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This is why you probably shouldn’t upgrade your camera gear

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It’s the perpetual question in photography. Should I upgrade my gear? It’s one that photographers seem to struggle with every day – because that’s how often new cameras seem to be getting announced these days. Everybody thinks they’re missing out on something wonderful and amazing when they don’t have the latest and greatest kit.

But do you really need it? Should you upgrade? That’s the answer that photographer Dan Watson attempts to answer in this video – as he walks into frame carrying a Nikon Z7, Canon EOS R, Fujifilm X-T3, Sony A7III and Sony A7RIII. The short answer, though, is that you probably don’t. Not really. Not if you need to ask the question.

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This Kansas City district is fighting back against photographers

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The historic West Bottoms district of Kansas City is fighting back against photographers. They’ve been battling what seems to only be describable as a “swam” of photographers taking over the area for photo shoots. It’s a beautiful place, photographically speaking, so the draw for photographers is obvious. But these local business owners have had enough.

They’ve had photographers coming up to use their buildings as photographic backdrops to the point of not only hindering the operation of their business but also blocking entire streets. The business owners have even gotten to the point of putting up “No Trespassing” signs with the words “No Photography” written on them.

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Social media is ruining photography

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In the U.S. and most industrialized nations, we have a collective infatuation with technology but a poor understanding of its effects – both intended and unintended. We love asking Siri to play our favorite song, but don’t fully consider the privacy implications of allowing the device to persistently listen to us. We love the convenience of smartphones, so much so that we’re willing to engage in destructive behavior like texting while driving. And we love the connectedness of social media, but are virtually powerless to the dopamine-dependent culture of likes and comments.

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Abstract art: a crown jewel of photography

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Abstract art in photography does not attempt to represent external reality. Photography artists instead find shapes, patterns, colors, and textures for their visually stimulating photographs. This body of work in essence attempts to separate or withdraw something from something else like, for example, the intricate patterns of reptilian skin or the shapes and colors of rough seas or volcanoes.

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What is colour science? Why does it matter? And what makes Canon special?

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Colour science is a term often thrown around these days, but what does it actually mean? Well, in this context, and one very simplified explanation, it’s how your camera “sees” and processes the colour hitting the sensor, ultimately turning it into the final image it saves out to your memory card.

But what does that mean to the end user? And does it really even matter? In his usual non-stop info-packed way, Gerald Undone deep dives into the topic of colour science in this 13-minute video.

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Don’t make these mistakes when you plan a photography trip

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For us in the northern emisphere, it’s that time of the year when nature changes and landscapes explode with color. Many photographers (especially landscape photographers) take trips in the fall and capture the changing world around them. Before you hit the road, it’s important to prepare, so that you can make the most of your photography trip. In this video, Nigel Danson talks about some mistakes he has made when planning photography trips. As he has learned something from them, he can now give you some useful advice on how to avoid the mistakes he made, and plan your trip perfectly.

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How to simulate a medium format camera with a DSLR

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The “Brenizer method” isn’t exactly a new idea. In fact, it’s been around since before it was claimed by Ryan Brenizer. He was simply the one who made it popular. And we’ve covered it a few times before. But what is it? What does it do? And how do you do it?

Essentially, it’s a way to simulate the look of a larger format sensor than that which is contained inside your camera. It’s done by shooting several images at the same focus distance and aperture which are then stitched in post to create a wider field of view with a shallower relative depth of field. And in this video, Jamie Windsor shows us how.

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5 reasons to get it right in-camera and not fix it in post

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It’s something we’ve been hearing in the worlds of both photography and video for years. Ever since digital became a thing, so did “Oh, we’ll fix it in post”. But most of the things that we often choose to fix in post can more easily be fixed in-camera on the day. Sure, it might take an extra 5 or 10 minutes of your time, but it could shave hours off your post production.

In this video from the guys at Aputure, we see five reasons why you should definitely fix things in-camera, and not rely on post for.

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