If you own plenty of gear or perhaps a camera store, you gotta keep all those gadgets somewhere, right? Well, make sure to invest in sturdy, high-quality shelves if you want them to be safe and sound. In this CCTV video, you’ll see what can happen if you don’t.
There are times when your gear absolutely needs an upgrade. But there are those other times when you think upgrading will make you a better photographer or a happier person – but it won’t. In this video, Rafael Ludwig discusses why we should “get off the hedonic treadmill” and stop upgrading our gear all the time, and how new gear won’t make us any happier or any better at photography.
Sigma has recently announced that they will replace or repair any of their equipment damaged in the recent hurricanes. So, in case your Sigma gear has been damaged or destroyed by hurricane Harvey, Irma, or Maria, you’re entitled to have it replaced or repair for free. The conditions are that the gear is still under warranty and that you send it for the repair/replacement by December 31, 2017.
Olympus just announced two new cameras today. One is the SH-1 Superzoom, a compact camera following current trends with the sleek retro look its been given. The other is the TG-3 TOUGH, and you can tell exactly how it’s designed by its name: to endure and last.
My GoPro and I have hit a bit of a rocky stretch in our relationship. I’m not sure yet if we’re heading for divorce, but we’re defiantly not newlyweds anymore.
But it’s not just the technical problems I’ve been having with my GoPro that have been bothering me – we’ve kind of drifted apart artistically as well.
G-technology is no stranger to mass storage. The company is leading the market when it come to high performance storage for creative people. The G-Dock ev with Thunderbolt is one of those storage devices. It’s has everything you’d expect from a device aimed at creative professionals and also those who see themselves as such; It’s extremely well built, looks “pro” and works as it should – fantastically. (I guess you can tell where this review is going to go… we love it!)[Read More…]
I have been hearing a lot of buzz about the Sigma 35mm f/1.4 for a while now, but up until now, I haven’t had the chance to try one out on a real gig.
As a pro photographer, I learned a long time ago that it is a bad idea to make photo gear decisions based on cost – it’s just better to buy the best equipment for the job.
But in this case, it’s pretty hard to argue with a lens that costs about half of its name brand competitors.
In this article I’ll share my hands on experience with the Sigma 35mm f/1.4 lens and some sample photos.
I use a lot of AA batteries. So many in fact that finding them all and getting them charged up for a gig has become a significant bottleneck in my workflow.
I have finally realized that it is time for a more sophisticated system to actually manage all of the batteries that I need – as opposed to the old system which mostly consisted of pulling batteries out of my kid’s toys, TV remotes (or wherever else my AA batteries had migrated to) and then shoving them into ten different chargers the day before a big shoot.
Being part of the news and documentary photography business in Israel I usually work with the classic “hard-core” equipment, Canon 5D Mark II camera and the 16-35, 70-200 L type lenses. The equipment is minimal, usually fitting two ‘Newswear’ pouches on my belt. Anything else stays home.
This is why I was excited to get something new, the Lensbaby lenses – a Composer Pro, Sweet 35 Optics, Soft Focus Optics and Fisheye Optics. While I never got to try them, I knew they were small and compact, something I can easily carry with me on my photographic journeys. I’ve read few reviews about those lenses but was always missing the unique angle of someone who took them on a news or documentary mission. I decided this would be the unique angle I will explore.