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Capture One 22 lets you stitch panoramics and create merged HDR images – releasing on December 9th

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Capture One has announced its new Capture One 22 software. Or at least, they’ve announced that it’s coming. With a release date of December 9th, it brings with it two pretty significant and highly requested features. The first is native panoramic stitching. Yes, that’s right. No longer do you need to export them out and bring them into another piece of software, you can now stitch from within Capture One itself straight from your raw files.

The new Capture One 22 is also able to create merged HDR files within the software as well, allowing you to exceed the dynamic range of just a single raw file for maximum versatility in high contrast scenes. Unfortunately, there’s no teaser video yet showing these new features in action, but they do have a live stream scheduled on their YouTube channel for December 9th when it’s officially released.

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How to make a 3D printed panoramic head that lets you shoot 12K 360° images with a GoPro

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There are a lot of choices out there these when it comes to 360° cameras, and while many of them are very good, the really good ones capable of shooting super high resolution are extremely expensive. But all is not lost. You can still get very high resolution 360° my simply stitching multiple shots from a regular camera together. Even something like a GoPro action camera.

In this video from My Tech Fun, we see how we can use a 3D printed panoramic mount (also designed by My Tech Fun – and free to download) in order to shoot 12K 360° images with an action camera. While GoPro does have their own 360° camera, this will offer a lot more resolution and detail when zooming through the image on the desktop.

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This photographer spent all day standing outside a liquor store to get one photo

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Sometimes, we see something that we want to make a photograph of. But we don’t just want to grab a quick snap and go on our merry way. We instantly have a vision in our heads. We know how we want that final image to look. But we can’t. We don’t have our gear with us, or it’s the wrong type of weather or time of year. Whatever.

That’s how photographer Nick Carver felt when he stumbled across this liquor store while visiting his future in-laws in Santa Barbara. Instantly he fell in love with it and knew he had to photograph it. He’s been waiting a long time to do it, but he finally has, and he documented his process of shooting it on super wide 6×17 medium format film.

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This New York City day-to-night panorama took 4 hours to shoot

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It took Mexico based photographer Felix Hernández five years and several trips to New York City to be able to get this shot. Not being from the USA, NYC isn’t a place that Felix gets to visit very often. It took him several trips just to find the right spot from which to shoot. But when he finally did, was able to make this wonderful day to night panorama transition.

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How to quickly use Photoshop to correct severe distortion for perfect panoramics

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I make quite a few stitched panoramics. Occasionally I shoot them when I go on holiday and find a cool place. Mostly, though, I shoot them when I’m location scouting. When I come across a new area to potentially photograph somebody in the future, I fire off a few shots to stitch in post. They’re very handy for that. But they often suffer from the same problem. All kinds of warping and perspective issues.

The effect is bad enough if your lens already has some natural distortion of its own. When multiple images are stitched it worsens the issue. This video from photographer Rex Jones comes to the rescue, though, showing us how we can correct it in Photoshop. A great method for perfect distortion free images.

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How a student created his own 3D printed medium format panoramic camera

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Paul Kohlhaussen, a student from Richmond in London has created a fully functioning 3D printed camera. Paul took the best features from an array of costly high-end cameras and reverse engineered them into the camera of his dreams. Without the funds to afford the camera he needed to get the perfect shot he wanted and no knowledge of CAD, Paul taught himself everything from scratch when designing and building the eight components that make up the camera’s modular design.

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Filmmaker shot two DSLRs side-by-side for two years to make this amazing panoramic timelapse of LA

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There comes a point in a timelapse photographer’s journey that one wants to do something different. They want to try to push the techniques and their own abilities. To try to create something new and interesting. Many such experiments don’t work quite as we’d intended, but oftentimes, they can work extremely well.

The latter is the case for photographer and filmmaker Joe Capra. Joe’s constantly trying to take his work beyond the previous limits. You might remember some of his past work that we’ve featured, such as the 12K Timelapse shot on the Phase One IQ3. Now Joe’s back with a new timelapse of Los Angeles which was shot using a pair of Canon 5D Mark III bodies side-by-side on a custom rig.

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Shooting a 300MP photo of a Hotrod – full frame digital vs large format film

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Recently, I was tasked with shooting a hotrod. It was exciting from the beginning, because these kinds of cars are pretty rare here. The owner also wanted his dog sitting on the fender. When you hear that (from a photographer’s point of view), it does not sound that difficult to do. But the picture also has to be huge – 100 megapixel are too few.

Three times of that is the minimum requirement for the print. A digital medium format camera gives you 100 Megapixel, maximum 200 in one shot. These are not that easy to rent and they are very expensive too.

My solution was to do a stitched panorama digitally with Canon 5D mkIII, Canon 100mm Macro and the Nodal ninja. Additionally, I shot with my large format camera, a Linhof Mastertechnika with a Kodak Portra 160 VC sheet film.

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You can now shoot Panoramas and 360 degree photos with the Syrp Genie Mini

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Moving the camera is the single biggest way to add impact and production value to your video and timelapse sequences. In fact, camera movement has almost become expected these days. The Syrp Genie Mini is a fantastic tool which lets you do exactly that. You can check out our recent review here and see for yourself.

Now the Genie Mini has just got even better, especially for stills photographers. The latest software now allows you to easily shoot panoramic stills and 360 degree photos.

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How to deal with difficult panoramic image stitching in Photoshop the easy way

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With the speed boosts and memory capacities of modern computers, stitching multiple shots together to make larger panoramic images has become a very common technique used by many photographers.  Chances are, if you’re reading this, you probably have too, or you’ve at least thought about giving it a go.

While most stitches go pretty well, there are times when Photoshop isn’t quite sure what you want it to do, and gives you a result you definitely didn’t expect.  In this video tutorial from Photoshop wizard Jimmy McIntyre, we see some pretty in-depth techniques for recognising these issues and how to overcome them.

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