Fujifilm has just announced two new lenses for its two camera systems. The first is the 16-80mm f/4 R OIS WR, a versatile zoom for Fujifilm’s APS-C X-mount cameras. The second lens is the GF 50mm f/3.5 R LM WR, a compact prime designed for the medium format G-mount GFX system. Let’s check out more details and specs.
Other than the tiniest full frame mirrorless, there are a few more novelties from Sigma today. Three of them, to be exact. Sigma has just announced three out of four rumored lenses for Sony FE: the 35mm f/1.2 Art, 45mm f/2.8, and the 12-24mm f/2.8 Art. We finally have more details of the specs, prices, and availability, so let’s check them out.
In the world of photography, you’ll find people generally prefer primes or zooms. The main benefit to zoom lenses is that you can cover multiple focal lengths in one decent sized package. In saying this, there are some prime lenses that can work well for multiple purposes.
Two of these are the 35mm and 85mm primes. Now just to be clear, like any article this doesn’t apply to all people. With the genres I shoot, these two lenses can cover so many uses and really prove their worth. Regardless of which mount you own, there are great options from both first and third party manufacturers.
I actually feel these lenses have the same benefits and I will discuss why you should own these two lenses.
Along with the big announcement of the X-T30 mirrorless camera, Fujifilm has also announced a new lens you can pair with it. Fujinon XF 16mm f/2.8 R WR is a wide-angle prime for X-Mount APS-C Fuji mirrorless cameras. It’s small, lightweight and therefore ideal for everyday use and travels.
I’ve been a big fan of Irix lenses since I first had the chance to check out their then-new Irix 15mm f/2.4 in person at The Photography Show in 2016. Later in the year, they let me have a bit of a play with the Irix 11mm f/4 at Photokina later in the year. They’re both very impressive lenses.
The only potential issue with them, though, is that until recently, if you wanted lens profiles for these lenses in Adobe Camera Raw and Lightroom, you needed to download them yourself and install them manually. Now, though, Adobe have officially added lens profiles to support these lenses to CC.
Fujifilm has announced a roadmap of lenses for X series cameras, and it contains a very interesting lens. The company announces the development of 33mm f/1 lens. What’s interesting is that it will have autofocus, which will make it the first lens of its kind.
Earlier this year, Sigma announced nine Art lenses with native Sony E mount. Jason Vong tested three of them and compared them to native Sony counterparts in terms of sharpness, AF performance for photo and video, and form factor.
Jason visited Anime Expo and shot some videos and stills in this lens shootout, testing the pairs of 35mm f/1.4, 50mm f/1.4, and 85mm f/1.4. Let’s see his impressions and whether or not Sigma Art lenses can outperform their Sony counterparts.
Choosing prime or zoom lenses is mainly a matter of preference. And what to choose when you’re shooting portraits? Many photographers would rather reach for primes, but modern zoom lenses can also give you sharp, high-quality images. In this video, Manny Ortiz discusses his choice when it comes to the lens for portrait photography. He tests an 85mm f/1.4 and a 70-200mm f/1.8. They are both great, but they have both advantages and disadvantages.