Wide-angle lenses are not the most common choice for shooting portraits, but they can give some interesting results. If shooting wide is your creative choice for portraiture, there are some things to watch out for. In this video from Adorama, photographer David Bergman will give you some quick tips on what to keep in mind when shooting portraits with wide-angle lenses.
You might well have heard of Sophia, a humanoid robot built by Hong Kong-based company Hanson Robotics. Although she’s not a human, she resembles one in more than just facial features. She interacts with people, she can reportedly recognize faces, and she can mimic 62 human facial expressions. So how do you photograph something (or someone) that so closely resembles a human, yet isn’t actually a real human?
Italian-born photographer Giulio Di Sturco had a chance to take portraits of this humanoid robot and her expressive silicone face. But even more than that: he was granted exclusive permission to explore the story behind Sophia and the lab where she was made.
Christmas has gone. We’re almost to the new year. In a few hours, we’ll be there. But it’s never too late for a festive wintery themed photo shoot. Winter’s still going to be here for a while yet. In this video, photographer and educator Gavin Hoey walks us through his process to create this festive fine art composite portrait in the studio.
When you’re traveling, everything is new to you and there’s so much to photograph: nature, landscapes, cities, and of course: the people. It seems like a dream come true, but it can be a real challenge to photograph people in a country new to you and in a different culture. There are so many nuances to keep in mind and many potential misunderstandings.
In this video, Mitchell Kanashkevich discusses all the hard truths about photographing people while you’re traveling. But he also offers solutions to overcome challenges and end up with splendid photos, memorable experiences, and perhaps even some new friendships.
I have no idea where I first heard this, but it’s extremely true: “the main difference between painting and photography is that the painters need to work hard to put things into their images, whereas photographers have to work hard to take things out of their images.” Painters start with a blank canvas, and every single thing that ends up in the final piece of art is a result of careful craftsmanship, years of hard-earned skill, and raw intention. The photographer’s canvas, on the other hand, is all of the world’s visual chaos, and he or she must deploy an equivalent amount of craftsmanship, skill, and intention to weed out all the fluff.
Photographers mainly use light tents for capturing product shots. But have you thought of fitting a human into a portable light tent? Konseen Photo Studio is a pop-up light tent that lets you photograph portraits. It’s foldable and comes with the built-in LED light, so you can set everything up without hassling with too much gear.
If you’re looking for a high-quality, sharp lens with fantastic bokeh, vintage lenses can be a great option. They can give you images of great quality, yet you can buy many of them at very affordable prices. In this video, Mathieu Stern compares three vintage lenses for shooting portraits: Konica 40mm f/1.8, Porst 50mm f/1.4, and Jupiter 9 85mm f/2. He paid the cheapest among them around $6, so let’s see how they perform.
Justin Rosenberg is a photographer who loves fog! But that’s not all he shoots, in his own words he says ‘In my images, I aim to convey a sense of that hope in the struggle. Much of my work focuses on a single subject relating to a seemingly harsh/sparse environment. I’m often drawn to the natural world as a setting; particularly cold, foggy, and gloomy scenes. I find there to be a beautiful vulnerability in the loneliness and isolation of a subject in a harsh/sparse spaces.
Though fog is not in all of my work (mainly due to my lack of ability to control the weather), whenever possible, I try to incorporate it. Fog forces you to be in the present moment. In any direction, you can only see for a just a little bit, so all you’re left with is exactly what is happening in that moment. You can look in front of you, but you can’t see the future. You can look behind you, and you’re not defined by the past. You’re just exactly where you are, right where you need to be, right when you need to be there.’