When photographer Daniel Shiffer was looking at overhead rigs, none of these solutions worked for him. He needed something portable that he could just throw in the back of the car and set up or break down at a moment’s notice. So, he turned to a desktop computer monitor stand.
There must be at least 3 million different ways to mount an overhead camera rig. Seriously just look at how many we’ve already covered here on DIYP. But there’s always room for more, especially when they set things up a little differently. And even more so when they’re designed for much larger sets than those we might typically be used to. And in this video from commercial photographer Tony Roslund, we see just how to build one for that larger set using a couple of light stands, a few clamps and a pole.
The “flat design” style drop shadows seem to have become a big thing lately. Whenever I check out my YouTube feed, I always seem to see a new tutorial on how to do it in Photoshop, Illustrator or After Effects. It’s easy to see why. It’s a pleasing look. It complements a flat design with a sense of realism, depth and context. This is the first time, though, that I’ve seen it done for real, with actual objects.
In this video from the Cinematography Database, Matt Workman teams up with Greg from Lens Pro To Go to show us how it’s done. Starting off with a simple overhead setup, they take us through the entire process. They break the process down into individual steps and build it up one light at a time. This lets you see exactly how each light is contributing to the scene.
Mounting a camera overhead can be a difficult task if it’s not something you need to do regularly. Many of those that do need it regularly have permanent camera installations so they’re always ready at a moment’s notice. For those who prefer to take the DIY approach, we’ve covered quite a few options before. Sometimes, though, you don’t want a permanent fixed rig.
What do you do for those random occasions where you just decide you want an overhead shot, and need to setup in a hurry? Well, this video from the folks over at Wistia offers three different ways to help you get the overhead shot with minimal extra kit.
Really quick and dirty article for you this week on a handy little tip I found myself having to find for a solution to a problem.
I was doing a photoshoot with this subject when I noticed how awesome the decking looked, I decided that I wanted to get a shot of him led down on the decking but still wanted that jawline / chin to pop. He didn’t feel comfortable forcing his chin towards the camera while laying down due it being difficult as hell because your head is heavy!