope” poster. Photographer makes a photograph, photograph gets appropriated, then remade as a stylised artwork. The Associated Press sued artist Shepard Fairey on the photographer’s behalf, and the matter was settled out of court. The story here starts off somewhat the same. In 1981, photographer Lynn Goldsmith made a photograph of the the artist still then known as Prince.
Three years later, Warhol then allegedly took this photograph and made a series of new pieces using the photograph as “inspiration”. The NY Daily News reports that Goldsmith believes more than simple inspiration was taken from her image, and that it infringes upon her creation. So, the estate of Andy Warhol have launched a preemptive strike against Goldsmith and filed suit against her. Their hope is to set a precedent preventing any future legal challenges she may make.
As the Maharaja of Jaipur, Ram Singh II was famous for many things. It was during his reign that slavery, infanticide and other cruel customs were abolished. He was, however, also known for being a rather avid photographer.
He could see the value of photography years before many people had even heard of it. In this collection of glass negatives, shot between 1857 and 1865, we get unique insight into the people he spent his days with. It’s a fascinating look at the fashions of the day, and some rather magnificent facial hair.