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Nissin announces new powerful MG10 flash – How does it compare to the Godox AD200?

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The Godox A200 seems to have become the new standard by which many new flash releases are judged. It appeared in a new class of its own on release. Too powerful to be called a speedlight, but too small to really be considered a strobe. It was sort of the iPad of the flash world. It fits in between two other categories, as the iPad did between phones and laptops.

And just as the iPad saw many tablet competitors appear in its wake, others have shown up to challenge the AD200, too. First, there was the Cactus RQ250, which looks like a very promising little unit. Now, Nissin has announced the powerful new MG10 hammerhead style flash, which could potentially give the AD200 a run for its money. But how does it compare on paper?

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Sports Illustrated Cuts Entire Staff Of Photographers From Payroll

There aren’t many working staff photographers around the world that aren’t worried about their jobs or wondering when the day will (inevitably) come when their publication will start handing out marching orders to the photography department. For the six remaining staff photographers at Sports Illustrated, that day came yesterday when the publication announced they would no longer need the services of Robert Beck, Simon Bruty, Bill Frakes, David E. Klutho, John W. McDonough, and Al Tielemans.

The magazine’s director of photography, Brad Smith, confirmed the news, citing “economic circumstances”. Sports Illustrated’s is undergoing several changes under the direction of parent company, Time, INC. In addition to letting go if it’s photographers, the magazine is also moving it’s headquarters into a smaller building because they cannot afford the rent in their current location any longer according to a statement issued to one of the photographers from a Sport’s Illustrated editor.[Read More…]

Quick Tip: Photographing a Reluctant Subject? Shoot From The Hip (Or From The Ear)

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This has happened to me countless times and I wish I knew this tip back in the days when I was starting out. James Madelin (the ‘Orbis‘ guy) and Matt Granger (Get You Gear Out) just shared this incredibly simple, but useful tip on shooting shy people.

James’s tip shares a tip from his photojournalism days where he had to shoot people that didn’t really want to be photographed. His first tip is to shoot from the hip (which is kinda common knowledge), but it was his second tip that threw me off. Shooting people with the camera set against your ear while talking to them. They see the camera, they hear the clicks, they know they are being photographed, but somehow the fact that the glass is not standing between you and them makes them easier about the whole experience. The benefit of shooting from the ear over shooting from the heap is that you are shooting at eye-level and that you engage with your subject.

Now, of course, I would not recommend this for anything but photojournalism, as it may raise privacy issues, or start a small riot, but if you must get a frame for a paper, this could save your day.

[Photographing a reluctant subject | Matt Granger, James Madelin]

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