So, you’ve seen what you’d look like when you’re old. Now it’s time for something new, right? Check out AI Portraits Ars, a website which turns your selfies or self-portraits into faux, but realistic-looking (and kinda eerie) classical paintings.
Ten tips for posing hands in portraits you’ll wish you knew sooner
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Including hands in the frame when shooting portraits can add to the story and make your portraits more appealing. But if you don’t pose them properly, they are rather a nuisance than useful addition to your image. In this video, Miguel Quiles shares ten useful things for posing hands in portraits to make the best out of your photos.
This is how focal length affects your portraits, from 24 to 135 mm
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The focal length of your lens affects your portraits, both in terms of subject distortion and the subject-background relationship. In this video, Julia Trotti demonstrates how this looks. She uses five prime lenses from 24mm to 135mm, so you can see just how much the change in focal length can change the final look of your image.
How to create stunning light painting portraits and nail focus every time
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Photographer Jason D. Page recently shared with us some of amazing light painting portraits he created along with his team. Photographing people this way can be quite a challenge, especially if you want to create the shots in one take. As you can imagine, keeping the subject sharp is pretty difficult when you’re shooting in the pitch-black environment. In this video, Jason shares his techniques which will help you to keep the subject sharp and nail focus every time when shooting light painting portraits.
Photographer uses clear water to create abstract painting-like portraits
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Slovak photographer Michal Zahornacky creates surrealistic mood in his photos, and he does it all in camera. Once again, he has brought together realistic and abstract. In the series he named Curves, he has turned ordinary portraits into amazing abstract, painting-like photos. And instead of using Photoshop, he used only some water and achieved these amazing effects entirely in camera.
Four things I hate about portrait photography in 2019
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OnPortraits.com was built to fulfill a positive mission: I want to give you actionable tips and tactics so you can create the portrait photographs you want.
But I woke up on the wrong side of the bed today, and I want to talk about 4 things I truly hate about portrait photography in 2019.
Winning photo of $120K HIPA prize was allegedly staged
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Prestigious competition the Hamdan International Photography Award (HIPA) recently announced its 2019 winners. Among them was Malaysian photographer Edwin Ong Wee Kee, whose photo of a Vietnamese mother carrying two children won the Grand Prize of $120,000. However, a behind-the-scenes shot of this moving image has been going around. And it shows that, apparently, the winning photo of the HIPA contest was staged.
This is the actual reason why you may not like your own portrait
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As a general type, portrait photos are often disliked by the subject themselves. From the early formative years of grade school on into the advanced years of adulthood, the uneasy feeling for the dislike of your own picture is universal. Yet it is not for vanity sake, or to spare the shock of another from seeing self-assumed horrors. Assuming you are neither a narcissist or a beauty queen with flawless perfection, you may be like the rest of the human race. There is real science behind the reason why you may not like your own photograph.
Simple tips for getting the most out of wide-angle portraits
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Wide-angle lenses are not the most common choice for shooting portraits, but they can give some interesting results. If shooting wide is your creative choice for portraiture, there are some things to watch out for. In this video from Adorama, photographer David Bergman will give you some quick tips on what to keep in mind when shooting portraits with wide-angle lenses.
Photographer reveals what it’s like to photograph a humanoid robot
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You might well have heard of Sophia, a humanoid robot built by Hong Kong-based company Hanson Robotics. Although she’s not a human, she resembles one in more than just facial features. She interacts with people, she can reportedly recognize faces, and she can mimic 62 human facial expressions. So how do you photograph something (or someone) that so closely resembles a human, yet isn’t actually a real human?
Italian-born photographer Giulio Di Sturco had a chance to take portraits of this humanoid robot and her expressive silicone face. But even more than that: he was granted exclusive permission to explore the story behind Sophia and the lab where she was made.
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