optical snoot

Lighting Setup: Pastel Colored Light and Gobos

Sep 7, 2022 by Jake Hicks Add Comment

Ever since I started to use colored lighting, I’ve always battled with the issues that many of us face when combining multiple colors and if you’ve shot with colored gels in the past, I’m sure you’re familiar with what I mean. Images involving multiple colored lights can sometimes look messy or display muddy colors that look almost blocky with clipped color data. But why does this happen? Why do our colored lights often look a mess?

The reason for this is actually fairly simple and in this lighting setup I’ll show you how to mix even delicate pastel colors in the same shot, whilst still maintaining a crisp look.

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How to make a simple 3D-printed grid snoot for your strobe

Oct 1, 2021 by Chris Cameron Add Comment

A grid snoot is a great light shaper for photographers who want to throw a little light into a tight spot or highlight a select part of a scene, or cast a beam across a surface.

It is a favourite of DIYers and can be hacked together using card, tape and a bundle of drinking straws. In the past I have made snoots using off-cuts of Nomex.

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What the heck is an optical snoot and how do you use one?

May 25, 2021 by John Aldred Add Comment

There are two different types of snoot out there when it comes to flashes. You’ve got your regular snoots, which essentially act like a cylindrical flag around your light that blocks off any light not travelling directly ahead. Then you’ve got optical snoots, which incorporate some kind of lens, letting you project the light.

In this video, photographer David Bergman shows off how both types of snoot work but with the main focus being on optical snoots, using the Light Blaster – a popular optical snoot designed primarily for speedlights but that can also be adapted to studio strobes.

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A comprehensive optical snoot review

Jul 25, 2019 by Jake Hicks 3 Comments

When photographers use terms like ‘hard’ and ‘soft’ light, it’s actually incredibly vague. You would rarely describe your meal as simply a ‘meat’ dish, so when a photographer says they are using hard light in a portrait, it’s just as open to interpretation as your mystery-meat.

Hard light can be anything from strong sunlight, to snoots, grids or even simple barn doors in a studio. But even with all that, none come close to the true crisp, brilliantly contrasty light of ‘Optical Snoots’.

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